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Stress and Rhythm - DLFeSCHOOL

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<strong>Stress</strong> <strong>and</strong> <strong>Rhythm</strong><br />

Donna M. Brinton<br />

Professor of TESOL<br />

Soka University of America


Overview of today’s lecture<br />

Characteristics of stressed syllables<br />

The effect of affixation on lexical stress<br />

Lexical stress in . . .<br />

̶ Compounds<br />

̶ Noun/verb pairs<br />

̶ Phrasal verbs<br />

̶ Numbers<br />

Poetic meter <strong>and</strong> stress-timing<br />

Teaching strategies


<strong>Stress</strong>ed syllables<br />

<strong>Stress</strong>ed syllables are…<br />

̶ Louder: in volume<br />

̶ Longer: in duration<br />

̶ Higher: in pitch<br />

They contain full vowels,<br />

not unstressed vowels.


Louder, longer, higher…<br />

Compare:<br />

about release contain<br />

certain leisure chamber<br />

astronaut sterilize terrify<br />

remember banana religion<br />

underst<strong>and</strong> engineer introduce<br />

revitalize gratuitous particular<br />

salutation absolutely locomotive


Lexical stress<br />

There are three levels of lexical stress:<br />

LEXICAL<br />

STRESS<br />

primary secondary unstressed


Levels of lexical stress<br />

Lightly stressed (secondary stress)<br />

Unstressed (weak or no stress)<br />

Strongly stressed (primary stress)<br />

<br />

Japanese<br />

/dæpniyz /


<strong>Stress</strong> <strong>and</strong> unstress<br />

Polysyllabic words alternate stressed<br />

<strong>and</strong> unstressed syllables.<br />

̶ There is one primary stressed syllable.<br />

̶ There may also be syllables containing<br />

secondary stress.<br />

Primary <strong>and</strong> secondary stressed<br />

syllables contain full vowels.<br />

All remaining syllables are unstressed<br />

<strong>and</strong> contain unstressed vowels.


Marking stress<br />

IPA marks primary versus secondary stress by<br />

means of diacritics:<br />

̶ A superscript / / indicates primary stress.<br />

̶ A subscript / / indicates secondary stress.<br />

/fowræfk/<br />

/fowræfk/<br />

Alternately, acute / / <strong>and</strong> grave / / accent<br />

marks may be placed over the respective<br />

primary <strong>and</strong> secondary stressed vowels.


<strong>Stress</strong> <strong>and</strong> meaning<br />

<strong>Stress</strong> placement can affect meaning:<br />

DESert a geographical<br />

area with very<br />

little rain<br />

INvalid<br />

a person who is ill<br />

or disabled<br />

MISery a state of extreme<br />

unhappiness<br />

OBject a thing that can be<br />

seen <strong>and</strong> touched<br />

deSSERT a sweet dish<br />

served at the<br />

end of a meal<br />

inVALlid no longer<br />

good; out of<br />

date<br />

MiSSOURi state in the<br />

south of the<br />

U.S.<br />

obJECT to express<br />

disapproval


A little desert?


British vs. American<br />

Word stress sometimes differentiates<br />

British from American English:<br />

American British<br />

perfume perfume<br />

capillary capillary<br />

chimpanzee chimpanzee<br />

controversy controversy<br />

laboratory laboratory


Overview of stress placement<br />

The following influence where the<br />

stress falls within a word:<br />

̶ Historical origin of the word (e.g., Anglo<br />

Saxon, Norman French, Classical, etc.)<br />

̶ Affixation (addition of prefixes/suffixes)<br />

̶ Compounding (new word formation)<br />

̶ Grammatical category (e.g., noun, verb,<br />

adjective, etc.)


A word’s origins<br />

Many loan words in English retain the<br />

stress of the language from which<br />

they were borrowed, e.g.,<br />

̶ French: masseuse, bizarre, baroque<br />

̶ Persian: bazaar<br />

̶ Arabic: giraffe<br />

These words count as exceptions to<br />

the general stress rules.<br />

Stockwell & Minkova (2001)


The Anglo Saxon “root” rule<br />

Words of Anglo Saxon origin are stressed on<br />

the first syllable of the root:<br />

never meadow Monday body<br />

father become summer unpack<br />

These tend to be common words (e.g., parts<br />

of the body, the calendar, animals, domestic<br />

life, basic verbs <strong>and</strong> adjectives, the<br />

l<strong>and</strong>scape, war <strong>and</strong> peace).


