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The Unknown City: Contesting Architecture and Social Space

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Part III: Tactics<br />

338<br />

19<br />

339<br />

Cornford & Cross<br />

works has involved commercial transactions, <strong>and</strong> each addresses issues at the<br />

intersection of economics <strong>and</strong> culture, they have resisted commodification<br />

because of their specificity to a particular site. Because each was a temporary<br />

intervention into a social system <strong>and</strong> physical space, we have been allowed<br />

a degree of “freedom” from official <strong>and</strong> institutional restraint that is highly<br />

uncommon for works on permanent public display.<br />

Ultimately, these projects have articulated elements from the commodity<br />

system, before dispersing them back into it; the works’ unrehearsed<br />

<strong>and</strong> live realization in public spaces involved a degree of social interaction<br />

that connected the sites to wider ideological forces.

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