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The Unknown City: Contesting Architecture and Social Space

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Part IV: Tactical Filters<br />

464<br />

28<br />

465<br />

Doreen Massey<br />

lishment of Bagguley Sanatorium (for the treatment of tuberculosis) was a<br />

testament to “the healthy, non-polluted air” south of the Mersey. 6 From the<br />

very beginning of plans for the estate, smoke control was insisted on, as was<br />

low-density housing <strong>and</strong> preserving trees <strong>and</strong> ponds from the area’s previous<br />

incarnation. <strong>The</strong> vision was both social <strong>and</strong> physical. Alf Morris, longserving<br />

Labour MP for Wythenshawe, recalled his first visit, in 1936, when<br />

building had begun: “Even now I can still vividly recall the striking contrast<br />

between the old Manchester <strong>and</strong> the new. After what seemed a<br />

marathon journey, I was amazed by what I saw. It was summer <strong>and</strong> sunlit.<br />

This new Manchester was green <strong>and</strong> pleasant, spacious <strong>and</strong> memorable.” 7<br />

Wythenshawe is green <strong>and</strong> spacious still; the clarity of the air, the<br />

freshness of the (constant) breeze still strike me each time I arrive.<br />

■<br />

But other embodied social practices today make of this place something<br />

rather different. Practices more daily <strong>and</strong> more micro level in their encounter.<br />

<strong>The</strong> place goes on being made. That open spaciousness of the fresh<br />

air can be closed down in a myriad of daily ways. Because of public-sector<br />

cutbacks, paving stones are broken, or tip at angles that crisscross each<br />

other. It makes for a bumpy wheelchair ride, hard on frail <strong>and</strong> aching bones.<br />

It’s a mini version of the Alps if you’re not steady on your feet. And it restricts<br />

your field of spatiality. You (my father, say) have to keep your eyes<br />

down as you walk. <strong>The</strong> spatiality of the very ordinary practice of walking to<br />

the shops is utterly transformed. And with it, your construction of this<br />

place. Your knowledge of it shifts. You don’t look up to see the trees, or walk<br />

briskly through the bracing air: you’re having to concentrate on your feet.<br />

Your spatiality is closed down. Place is experienced, known, <strong>and</strong> thus made<br />

by embodied practices such as these.<br />

But “one place” can be known in numerous ways. <strong>The</strong>re are daily<br />

battles over the physical appropriation of space <strong>and</strong> place: sometimes hostile,<br />

sometimes just mutual maneuverings to find an acceptable compromise.<br />

Children on bikes <strong>and</strong> skateboards claim the freedom of the streets <strong>and</strong><br />

pavements—<strong>and</strong> make going out a hazardous adventure. My father devised<br />

a spatial tactic, never walking in the middle of the pavement but always to<br />

one side (the inside edge was best)—that way you know which side of you<br />

the bikes will go. Skateboards may embody “countercultural practices,”<br />

but they can also enable acts of spatial appropriation from others. Differentiated<br />

dem<strong>and</strong>s on space come into conflict; differential spatial powers<br />

confront each other on the streets. And sometimes that confrontation is<br />

more clearly hostile: public seats are v<strong>and</strong>alized, in despair the bowling

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