29.03.2013 Views

The Unknown City: Contesting Architecture and Social Space

The Unknown City: Contesting Architecture and Social Space

The Unknown City: Contesting Architecture and Social Space

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Things, Flows, Filters, Tactics<br />

ban activities, it results in the various functional spaces—ranging from<br />

single rooms <strong>and</strong> buildings to large urban sites—that form part of the material<br />

production of space. Spatial practice is thus roughly equivalent to<br />

the economic or material base. Producing the spatial forms <strong>and</strong> practices<br />

appropriate to, <strong>and</strong> necessary for, different productive <strong>and</strong> reproductive<br />

activities, it thereby defines places, actions, <strong>and</strong> signs, the<br />

trivialized spaces of the everyday <strong>and</strong>, conversely, places made special<br />

by symbolic means. It is both a space of objects <strong>and</strong> things <strong>and</strong> a space of<br />

movements <strong>and</strong> activities. This is space, in Lefebvre’s terms, as it is<br />

“perceived”—in the sense of being the apparent <strong>and</strong> often functional form<br />

of space that we perceive before considering concepts <strong>and</strong> experiences.<br />

This is space as empirically observed. 14<br />

<strong>The</strong> second kind of space, representations of space (les répresentations<br />

de l’espace), relates to the conscious codifications of space typified<br />

by abstract underst<strong>and</strong>ings such as those advanced by the disciplines<br />

of planning, science, <strong>and</strong> mathematics <strong>and</strong> by artists of a “scientific bent.”<br />

Representations of space are a form of knowledge that provide the various<br />

underst<strong>and</strong>ings of space necessary for spatial practices to take place. <strong>The</strong>y<br />

thus display a tendency toward intellectually constructed systems of verbal<br />

signs. This is space as conceived, as “the concept without life.” 15<br />

<strong>The</strong> third <strong>and</strong> last kind of space, spaces of representation (les espaces<br />

de représentation), 16 concerns those experienced as symbols <strong>and</strong><br />

images. In part then, the spaces of representation function similarly to<br />

conceptions of reality in conditioning possibilities for action. But they<br />

are also liberatory, for at this level resistance to, <strong>and</strong> criticism of, dominant<br />

social orders can take place. In spaces of representation, space can<br />

be invented <strong>and</strong> imagined. <strong>The</strong>y are thus both the space of the experienced<br />

<strong>and</strong> the space of the imagination, as lived. <strong>Space</strong>s of representation<br />

tend toward systems of nonverbal symbols <strong>and</strong> signs; they are “life without<br />

concepts.” 17<br />

This sophisticated conceptualization of the various possible arenas<br />

for space not only allows for ideas of space (verbal <strong>and</strong> visual, conscious<br />

<strong>and</strong> unconscious, real <strong>and</strong> imagined) but also situates those ideas<br />

in an overall notion of spatiality without reducing them to either aberrant<br />

misconception or irrelevant abstraction. Taken together, representations<br />

of space <strong>and</strong> spaces of representation provide the conceptions <strong>and</strong> images<br />

necessary for spatial practice to operate.<br />

Furthermore, these kinds of space are not exclusive zones, but<br />

only analytic categories. Spatial practices, representations of space, <strong>and</strong><br />

spaces of representation therefore necessarily incorporate each other<br />

in their concrete historical-geographical combinations; the history of

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!