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The Unknown City: Contesting Architecture and Social Space

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Iain Borden<br />

Iain Borden is Director of Architectural History <strong>and</strong> <strong>The</strong>ory at <strong>The</strong> Bartlett,<br />

University College London where he is Reader in <strong>Architecture</strong> <strong>and</strong> Urban<br />

Culture. A founding member of Strangely Familiar, he is co-editor of a<br />

number of books, including <strong>Architecture</strong> <strong>and</strong> the Sites of History: Interpretations<br />

of Buildings <strong>and</strong> Cities (1995), Strangely Familiar: Narratives of <strong>Architecture</strong> in<br />

the <strong>City</strong> (1996), Gender <strong>Space</strong> <strong>Architecture</strong>: An Interdisciplinary Introduction<br />

(2000), <strong>The</strong> <strong>City</strong> Cultures Reader (2000), <strong>and</strong> InterSections: Architectural Histories<br />

<strong>and</strong> Critical <strong>The</strong>ories (2000). He is currently writing a theorized history<br />

of skateboarding as a critical urban practice.<br />

M. Christine Boyer<br />

M. Christine Boyer is a native of Manhattan, <strong>and</strong> now resides in the West<br />

Village. She is Professor of Urbanism at the School of <strong>Architecture</strong>, Princeton<br />

University, <strong>and</strong> has also taught at Harvard Graduate School, Columbia<br />

University, Cooper Union Chanin School, <strong>and</strong> the Pratt Institute. She is the<br />

author of Cybercities: Visual Perception in the Age of Electronic Communication<br />

(1996), <strong>The</strong> <strong>City</strong> of Collective Memory (1994), Dreaming the Rational <strong>City</strong><br />

(1983), <strong>and</strong> Manhattan Manners: <strong>Architecture</strong> <strong>and</strong> Style, 1850–1890 (1985).<br />

Her forthcoming book is <strong>The</strong> <strong>City</strong> Plans of Modernism.<br />

Iain Chambers<br />

Iain Chambers teaches at the Istituto Universitario Orientale, Naples, <strong>and</strong><br />

has worked on metropolitan cultures, in particular on urban cultural practices<br />

<strong>and</strong> the centrality of popular music as a palimpsest of memories <strong>and</strong><br />

identities. His studies draw on interdisciplinary critical approaches, <strong>and</strong> his<br />

recent work has been pursued within the context of the increasing globalization<br />

of economic <strong>and</strong> cultural relations <strong>and</strong> emerging cultures of hybridity.<br />

He is author of Migrancy, Culture, Identity (1994), Border Dialogues:<br />

Journeys in Postmodernity (1990), <strong>and</strong> Popular Culture. <strong>The</strong> Metropolitan Experience<br />

(1986), <strong>and</strong> is co-editor, with Lidia Curti, of <strong>The</strong> Post-Colonial Question:<br />

Commons Skies, Divided Horizons (1996).<br />

Jonathan Charley<br />

Jonathan Charley lives in Glasgow, teaches architecture at the University of<br />

Strathclyde, <strong>and</strong> writes.

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