Overview: Suffixes <strong>and</strong> stress<br />

The addition of a suffix in English causes<br />

one of three things to occur:<br />

1) <strong>Stress</strong> neutral suffixes: No change in stress<br />

forgive forgiven<br />

regret regretful<br />

2) <strong>Stress</strong> dem<strong>and</strong>ing suffixes: <strong>Stress</strong> falls on<br />

the suffix itself<br />

absent absentee<br />

auction auctioneer


Overview, cont’d.<br />

3) <strong>Stress</strong> changing suffixes: <strong>Stress</strong> shifts to the<br />

penultimate (next to the last) syllable<br />

athlete athletic<br />

telephone telephonic<br />

athlete + -ic = athletic


<strong>Stress</strong> neutral suffixes<br />

These do not change a word’s stress:<br />

̶ Early English suffixes: -dom, -en, -er, -<br />

ess, -ful, -hood, -ish, -less, -ly, -man,<br />

-ness, -some, -ward(s), -wise<br />

king kingdom; child childhood<br />

̶ Non-native suffixes: -ist, -ize (with<br />

minor exceptions)<br />

active activist; union unionize<br />

Stockwell & Minkova (2001)


<strong>Stress</strong> dem<strong>and</strong>ing suffixes<br />

These dem<strong>and</strong> or “steal” the stress:<br />

̶ -aire, -ee, -eer, -elle, -esce,<br />

-ese, -esque, -ette<br />

acquire acquiesce<br />

China Chinese<br />

Stockwell & Minkova (2001)


“<strong>Stress</strong> changing” suffixes<br />

These shift the stress to the left of the suffix:<br />

̶ -ic (also: ical, -ics)<br />

• gene genetic<br />

• microscope microscopic<br />

Exceptions: arithmetic, heretic, lunatic, politic,<br />

rhetoric, arsenic, Catholic, choleric, Arabic<br />

̶ -id, -ity<br />

• stupid stupidity<br />

• masculine masculinity<br />

Stockwell & Minkova (2001)


Compounding<br />

Compounding is a productive strategy in<br />

English for creating new words.<br />

Compounds function somewhat like<br />

idioms, assuming a special meaning:<br />

greenhouse whiteboard – a special surface structure teachers use used to to write grow onplants<br />

They also assume a unique stress<br />

pattern, with stress falling on the first<br />

element of the compound:<br />

greenhouse whiteboard<br />

Jackson & Zé Amvela (2007)


<strong>Stress</strong> patterns with compounds<br />

Noun + noun<br />

bird cage<br />

wagon train<br />

Noun + verb<br />

baby sit<br />

web surf<br />

knee jerk<br />

Adjective + noun<br />

green card<br />

hot plate<br />

Noun + adjective<br />

air sick<br />

sea sick<br />

Verb + preposition<br />

splashdown<br />

countdown<br />

touchdown<br />

Adjective + noun + noun<br />

back seat driver<br />

waste paper basket<br />

hot dog bun<br />

blackbird nest<br />

Jackson & Zé Amvela (2007)


Compounds vs. phrasal units<br />

Compounds <strong>and</strong> phrasal units are<br />

differentiated by their stress patterns.<br />

The stress difference also signals a<br />

difference in meaning:<br />

̶ Adjective + noun compound<br />

Don’t forget to turn off the hot plate.<br />

[=small electric burner]<br />

̶ Adjective modifying a noun<br />

Careful, that’s a hot plate.<br />

[=plate that is hot]


Juncture in compounds<br />

Compounds also lack the open juncture<br />

that signifies word boundaries:<br />

̶ greenhouse vs. green house<br />

̶ White House vs. white house<br />

̶ shortstop vs. short stop<br />

̶ head doctor vs. head doctor<br />

̶ freeway vs. free way<br />

̶ bluebook vs. blue book


Hip doctor<br />

hip – 1960’s slang for fashionable; trendy<br />

groovy – 1960’s slang for terrific; excellent


<strong>Stress</strong> <strong>and</strong> grammar<br />

In certain pairings (~130 of them), stress<br />

marks grammatical category:<br />

Verb Noun Adjective<br />

conduct conduct<br />

survey survey<br />

present present present<br />

perfect perfect


<strong>Stress</strong> <strong>and</strong> grammar, cont’d.<br />

Compare:<br />

The teacher presented the present<br />

perfect tense.<br />

It’s a rebel’s responsibility to rebel<br />

against authority.<br />

If you don’t conduct yourself<br />

appropriately, I’ll give you a failing<br />

grade for conduct.


