The Unknown City: Contesting Architecture and Social Space
The Unknown City: Contesting Architecture and Social Space The Unknown City: Contesting Architecture and Social Space
The Feminist Remapping of Space in Victorian London 17.1 | Elizabeth Garrett Anderson’s Hospital for Women. Agnes’s sister and Rhoda’s cousin, Millicent Garrett Fawcett, in Cambridge and in London, and from Elizabeth Garrett Anderson for her own flat in Upper Berkeley Street; they also designed furniture for their Beale cousins’ new country house, Standen, in Sussex. It was the intervention of Florence Nightingale, Barbara Bodichon’s cousin, that ensured the funding and completion of Elizabeth Garrett Anderson’s hospital on Euston Road. 27 As late as the 1920s, the architect Ethel Charles was designing a decorative scheme for paneling the library of her soldier brother at Camberley. 28 An effective practitioner of doorstep philanthropy and one of the key members of the campaign for a Married Woman’s Property Act to secure property rights for middle-class women was Octavia Hill. Unlike many of her feminist contemporaries, she had known financial insecurity personally and experienced firsthand the dire living conditions of the poor in the homes of toyworkers whom, to earn her own living, she had taught. Although her philanthropic schemes extended throughout London and her principles of housing management were widely influential, Octavia Hill’s first experiment in architectural and social reform was undertaken in 1864 about a hundred yards from her own house in Nottingham Place (number 14), Marylebone, at the inappropriately named Paradise Place (now Garbutt Place). 29 By the early 1870s, her most ambitious program to date was only a short walk away in St. Christopher’s Place, off Oxford Street, and involved the refurbishment and partial rebuilding of Barrett’s Court, which
- Page 610: Notes 1 “Behind Closed Doors” w
- Page 614: This page intentionally left blank
- Page 618: In Amsterdam in 1990, I dwelled for
- Page 622: The Contested Streetscape in Amster
- Page 626: 16.2 | Spuistraat, Amsterdam, 1995.
- Page 630: The Contested Streetscape in Amster
- Page 634: The Contested Streetscape in Amster
- Page 638: The Contested Streetscape in Amster
- Page 642: The Contested Streetscape in Amster
- Page 646: This page intentionally left blank
- Page 650: The West End of Victorian London is
- Page 654: The Feminist Remapping of Space in
- Page 658: The Feminist Remapping of Space in
- Page 664: Part II: Filtering Tactics 304 17 3
- Page 668: Part II: Filtering Tactics 306 17 3
- Page 672: Part 2: Filtering Tactics 308 17 30
- Page 676: Part 2: Filtering Tactics 310 17 31
- Page 680: Part III Tactics
- Page 684: Nigel Coates 18 Brief Encounters a
- Page 688: Part III: Tactics 316 18 317 Nigel
- Page 692: Part III: Tactics 318 18 319 Nigel
- Page 696: Nigel Coates 18.4 | Sana, Yemen. 18
- Page 700: Part III: Tactics 322 18 323 Nigel
- Page 704: Part III: Tactics 324 18 325 Nigel
- Page 708: Part III: Tactics 326 18 327 Nigel
<strong>The</strong> Feminist Remapping of <strong>Space</strong> in Victorian London<br />
17.1 | Elizabeth Garrett Anderson’s Hospital for Women.<br />
Agnes’s sister <strong>and</strong> Rhoda’s cousin, Millicent Garrett Fawcett, in Cambridge<br />
<strong>and</strong> in London, <strong>and</strong> from Elizabeth Garrett Anderson for her own flat in Upper<br />
Berkeley Street; they also designed furniture for their Beale cousins’ new<br />
country house, St<strong>and</strong>en, in Sussex. It was the intervention of Florence<br />
Nightingale, Barbara Bodichon’s cousin, that ensured the funding <strong>and</strong> completion<br />
of Elizabeth Garrett Anderson’s hospital on Euston Road. 27 As late<br />
as the 1920s, the architect Ethel Charles was designing a decorative scheme<br />
for paneling the library of her soldier brother at Camberley. 28<br />
An effective practitioner of doorstep philanthropy <strong>and</strong> one of the<br />
key members of the campaign for a Married Woman’s Property Act to secure<br />
property rights for middle-class women was Octavia Hill. Unlike many of<br />
her feminist contemporaries, she had known financial insecurity personally<br />
<strong>and</strong> experienced firsth<strong>and</strong> the dire living conditions of the poor in the<br />
homes of toyworkers whom, to earn her own living, she had taught. Although<br />
her philanthropic schemes extended throughout London <strong>and</strong> her<br />
principles of housing management were widely influential, Octavia Hill’s<br />
first experiment in architectural <strong>and</strong> social reform was undertaken in 1864<br />
about a hundred yards from her own house in Nottingham Place (number<br />
14), Marylebone, at the inappropriately named Paradise Place (now Garbutt<br />
Place). 29 By the early 1870s, her most ambitious program to date was<br />
only a short walk away in St. Christopher’s Place, off Oxford Street, <strong>and</strong> involved<br />
the refurbishment <strong>and</strong> partial rebuilding of Barrett’s Court, which