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The Unknown City: Contesting Architecture and Social Space

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17.2 | <strong>The</strong> Pioneer Club, Cork Street, London.<br />

<strong>The</strong> Feminist Remapping of <strong>Space</strong> in Victorian London<br />

the “Queen Anne” style employed at the Pioneer Club was perceived as most<br />

appropriate for the modern independent woman <strong>and</strong> for her femininity. <strong>The</strong><br />

decorated interiors <strong>and</strong> their generous spaces were considered by contemporary<br />

observers to be elegant, refined, <strong>and</strong> suitably domestic for their female<br />

occupants. At the same time, other signifiers of class <strong>and</strong> rank, such as the<br />

oriental carpets <strong>and</strong> old oak furniture found in the houses of the rich in the<br />

West End, were used or referenced by the club <strong>and</strong> were valuable for creating<br />

a respectable (classed) identity. 35 Both the deeply contested position that<br />

these feminists took up in the late nineteenth century <strong>and</strong> the protection the<br />

new boundaries provided are represented in the motto inscribed on the<br />

drawing room walls: “<strong>The</strong>y Say—What Say <strong>The</strong>y? Let <strong>The</strong>m Say!” This inscription<br />

expressed feminist defiance within the Pioneer’s fashionable, decorative<br />

interior, which smacked of modernity but negotiated their radical,<br />

outspoken sentiments <strong>and</strong> position through traditional signifiers of the<br />

dominant class.<br />

Often modeled on the club’s founder, Mrs. Massingberd, the identity<br />

of a feminist public woman was also produced <strong>and</strong> reproduced at the Pioneer<br />

Club through dress codes, demeanor, <strong>and</strong> bodily presentation: 36 short<br />

hair, upright posture, tailored frocks, badges (inscribed with their membership<br />

numbers), the use of nicknames, <strong>and</strong> abstinence from alcohol were<br />

the norm.

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