Phrasal verbs<br />

Like compounds, phrasal verbs function<br />

much like idioms, acquiring a special<br />

meaning of their own.<br />

Phrasal verbs consist of verb + particle<br />

element(s). The particle receives stress.<br />

̶ look out (= be careful; pay attention)<br />

̶ turn on (= become excited or aroused)<br />

̶ take off (= leave; depart)<br />

̶ look down on (= lack respect for;<br />

disregard)


Look out!<br />

LOOKout =<br />

a scenic<br />

view<br />

look OUT =<br />

caution; pay<br />

attention


Careful… vicious dog!<br />

turn ON – sexually excite<br />

TURN on – attack<br />

doberman<br />

pinscher


<strong>Stress</strong> <strong>and</strong> phrasal verb<br />

<strong>Stress</strong> in phrasal verbs functions one of<br />

three ways:<br />

̶ <strong>Stress</strong>ed verb + unstressed particle<br />

He doesn’t approve of her friends.<br />

̶ <strong>Stress</strong>ed verb + stressed particle<br />

I can’t figure out this problem.<br />

̶ <strong>Stress</strong>ed verb + stressed particle +<br />

unstressed particle<br />

He got away with murder.


Cardinals <strong>and</strong> ordinals<br />

Cardinal <strong>and</strong> ordinal numbers are typically<br />

stressed on the first syllable:<br />

twenty, twentieth<br />

However, when differentiating –teen<br />

numbers from their double-digit<br />

counterparts, speakers typically place the<br />

stress on the second syllable:<br />

fiftieth vs. fifteenth


Hyphenated numbers<br />

Hyphenated numbers function as<br />

compounds; they can be stressed on<br />

either element.<br />

<strong>Stress</strong> serves a disambiguating function.<br />

Compare:<br />

̶ You got seventy-five on your quiz, not<br />

seventy-six.<br />

̶ You got seventy-six on your quiz, not sixtysix.


Phrasal stress<br />

The same combination of stress <strong>and</strong><br />

unstress that characterizes English words<br />

also characterizes phrase-length<br />

utterances:<br />

ecoNOmics in the COMics…<br />

<br />

<br />

natioNALity it’s a CHICKadee…<br />

electrifiCAtion<br />

she went to the<br />

STAtion…


Da da DA da da DA da da DA<br />

The alternation of<br />

stressed/unstressed<br />

syllables characterizes<br />

English stress-timed<br />

rhythm.<br />

Poetry makes artistic<br />

use of stress-timing by<br />

employing regular<br />

rhythmic patterns.<br />

William Shakespeare


Poetic meter<br />

· '<br />

· · '<br />

' ·<br />

' · ·<br />

Iambic - an unstressed syllable followed by<br />

a stressed syllable<br />

Anapestic - two unstressed syllables<br />

followed by a stressed syllable<br />

Trochaic - a stressed syllable followed by<br />

an unstressed syllable<br />

Dactylic - a stressed syllable followed by<br />

two unstressed syllables


Poetic meter, cont’d.<br />

Double, double toil <strong>and</strong> trouble;<br />

Fire burn, <strong>and</strong> caldron bubble.<br />

Fillet of a fenny snake,<br />

In the caldron boil <strong>and</strong> bake;<br />

Eye of newt, <strong>and</strong> toe of frog,<br />

Wool of bat, <strong>and</strong> tongue of dog,<br />

Adder's fork, <strong>and</strong> blind-worm's<br />

sting,<br />

Lizard's leg, <strong>and</strong> owlet's wing,—<br />

For a charm of powerful<br />

trouble,<br />

Like a hell-broth boil <strong>and</strong><br />

bubble.<br />

trochaic<br />

' · ' · ' · ' ·


<strong>Stress</strong> <strong>and</strong> meaning<br />

Try reading the following three phrases:<br />

1. /In'Es´ns/<br />

2. /'In´s´ns/<br />

3. /In´'sEns/<br />

Match the letters with the numbers:<br />

a. in essence<br />

b. in a sense<br />

c. innocence<br />

#1<br />

#3<br />

#2


Comparative stress patterns<br />

<strong>Stress</strong> in English is more pronounced than<br />

in other languages. Compare:<br />

English French<br />

orga ni ZA tion or ga ni sa TION<br />

e co NO mic<br />

e co no MIQUE<br />

ge O gra phy ge o gra PHIE<br />

de mo CRA tic<br />

de mo cra TIQUE


Metronome drills<br />

»<strong>Stress</strong>es in »English »tend to oc»cur at<br />

»regular »intervals of »time. (») It is<br />

»perfectly »possible to »tap on the »stresses<br />

in »time with a »metronome. (»)<br />

The »rhythm can »even be »said<br />

to de»termine the »length of<br />

the »pause between »phrases.<br />

(») An »extra »tap can be »put<br />

in the »silence, (») as »shown<br />

by the »marks with»in the pa»rentheses. (»)<br />

Prator (1951)


