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The Unknown City: Contesting Architecture and Social Space

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Colonialism, Power, <strong>and</strong> the Hongkong <strong>and</strong> Shanghai Bank<br />

nonetheless powerful <strong>and</strong> persuasive. <strong>The</strong>se included both maintaining the<br />

distance between the two cultural groups through social <strong>and</strong> spatial segregation<br />

<strong>and</strong> reinforcing the hegemony of English over Chinese through the<br />

language used in education. <strong>The</strong> fundamental notion underlying <strong>and</strong> justifying<br />

these measures was “Orientalism”—embedded within which is a focus<br />

on the basic distinction between the “Orient” <strong>and</strong> the “Occident,” as<br />

well as the belief that certain territories <strong>and</strong> people long for domination. 24<br />

<strong>Social</strong> Segregation<br />

A real sense of separateness was cultivated in nineteenth-century Hong<br />

Kong through the government policy of nonintervention <strong>and</strong> nonconsultation<br />

toward the Chinese. <strong>The</strong>y were, for example, encouraged to establish<br />

their own policing system <strong>and</strong> the government made no effort to seek their<br />

opinions on public affairs. 25 Segregation by race appeared to be the norm of<br />

the day: the use of the city hall library <strong>and</strong> museum was restricted to Europeans<br />

on Sundays <strong>and</strong> at certain hours during the week; the Yacht Club, like<br />

other specialized clubs, did not allow Chinese crewman to take part in its<br />

championship races; <strong>and</strong> the Hong Kong Club rigidly excluded Chinese,<br />

Indians, <strong>and</strong> women. 26<br />

This phenomenon was manifested in the 1886 headquarters in the<br />

ver<strong>and</strong>ah, which ran around the whole building. As an architectural device,<br />

the ver<strong>and</strong>ah combined climatic adaptation with the purpose of upholding<br />

social distance. Underlying its use was an idea of the “tropics,” perceived by<br />

Victorian Englishmen as a zone not just climatic but also cultural, with potentially<br />

threatening l<strong>and</strong>s <strong>and</strong> people that were nevertheless susceptible to<br />

control. Originated from the “bungalow” in colonial India, the encircling<br />

ver<strong>and</strong>ah shaded the main structure <strong>and</strong> provided a space for carefully regulated<br />

intercourse with the hostile world. 27<br />

Two huge internal buffer zones also expressed social segregation.<br />

<strong>The</strong> first was a massive space underneath the dome in the banking hall,<br />

which separated the general offices of the European staff to the east <strong>and</strong> the<br />

Chinese staff to the west. <strong>The</strong>se offices all had broad counters in front of<br />

them, bending inward <strong>and</strong> following the octagonal shape of the dome. 28 <strong>The</strong><br />

open space was about 50 feet across at its widest point, <strong>and</strong> its sheer size not<br />

only helped maintain the social distance between the staff but also helped<br />

eliminate any possible mingling between the European <strong>and</strong> the Chinese<br />

customers. <strong>The</strong> second buffer zone was a 20-foot-wide corridor separating<br />

the European half <strong>and</strong> the Chinese half of the adjoining offices, which was<br />

in turn expressed in the praya elevation as a projected central bay. 29<br />

<strong>The</strong> desire to maintain social distance was reflected as well in the<br />

use of a thick, concrete ceiling to separate the Chinese employees’ living<br />

quarters in the basement from the European staff’s living quarters on the

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