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The Unknown City
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The Unknown City Contesting Archite
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to London
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Contents Preface x Acknowledgments
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21 Claiming Women’s History in th
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The “Strangely Familiar” progra
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0.3 | Strangely Familiar exhibition
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more, being addicted to the uncerta
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The Unknown City is part of an ongo
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Iain Borden Iain Borden is Director
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Contributors Adrian Forty Adrian Fo
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Contributors Sally Munt Sally Munt
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Contributors turer at the Universit
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The Unknown City
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The Unknown City is a book about bo
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Things, Flows, Filters, Tactics peo
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Things, Flows, Filters, Tactics ban
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Things, Flows, Filters, Tactics hol
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from the body to the globe and, tem
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and we adopted a narrative form to
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Jacques Derrida has deconstructed t
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Things, Flows, Filters, Tactics com
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Things, Flows, Filters, Tactics cal
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Things, Flows, Filters, Tactics dom
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Things, Flows, Filters, Tactics the
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Notes 1 See Walter Benjamin, One-Wa
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35 See Rose, “Progress in Geograp
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Twice-Told Stories: The Double Eras
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2.1 | “Clean as a whistle.” The
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Part I: Filters 34 2 35 M. Christin
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Part I: Filters 36 2 37 M. Christin
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Part I: Filters 38 2 39 M. Christin
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Part I: Filters 40 2 41 M. Christin
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2.5 | The Naked City (1947; directo
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Part I: Filters 44 2 45 M. Christin
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Part I: Filters 46 2 47 M. Christin
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Part I: Filters M. Christine Boyer
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Part I: Filters 50 2 51 M. Christin
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Part I: Filters 52 2 53 M. Christin
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Barry Curtis 3 That Place Where: So
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Part I: Filters 56 3 57 Barry Curti
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Part I: Filters 58 3 59 Barry Curti
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Part I: Filters 60 3 61 Barry Curti
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Part I: Filters 62 3 63 Barry Curti
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Part I: Filters 64 3 65 Barry Curti
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Part I: Filters 66 3 67 Barry Curti
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Joe Kerr The Power of Place—the p
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Part I: Filters 70 4 71 Joe Kerr cl
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Part I: Filters 72 4 73 Joe Kerr 4.
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Part I: Filters 74 4 75 Joe Kerr of
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Part I: Filters 76 4 77 Joe Kerr te
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Part I: Filters 78 4 79 Joe Kerr or
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Part I: Filters 80 4 81 Joe Kerr em
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Part I: Filters 82 4 83 Joe Kerr st
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Part I: Filters 84 4 85 Joe Kerr is
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Part I: Filters 86 4 87 Joe Kerr re
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Part I: Filters 88 4 89 Joe Kerr No
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William Menking The suburb . . . ha
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Part I: Filters 92 5 93 William Men
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Part I: Filters 94 5 95 William Men
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Part I: Filters 96 5 97 William Men
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William Menking 5.1 5.2
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Part I: I: Filters 100 5 101 Willia
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Part I: Filters 102 5 103 William M
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Jane Rendell Pleasure and novelty w
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Part I: Filters 106 6 107 Jane Rend
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Part I: Filters 108 6 109 Jane Rend
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Part I: Filters 110 6 111 Jane Rend
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Part I: Filters 112 6 113 Jane Rend
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Part I: Filters 114 6 115 Jane Rend
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Part I: Filters 116 6 117 Jane Rend
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Part I: Filters 118 6 119 Jane Rend
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Part I: Filters 120 6 121 Jane Rend
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Philip Tabor 7 I Am a Videocam
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Philip Tabor 7.1
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Part I: Filters 126 7 127 Philip Ta
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Part I: Filters 128 7 129 Philip Ta
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Part I: Filters Philip Tabor So-cal
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Part I: Filters 132 7 133 Philip Ta
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I Am a Videocam THE GLAMOUR OF SURV
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(U.S. edition), p. 80, cites Dynami
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A place, like any fact, is open to
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lies on an artificially created top
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8.1 | Edge 1: Land. Calcutta from t
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The Maidan, Calcutta dian or Britis
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The Maidan, Calcutta ropean the spa
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The Maidan, Calcutta the emperor. T
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The Maidan, Calcutta came principal
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8.3 | The divided city: map of Calc
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The Maidan, Calcutta Bengal had inc
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Notes 1 Benedict Anderson, Imagined
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For over a century, the headquarter
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Colonialism, Power, and the Hongkon
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Colonialism, Power, and the Hongkon
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Colonialism, Power, and the Hongkon
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Colonialism, Power, and the Hongkon
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Colonialism, Power, and the Hongkon
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Notes 1 “The New Buildings of the
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Another Pavement, Another Beach: Sk
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Considering the unknownness of the
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Skateboarding and the Critique of A
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10.1 | Harry, ollie over roundabout
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10.2 | Danny Barley, switch 180 to
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Skateboarding and the Critique of A
