The Unknown City: Contesting Architecture and Social Space

Part 2: Filtering Tactics
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311
Lynne Walker
(London: Routledge, 1996), pp. 38–76; Elizabeth
Wilson, Adorned in Dreams: Fashion and
Modernity (London: Virago, 1985), and The
Sphinx in the City: Urban Life, the Control of
Disorder, and Women (London: Virago, 1991);
Walkowitz, City of Dreadful Delight; Rappaport,
“Gender and Commercial Culture”; and Orr,
Women. For theoretical reorientation, see Amanda
Vickery, “Golden Age to Separate Spheres? A Review
of the Categories and Chronologies of
Women’s History,” Historical Journal 36 (1993):
383–414.
43 Lynne Walker and Vron Ware, “Political
Pincushions: Decorating the Abolitionist Interior,
1790–1860,” in Domestic Space: Reading the
Nineteenth-Century Interior, ed. Inga Bryden and
Janet Floyd (Manchester: Manchester University
Press, 1999).