Teaching Strategies:<br />

Lexical <strong>Stress</strong>


Options for stress practice<br />

How many syllables?<br />

recalcification<br />

Same or different?<br />

elephant – canary<br />

Odd man out<br />

six!<br />

different!<br />

Patricia – Regina – Jennifer – Alicia<br />

Circle the stressed syllable<br />

Georgia – Massachusetts – Nevada – Iowa


How many syllables?<br />

1. ab<strong>and</strong>on 6. preference 11. intelligible<br />

2. offered 7. superstitious 12. individual<br />

3. distribute 8. responsibility 13. interdisciplinary<br />

4. protect 9. refrigerator 14. multiplication<br />

5. television 10. characterize 15. misunderst<strong>and</strong>


How many syllables, cont’d.<br />

1. ab<strong>and</strong>on<br />

(3)<br />

2. offered<br />

(2)<br />

3. distribute<br />

(3)<br />

4. protect<br />

(2)<br />

5. television<br />

(4)<br />

6. democrat<br />

(3)<br />

7. superstitious<br />

(4)<br />

8. responsibility<br />

(6)<br />

9. refrigerator<br />

(5)<br />

10.characterize<br />

(4)<br />

11.intelligible<br />

(5)<br />

12.individualism<br />

(7)<br />

13.interdisciplinary<br />

(7)<br />

14.multiplication<br />

(5)<br />

15.misunderst<strong>and</strong>ing<br />

(5)


More stress practice: Analysis<br />

Task: Match the patterns in column 1 with the<br />

words in column 2.<br />

Column 1<br />

1. ta-ta-TI-ta<br />

2. ta-TI-ta-ta<br />

3. TI-ta-ta-ta<br />

4. TI-ta-ta<br />

5. ta-ta-TI-ta-ta<br />

6. ta-TI-ta-ta-ta<br />

a. reality<br />

Column 2<br />

b. mysteriously<br />

c. stimulus<br />

d. electricity<br />

e. arbitration<br />

f. permanently


My uncle has a hot dog…<br />

hot DOG?<br />

HOT dog?


Taboo: Noun compounds<br />

dishwasher<br />

s<strong>and</strong>paper<br />

passport<br />

sunglasses<br />

h<strong>and</strong>bag<br />

drugstore<br />

You can put all your<br />

If wood dirty plates is very <strong>and</strong> rough,<br />

You glasses you need need here it this to <strong>and</strong> cross to<br />

You Some<br />

make they an wear women<br />

international will them<br />

it smooth. clean when carry<br />

almost<br />

automatically.<br />

it’s border. very everything<br />

You can buy bright aspirin<br />

they own outside. around with<br />

<strong>and</strong> toothpaste there.<br />

them in this thing.


I’m going to the drugstore…<br />

A: I’m going to the drugstore. I need to<br />

buy some suntan lotion.<br />

B: I’m going to the drugstore. I need to<br />

buy some suntan lotion <strong>and</strong> some toilet<br />

paper.<br />

C: I’m going to the drugstore. I need to<br />

buy some suntan lotion, some toilet<br />

paper, <strong>and</strong> a notebook. Etc.


Minimal pair practice<br />

It took 15 / 50 men to build the<br />

monument.<br />

She’s not a day over 13 / 30.<br />

If you want me to buy a ticket, I’ll need<br />

you to give me 18 / 80 dollars.<br />

My accountant says my tax bracket is<br />

14 / 40 per cent.<br />

There are 16 / 60 steps to climb before<br />

you reach the top.