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10.4 | Frank Stephens, blunt on ben
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Skateboarding and the Critique of A
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Skateboarding and the Critique of A
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10.5 | Skateboarder at the South Ba
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Notes 1 See also Henri Lefebvre, Th
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The Royal Festival Hall can hardly
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The Royal Festival Hall—a “Demo
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The Royal Festival Hall—a “Demo
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The Royal Festival Hall—a “Demo
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The Royal Festival Hall—a “Demo
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Notes My thanks to Brian Stater for
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Archaeologists love rubbish. The sp
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The Prints of José Guadalupe Posad
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The Prints of José Guadalupe Posad
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The Prints of José Guadalupe Posad
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The Prints of José Guadalupe Posad
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The Prints of José Guadalupe Posad
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The Prints of José Guadalupe Posad
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Notes 1 Among the major secondary s
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Claremont Road in Leyton, northeast
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13.1 | Houses, Claremont Road, 1994
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13.3 | Tower structure, Claremont R
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The Claremont Road Situation the po
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The Claremont Road Situation these
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The Claremont Road Situation As the
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The Claremont Road Situation sage t
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The Claremont Road Situation are su
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Notes 1 Conversation with Patrick F
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I haven’t been doing much flâneu
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The Lesbian Flâneur marginality, a
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The Lesbian Flâneur of thousands.
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The Lesbian Flâneur assumed femme
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The Lesbian Flâneur café. Her but
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The Lesbian Flâneur resource. To t
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Notes 1 Elizabeth Wilson, “The In
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The Unknown City is an intriguing t
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The Un(known) City . . . time witho
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The Un(known) City . . . from our
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The Un(known) City . . . function,
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The Un(known) City . . . find that
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15.2 | Vauxhall Cross: longitudinal
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The Un(known) City . . . they are b
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Notes 1 “Behind Closed Doors” w
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In Amsterdam in 1990, I dwelled for
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The Contested Streetscape in Amster
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16.2 | Spuistraat, Amsterdam, 1995.
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The Contested Streetscape in Amster
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The Contested Streetscape in Amster
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The Contested Streetscape in Amster
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The Contested Streetscape in Amster
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The West End of Victorian London is
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The Feminist Remapping of Space in
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The Feminist Remapping of Space in
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The Feminist Remapping of Space in
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17.2 | The Pioneer Club, Cork Stree
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The Feminist Remapping of Space in
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ture on Interior Decoration in Engl
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Brief Encounters ~ 314 18 Live Adve
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THEATERS, GARDENS, ROME, LONDON As
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18.2 | Mark Prizeman, The Chemical
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Brief Encounters imaging of spaces
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Brief Encounters mass and substance
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Brief Encounters place was attracti
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18.8 | “Gamma Tokyo” design for
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Note This text is an edited version
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Urban art projects can embody a cri
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Live Adventures manifest themselves
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19.4 | Park in the Park: installati
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Live Adventures as a main point of
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the “well-serviced shed.” (Coin
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Notes This chapter is based on a pr
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Fat’s architecture is generated v
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20.2 | Fat, 1997. Projects and Tact
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Part III: Tactics 396 23 397 Richar
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Part III: Tactics 398 23 399 23.8 z
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23.10 | The afterlife of objects. 2
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Part III: Tactics 402 23 403 Richar
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Part III: Tactics 404 23 405 Richar
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Part IV Tactical Filters
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Iain Chambers The event of dwelling
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Jonathan Charley 25 Reflections fro
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ell hooks 26 City Living: Love’s
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Patrick Keiller 27 Port Statistics
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Patrick Keiller not of services but
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Doreen Massey 28 Living in Wythensh
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28.8
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Patrick Wright 29 The Last Days of
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Patrick Wright 30 Around the World
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Part IV: Tactical Filters 502 30 50
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Sources of Illustrations
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Index
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508 I 509 Index Architectural educa
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510 I 511 Index Cahan, Cora, 34 Cai
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512 I 513 Index Cranes, 451 Crime,
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514 I 515 Index Fawcett, Millicent
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516 I 517 Index Heritage, 70, 82, 8
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518 I 519 Index Lake District, 493
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520 I 521 Index London (cont.) Nott
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522 I 523 Index Memory and memorial
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524 I 525 Index New York, 31-50, 91
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526 I 527 Index Philosophy, 11, 205
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528 I 529 Index Royal Institute of
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530 I 531 Index Space (cont.) super
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532 I 533 Index University of East