The Unknown City: Contesting Architecture and Social Space
The Unknown City: Contesting Architecture and Social Space The Unknown City: Contesting Architecture and Social Space
I Am a Videocam an informatic bunker. Both wings have compelling reasons for fearing the “surveillance society,” if it has not yet arrived, and resisting it if it has. Yet resistance is low, for reasons that are clear. The Right sees that watched workers, watched consumers, stay in line. For the Left, after decades of fighting closed social systems (the patriarchal family, privatization, cocooning, and so on), it feels perverse to argue against transparency, electronic or otherwise. Besides, surveillance protects the vulnerable: rape is statistically less frequent in glass-sided elevators than in opaque ones. 6 But there are less reasoned motives for not wholeheartedly resisting surveillance. The algebra of surveillance structures the reveries of voyeurism, exhibitionism, and narcissism. To make love in a glass-walled elevator, for instance—moving and open to public gaze—is, I am told, a common fantasy. The disembodied eye of surveillance thrills our dreams. THE EYE The video camera is that eye. The single-eyed giants, the Cyclopes (in Greek, literally “the circle-eyed”), were the first technologists, master smiths. They invented the technologies of force and antisurveillance to help Zeus crush the first rebellion, that of the Titans. For Zeus they forged the thunderbolt, for Poseidon the trident, and for Hades the helmet of darkness and invisibility. Later Polyphemus and the others used their single eyes to oversee and control sheep. 7 THE CARWASH The videocam is also a carwash. Augustinian Christianity saw the insomniac gaze of God as a flood of light in which believers were drowned—but emerged cleansed and secure, having submitted themselves to fatherly authority. 8 The unbelieving Bentham used biblical texts ironically to present his Panopticon as the secular equivalent of divine surveillance—omniscient, ubiquitous, and invisible. 9 The inmates, flooded in light, cannot see the overseers, who are masked in the dark center of their universe. It is a confessional with one-way glass. Fearing punishment but never knowing when they are overseen, if at all, the inmates internalize their surveillance, repent, and become virtuous. They are cleansed by light: seen is clean. The panoptic mechanism echoes that whereby, it is supposed, each child internalizes the prohibitions of his elders by developing a superego or conscience. Behavior originally avoided for fear of an angry parent later in life arouses a different emotion, shame. 10 Who, smuggling nothing through customs past those one-way mirrors, has not felt guilty? Surveillance, then,
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I Am a Videocam<br />
an informatic bunker. Both wings have compelling reasons for fearing the<br />
“surveillance society,” if it has not yet arrived, <strong>and</strong> resisting it if it has.<br />
Yet resistance is low, for reasons that are clear. <strong>The</strong> Right sees that<br />
watched workers, watched consumers, stay in line. For the Left, after<br />
decades of fighting closed social systems (the patriarchal family, privatization,<br />
cocooning, <strong>and</strong> so on), it feels perverse to argue against transparency,<br />
electronic or otherwise. Besides, surveillance protects the vulnerable: rape is<br />
statistically less frequent in glass-sided elevators than in opaque ones. 6<br />
But there are less reasoned motives for not wholeheartedly resisting<br />
surveillance. <strong>The</strong> algebra of surveillance structures the reveries of<br />
voyeurism, exhibitionism, <strong>and</strong> narcissism. To make love in a glass-walled<br />
elevator, for instance—moving <strong>and</strong> open to public gaze—is, I am told, a<br />
common fantasy. <strong>The</strong> disembodied eye of surveillance thrills our dreams.<br />
THE EYE<br />
<strong>The</strong> video camera is that eye. <strong>The</strong> single-eyed giants, the Cyclopes (in<br />
Greek, literally “the circle-eyed”), were the first technologists, master<br />
smiths. <strong>The</strong>y invented the technologies of force <strong>and</strong> antisurveillance to help<br />
Zeus crush the first rebellion, that of the Titans. For Zeus they forged the<br />
thunderbolt, for Poseidon the trident, <strong>and</strong> for Hades the helmet of darkness<br />
<strong>and</strong> invisibility. Later Polyphemus <strong>and</strong> the others used their single eyes to<br />
oversee <strong>and</strong> control sheep. 7<br />
THE CARWASH<br />
<strong>The</strong> videocam is also a carwash. Augustinian Christianity saw the insomniac<br />
gaze of God as a flood of light in which believers were drowned—but emerged<br />
cleansed <strong>and</strong> secure, having submitted themselves to fatherly authority. 8<br />
<strong>The</strong> unbelieving Bentham used biblical texts ironically to present<br />
his Panopticon as the secular equivalent of divine surveillance—omniscient,<br />
ubiquitous, <strong>and</strong> invisible. 9 <strong>The</strong> inmates, flooded in light, cannot see<br />
the overseers, who are masked in the dark center of their universe. It is a confessional<br />
with one-way glass. Fearing punishment but never knowing when<br />
they are overseen, if at all, the inmates internalize their surveillance, repent,<br />
<strong>and</strong> become virtuous. <strong>The</strong>y are cleansed by light: seen is clean.<br />
<strong>The</strong> panoptic mechanism echoes that whereby, it is supposed, each<br />
child internalizes the prohibitions of his elders by developing a superego or<br />
conscience. Behavior originally avoided for fear of an angry parent later in<br />
life arouses a different emotion, shame. 10 Who, smuggling nothing through<br />
customs past those one-way mirrors, has not felt guilty? Surveillance, then,