The Unknown City: Contesting Architecture and Social Space

The Unknown City: Contesting Architecture and Social Space The Unknown City: Contesting Architecture and Social Space

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The Feminist Remapping of Space in Victorian London 17.1 | Elizabeth Garrett Anderson’s Hospital for Women. Agnes’s sister and Rhoda’s cousin, Millicent Garrett Fawcett, in Cambridge and in London, and from Elizabeth Garrett Anderson for her own flat in Upper Berkeley Street; they also designed furniture for their Beale cousins’ new country house, Standen, in Sussex. It was the intervention of Florence Nightingale, Barbara Bodichon’s cousin, that ensured the funding and completion of Elizabeth Garrett Anderson’s hospital on Euston Road. 27 As late as the 1920s, the architect Ethel Charles was designing a decorative scheme for paneling the library of her soldier brother at Camberley. 28 An effective practitioner of doorstep philanthropy and one of the key members of the campaign for a Married Woman’s Property Act to secure property rights for middle-class women was Octavia Hill. Unlike many of her feminist contemporaries, she had known financial insecurity personally and experienced firsthand the dire living conditions of the poor in the homes of toyworkers whom, to earn her own living, she had taught. Although her philanthropic schemes extended throughout London and her principles of housing management were widely influential, Octavia Hill’s first experiment in architectural and social reform was undertaken in 1864 about a hundred yards from her own house in Nottingham Place (number 14), Marylebone, at the inappropriately named Paradise Place (now Garbutt Place). 29 By the early 1870s, her most ambitious program to date was only a short walk away in St. Christopher’s Place, off Oxford Street, and involved the refurbishment and partial rebuilding of Barrett’s Court, which

<strong>The</strong> Feminist Remapping of <strong>Space</strong> in Victorian London<br />

17.1 | Elizabeth Garrett Anderson’s Hospital for Women.<br />

Agnes’s sister <strong>and</strong> Rhoda’s cousin, Millicent Garrett Fawcett, in Cambridge<br />

<strong>and</strong> in London, <strong>and</strong> from Elizabeth Garrett Anderson for her own flat in Upper<br />

Berkeley Street; they also designed furniture for their Beale cousins’ new<br />

country house, St<strong>and</strong>en, in Sussex. It was the intervention of Florence<br />

Nightingale, Barbara Bodichon’s cousin, that ensured the funding <strong>and</strong> completion<br />

of Elizabeth Garrett Anderson’s hospital on Euston Road. 27 As late<br />

as the 1920s, the architect Ethel Charles was designing a decorative scheme<br />

for paneling the library of her soldier brother at Camberley. 28<br />

An effective practitioner of doorstep philanthropy <strong>and</strong> one of the<br />

key members of the campaign for a Married Woman’s Property Act to secure<br />

property rights for middle-class women was Octavia Hill. Unlike many of<br />

her feminist contemporaries, she had known financial insecurity personally<br />

<strong>and</strong> experienced firsth<strong>and</strong> the dire living conditions of the poor in the<br />

homes of toyworkers whom, to earn her own living, she had taught. Although<br />

her philanthropic schemes extended throughout London <strong>and</strong> her<br />

principles of housing management were widely influential, Octavia Hill’s<br />

first experiment in architectural <strong>and</strong> social reform was undertaken in 1864<br />

about a hundred yards from her own house in Nottingham Place (number<br />

14), Marylebone, at the inappropriately named Paradise Place (now Garbutt<br />

Place). 29 By the early 1870s, her most ambitious program to date was<br />

only a short walk away in St. Christopher’s Place, off Oxford Street, <strong>and</strong> involved<br />

the refurbishment <strong>and</strong> partial rebuilding of Barrett’s Court, which

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