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The Unknown City: Contesting Architecture and Social Space

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value there, <strong>and</strong> while there are comparable examples, it is not the work of<br />

Atget, it is not the work of Reyner Banham, nor is it the work of some freak<br />

in Islington civil engineering department, but it’s in a space between all<br />

those, <strong>and</strong> thous<strong>and</strong>s of other possibilities. Significantly, I don’t actually like<br />

the transparencies as objects.<br />

JK: But they’re actually inert, except when they’re being projected.<br />

RW: Yes, <strong>and</strong> I love the idea that in much the same way the street is inert.<br />

Someone quoted Hamlet to me the other day, something like, “<strong>The</strong>re’s neither<br />

good nor bad till it’s thought.” It’s only now when you look at the building<br />

opposite, which I’ve seen a thous<strong>and</strong> times, that you think, “Aren’t the<br />

afternoon shadows amazing”; because that’s a north-facing street <strong>and</strong> it<br />

aligns itself with the setting sun at this time of the year. <strong>The</strong> rest of the time<br />

you might be merely saying, “Oh they’re stuccoed up to the first floor, <strong>and</strong><br />

mostly they’re painted white”; it’s only where you are exhilarated that you<br />

name it.<br />

JK: That was an intriguing list you gave of Atget, Banham, <strong>and</strong> others. So<br />

are you conscious of being in a tradition of urban commentary about lived<br />

experience, <strong>and</strong> of looking at the world in a certain way?<br />

RW: No I don’t think I am, <strong>and</strong> in a studied way I don’t know anything about<br />

it, but I’m sensitive to that kind of idea. I remember that soon after leaving<br />

college, it was like throwing down a gauntlet to read Christopher Alex<strong>and</strong>er’s<br />

description of a newspaper-selling machine near a traffic light (I guess in<br />

Harvard); <strong>and</strong> the traffic light sequence allows you to stop at the newspaper<br />

machine, put the money in, <strong>and</strong> get the newspaper. He just pointed out that<br />

the sequence of the traffic lights gave that shop its economy. I thought this<br />

idea was just delicious, <strong>and</strong> it now seems terribly obvious, so for instance I<br />

know why the dry cleaners is by the bus stop, while ten doors up would not<br />

be a good site. I’m sure that particular dry cleaners legitimizes the incompetence<br />

of the bus service, so that people feel better about the wait, because<br />

there’s a potential to do something in that space. It’s not a traceable thing<br />

but I’m sure that part of that sense of waiting for the bus, the inconvenience<br />

of traveling by bus in London, is matched up with the idea “well that’s all<br />

right because I can combine it with going to the dry cleaners,” so that the<br />

two things are in a symbiotic relationship. Unlike nearby Logman Ltd., “specialising<br />

in water melons,” who presumably doesn’t need to be anywhere<br />

near any bus stop.<br />

JK: Specializing in watermelons is a great idea, isn’t it.<br />

Journeys on the Caledonian Road

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