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The Unknown City: Contesting Architecture and Social Space

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Contributors<br />

Adrian Forty<br />

Adrian Forty is Professor of Architectural History at <strong>The</strong> Bartlett, University<br />

College London, where, with Iain Borden, he runs the master’s course<br />

in architectural history. His book Objects of Desire: Design <strong>and</strong> Society Since<br />

1750 was published in 1986; <strong>and</strong> a new book, on the history of the critical<br />

vocabulary used in architecture, is to be published shortly.<br />

Tom Gretton<br />

Tom Gretton teaches in the History of Art Department of University College<br />

London. Among colleagues who work to explain <strong>and</strong> reinvent the value<br />

of expensive pictures, he works primarily on cheap ones. He is completing<br />

a book on Posada’s place in Mexican “popular” culture, <strong>and</strong> has contributed<br />

to an exhibition on printed representations of the 1848 Revolution, which<br />

opened in Paris in February 1998.<br />

Dolores Hayden<br />

Dolores Hayden is Professor of <strong>Architecture</strong>, Urbanism, <strong>and</strong> American<br />

Studies at Yale University, <strong>and</strong> the author of several books on the politics of<br />

design, including <strong>The</strong> Gr<strong>and</strong> Domestic Revolution: A History of Feminist Designs<br />

for American Homes, Neighborhoods, <strong>and</strong> Cities (1981) <strong>and</strong> <strong>The</strong> Power of Place:<br />

Urban L<strong>and</strong>scapes as Public History (1995).<br />

bell hooks<br />

bell hooks is Distinguished Professor of English at <strong>City</strong> College, New York,<br />

writer, cultural critic, feminist theorist, <strong>and</strong> author of fifteen books, among<br />

the most recent being two memoirs, Bone Black: Memories of Girlhood (1996)<br />

<strong>and</strong> Wounds of Passion: A Writing Life (1997) <strong>and</strong> a collection of essays, Reel<br />

to Real: Race, Sex, <strong>and</strong> Class at the Movies (1996).<br />

Patrick Keiller<br />

Patrick Keiller became an architect <strong>and</strong> practiced in the 1970s. His first audiovisual<br />

installations were exhibited at the Tate Gallery, London, in 1982.<br />

During the 1980s he made several short films <strong>and</strong> taught in art <strong>and</strong> architecture<br />

schools. London was released in 1994 <strong>and</strong> Robinson in <strong>Space</strong> in 1997.

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