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Century-of-Change-China-exhibit-catalog-1911-to-2011

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Sun Yat-Sen Li Ji CaLLigraphY guangzhou, 1924<br />

payson J. treat papers, hoover institution archives<br />

孫中山所書寫之禮記禮運大同篇<br />

Sun Yat-sen, the first president <strong>of</strong> a republican <strong>China</strong>, was an accomplished calligrapher. this piece, a passage from the Confucian classic Li Ji (Book<br />

<strong>of</strong> rites), includes Sun Yat-sen's signature quote, "tian xia wei gong," meaning "all is equal under heaven." this mot<strong>to</strong> expresses the notion <strong>of</strong> universal<br />

harmony or great commonwealth and frequently appears inscribed on the gates <strong>of</strong> <strong>China</strong><strong>to</strong>wns all over the world.<br />

Introduction and Acknowledgments<br />

The year <strong>2011</strong> marks the one-hundredth anniversary <strong>of</strong> the Chinese Revolution, also known as the Xinhai<br />

Revolution (<strong>1911</strong>). The revolution was triggered by corruption in the Qing imperial court, the government's<br />

inability <strong>to</strong> restrain the interventions <strong>of</strong> foreign powers, and the majority Han Chinese’s resentment <strong>of</strong> a government<br />

dominated by the Manchu ethnic minority. On Oc<strong>to</strong>ber 10, <strong>1911</strong>, the revolution began with an uprising in<br />

Wuchang, the capital city <strong>of</strong> Hubei Province on the Yangtze River. Within months, the revolution had overthrown<br />

268 years <strong>of</strong> Manchu au<strong>to</strong>cracy—ending more than two thousand years <strong>of</strong> feudal monarchies and establishing one<br />

<strong>of</strong> Asia's first republics, the Republic <strong>of</strong> <strong>China</strong>.<br />

The collapse <strong>of</strong> the imperial order, however, did not guarantee a smooth transition <strong>to</strong> a full-fledged democracy. In the<br />

century following, <strong>China</strong> underwent frequent and drastic upheavals in its military, politics, economics, social structure,<br />

and ideologies and continued <strong>to</strong> confront the threatening external challenges that had never ceased <strong>to</strong> exist.<br />

In April <strong>2011</strong>, the Hoover Institution commemorated the hundredth anniversary <strong>of</strong> the <strong>1911</strong> revolution and the<br />

founding <strong>of</strong> the Chinese republic with a new <strong>exhibit</strong>ion, A <strong>Century</strong> <strong>of</strong> <strong>Change</strong>: <strong>China</strong> <strong>1911</strong>–<strong>2011</strong>. Drawing on the<br />

rich holdings <strong>of</strong> the Hoover Library and Archives, the <strong>exhibit</strong> <strong>of</strong>fers a unique insight in<strong>to</strong> those momen<strong>to</strong>us events<br />

in Chinese his<strong>to</strong>ry and the ensuing tumultuous century. More significantly, the <strong>exhibit</strong> demonstrates how, in keeping<br />

with the Institution’s mission, defined as the study <strong>of</strong> war, revolution, and peace, the Hoover Library and Archives<br />

continue <strong>to</strong> thrive and play a pioneering role in the world’s modern <strong>China</strong> collection and research.<br />

Many individuals have contributed their assistance, time, skills, generosity, and positive energy <strong>to</strong> create A <strong>Century</strong><br />

<strong>of</strong> <strong>Change</strong>: <strong>China</strong> <strong>1911</strong>–<strong>2011</strong>.<br />

Chief among them are Rachel Bauer, Brandon Burke, Rae Chang, Elizabeth Chiang, Sarah Farber, Jimmy James<br />

Fayne, Rayan Ghazal, Cissie Hill, David Jacobs, Lyalya Khari<strong>to</strong>nova, Tai-chun Kuo, Tim Laverne, Ramon Myers,<br />

George Nash, Jennifer Navarrette, Janel Quirante, Russell Rader, Jim Sam, Ellen Santiago, Maciej Siekierski,<br />

Stephanie Stewart, Celeste Sze<strong>to</strong>, Mark Tam, Adam Tow, and Tin Tin Wisniewski.<br />

Enormous credit goes <strong>to</strong> Nick Siekierski (outreach and <strong>exhibit</strong>s coordina<strong>to</strong>r), who provided expert ideas and insights<br />

in the production, installation, and design <strong>of</strong> the <strong>exhibit</strong> cases and publicity materials.<br />

A never-ending thank you <strong>to</strong> Linda Bernard (deputy archivist) who diligently read/reread and formatted texts, rendered<br />

support, and, in particular, contributed her contagious gung-ho enthusiasm throughout the months <strong>of</strong> the project.<br />

Exhibit texts have greatly benefited from Ann Wood’s (institutional edi<strong>to</strong>r) keen critical eye. For their thoughtful<br />

comments, we would also like <strong>to</strong> thank Brad Bauer, Lisa Miller, and Don Young. Wang Li is gratefully thanked for<br />

translating the English text in<strong>to</strong> Chinese.<br />

Special thanks goes <strong>to</strong> Richard Sousa (direc<strong>to</strong>r, Hoover Library and Archives), without whose vision and support<br />

this <strong>exhibit</strong> would not have been possible.<br />

Lisa Nguyen and Hsiao-ting Lin<br />

A <strong>Century</strong> <strong>of</strong> <strong>Change</strong>: <strong>China</strong> <strong>1911</strong>–<strong>2011</strong><br />

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