The Unknown City: Contesting Architecture and Social Space

526
I
527
Index
Philosophy, 11, 205–206, 382, 482,
485
Photographers’ Gallery, xiv
Photography, 14, 40, 44, 46–47, 76,
78, 95, 129, 140, 170, 180, 329,
331–332, 334, 345, 361–363, 387–
404, 424, 431, 471
Picturesque, 60, 100
Picture Post, 76
Pile, Steve, 106
Pilgrim Fathers, 282
Place, 55–66, 240, 272, 319, 420,
459, 463, 467, 472, 485
Planners and planning, 4, 7, 18, 23,
45–46, 55, 59–61, 91–92, 215,
237, 242, 269, 283–284, 286, 291,
293, 332, 358, 366, 382, 411, 417–
420, 466–467, 477, 483–484
Plant, Sadie, 16, 238
Poe, Edgar Allan, 123
Poetry. See Literature
Poland, 321, 440
Police, 40, 43–44, 96, 123, 129, 132,
167, 190, 235–236, 286, 293, 419,
423, 430, 493, 495. See also Detectives
Polis, 412
Political correctness, 483–484
Politics, 17–18, 20, 64, 74, 86, 194,
196, 213–226, 240, 287, 300, 373,
411–412, 419, 454, 489
Pollution, 93
Polyphemus, 125
Pompeii, 56
Pornography, 37–38
Porosity, 409
Ports, 144, 172, 443–456, 501. See
also Docks
Portman, John, 37
Marriott Marquis Hotel, 37
Portugal, 145
Posada, José Guadalupe, 213–226,
12.1–12.4
Poseidon, 125, 131
Postcolonialism, 5
Postindustrial city, 317
Postmodernism, 15, 20, 62, 190, 205,
249, 251, 256–257, 271, 345, 371,
471, 485
Poststucturalism, 20
Potter (Webb), Beatrice, 301
Powell, Kenneth, 271
Power, 269, 275–276, 297, 331, 420,
423, 435, 466–467, 471, 499
Powergen, 447
Power of Place, The, 68–69, 357–368,
21.1–21.5
Biddy Mason’s House of the Open Hand,
362
“Biddy Mason’s Los Angeles, 1856–
1891”, 363
Biddy Mason: Time and Place, 362–363,
366, 21.2–21.3
Grandma Mason’s Place: A Midwife’s
Homestead, 362
HOME/stead, 362
If Walls Could Speak, 364, 21.4
Prague, 180
National Theater, 182
Pravda, 426
Preservation. See Conservation
Pret à Manger, 393
Prisons, 123, 388, 392–393, 424, 426.
See also Panopticon
Prizeman, Mark
The Chemical Works, 18.2
Production and work, 17, 20, 142,
179, 194, 297, 357
Progress, 268, 417, 490
Progretto, 376