Teaching Strategies:<br />

<strong>Rhythm</strong>


Focused listening/reading practice<br />

PATTERN WORDS PHRASES<br />

toNIGHT It’s LIGHT.<br />

reCEIVE Please LEAVE.<br />

ChiNESE Try CHEESE.<br />

volunTEER It’s a DEER.<br />

sevenTEEN She’s the QUEEN.<br />

underSTAND Where’s the BAND?<br />

reACtion Where’s JACKson?<br />

ALASka I’ll ASK her.<br />

Brinton (2008)


Congruent pattern drills<br />

<br />

1. I need a pound of butter.<br />

2. I’d like to buy a sweater.<br />

3. You didn’t close the window.<br />

4. He ought to buy a laptop.<br />

5. She doesn’t speak much English.


More congruent drills: Nursery rhymes<br />

TWINkle, TWINkle LITTle STAR<br />

(Let me help you find your keys.)<br />

(Don’t forget the bread <strong>and</strong> milk.)<br />

(Tell me why you don’t agree.)<br />

HOW I WONder WHAT you ARE.<br />

(Find a space <strong>and</strong> park your car.)<br />

(Thanks a lot for all your help.)<br />

(Don’t forget to leave a tip.)<br />

Grant (2001)


Contrastive stress practice<br />

We’re flying to Milan, not to Rome.<br />

Reno is in Nevada, not California.<br />

Jasper isn’t in Alberta; it’s in Manitoba.<br />

We visited the Canadian side of Niagara<br />

Falls; not the American side.<br />

The capital of El Salvador is San<br />

Salvador, not Managua.<br />

The capital of California is Sacramento,<br />

not San Francisco.


More contrastive stress practice<br />

With a partner, correct the<br />

underlined elements.<br />

Monitor your partner’s use<br />

of focus. Use these<br />

expressions:<br />

Are you sure? I thought…<br />

I’m not sure that’s right…<br />

I don’t think so…<br />

Actually…<br />

I always thought…<br />

I was under the<br />

impression…<br />

I’m almost certain that…<br />

1. Dante wrote Hamlet.<br />

2. Smoking decreases<br />

your risk of heart<br />

disease.<br />

3. The Taj Mahal is in<br />

Thail<strong>and</strong>.<br />

4. Ecology is the study of<br />

personality.<br />

5. Kyoto is the capital of<br />

Japan.<br />

6. Monet was a famous<br />

Dutch painter.<br />

Grant (2001)


Jazz chant: More bad luck<br />

<br />

The bread was stale.<br />

<br />

It was four days old.<br />

<br />

The milk was sour.<br />

<br />

The coffee was cold.<br />

<br />

The butter was rancid.<br />

Graham (1978)<br />

<br />

The steak was tough.<br />

<br />

The service was dreadful.<br />

<br />

The waiter was rough.<br />

<br />

His tip was small.<br />

<br />

I’m sorry I went<br />

<br />

to that place at all.


Humorous poetry<br />

HI. How ARE you today?<br />

by Jeff Moss<br />

I’m FEELing very HORRible<br />

And LOW <strong>and</strong> MEAN <strong>and</strong> MAD<br />

And DREADful <strong>and</strong> dePLORable<br />

And ROTTen, SICK, <strong>and</strong> SAD<br />

And NASty <strong>and</strong> unBEARable<br />

And HATEful, VILE, <strong>and</strong> BLUE<br />

But THANKS a lot for ASKing<br />

And please TELL me HOW are YOU?<br />

Grant (2001)


Children’s rhymes<br />

Three blind mice<br />

Three blind mice<br />

See how they run<br />

See how they run<br />

They all ran after the farmer’s wife<br />

She cut off their tails with a carving knife<br />

Did you ever see such a sight in your life<br />

As three blind mice?


References<br />

Celce-Murcia, M., Brinton, D. M., & Goodwin, J.<br />

M. (In press). Teaching pronunciation (2 nd<br />

ed.). Cambridge: Cambridge University Press.<br />

Graham, C. (1978). Jazz chants. New York:<br />

Oxford University Press.<br />

Grant, L. (2001). Well said: Pronunciation for<br />

clear communication (2 nd ed.). Boston: Heinle<br />

& Heinle.<br />

Jackson, H., & Zé Amvela, E. (2007). Words,<br />

meaning <strong>and</strong> vocabulary: An introduction to<br />

modern English lexicology (2 nd ed.). New<br />

York: Cassell.


References<br />

Prator, C. H. (1951). Manual of American<br />

English pronunciation for adult foreign<br />

students. New York: Holt, Rinehart, &<br />

Winston.<br />

Stockwell, R., & Minkova, D. (2001). English<br />

words: History <strong>and</strong> structure. Cambridge:<br />

Cambridge University Press.

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