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The Unknown City: Contesting Architecture and Social Space

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Part I: Filters<br />

96<br />

5<br />

97<br />

William Menking<br />

sports areas, pavilions <strong>and</strong> ponds that make up the Battery Park <strong>City</strong> l<strong>and</strong>scape<br />

in lower Manhattan” as a sign of this spatial restructuring. 19 However,<br />

from my Triburban window this suburbanization of the city has gone far beyond<br />

just the packaged malling of the city’s commercial corridors <strong>and</strong> the<br />

creation of a new suburban community like Battery Park <strong>City</strong> (Triburbia’s<br />

immediate neighborhood). In fact, the restructuring is affecting, sometimes<br />

overwhelming, every quarter of the old central city.<br />

It is the kind of neighborhood that American cities fantasized<br />

about in the 1960s at the height of the urban crises. But it represents a new<br />

phase in suburban development—one that is not built on open countryside,<br />

but layered over the existing city. <strong>The</strong> district <strong>and</strong> its suburban form cannot<br />

be understood without describing the “loft phenomenon.” 20 Lofts are large,<br />

open-floored spaces originally built to accept a variety of different industrial<br />

processes in the late nineteenth century, <strong>and</strong> Triburbia is composed primarily<br />

of these structures. <strong>The</strong>ir large size (3,000 to 4,000 square feet is common)<br />

allows families to stay in the city <strong>and</strong> live in a family-centered suburb.<br />

In a culture that increasingly dem<strong>and</strong>s that the family, particularly the nuclear<br />

one, be the basic societal unit, this is as perfect a neighborhood as any<br />

suburb. <strong>The</strong> New York Times trumpets Triburbia as the “kind of neighborhood<br />

where art collectors, bankers, designers, stock brokers <strong>and</strong> hip upper<br />

middle class parents might consider living in enormous sheet rocked<br />

spaces” even though a “few years ago the building might have been labeled<br />

an eyesore.” 21 Like Sigmund Freud, who, strolling through a small Italian<br />

village, found himself subconsciously looping back through its red light<br />

district, these new Triburbanites seem pleased to find that they live in a suburb<br />

<strong>and</strong> not a city.<br />

In <strong>City</strong> of Quartz, Mike Davis describes Los Angeles’ heavy-h<strong>and</strong>ed<br />

response to its contemporary urban crises as “an unprecedented tendency to<br />

merge urban design, architecture <strong>and</strong> the police apparatus into a single,<br />

comprehensive security effort.” This “epochal coalescence” comes together<br />

around private gated communities set amid the gridded l<strong>and</strong>scape of the<br />

city. In “defense of luxury lifestyles,” L.A. communities are “gathering behind<br />

walls guarded by gun toting police.” 22 It has to be said that Triburbia<br />

is far more advanced in its urban restructuring. Without being literal, its<br />

walls are just as potent in keeping people out. To enter Triburbia today one<br />

passes historic preservation signposts that for New Yorkers, ever keen to the<br />

distinctions between areas of affluence <strong>and</strong> poverty, are as clear as walls.<br />

Once in Triburbia one is officially in a l<strong>and</strong>marked district of unusually (for<br />

New York <strong>City</strong>) clean streets, carefully tended flower boxes, <strong>and</strong> highquality<br />

stores <strong>and</strong> services.

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