The Unknown City: Contesting Architecture and Social Space
The Unknown City: Contesting Architecture and Social Space The Unknown City: Contesting Architecture and Social Space
The Last Days of London the journals. But I’m also trying to write in direct engagement with what timewarped deconstructionists somewhere may still be inclined to dismiss as “the so-called real world.” I think a lot of theoretical writing about culture has become very detached, partly due to its retreat into a beleaguered academy and partly to do with a loss of moral and political purpose which, at my least charitable moments, I think has been replaced by a machine-minding mentality with a more or less adequate career structure attached. Twenty years ago, cultural studies was a nonconformist and partly piratical venture interested in extending critical value to new forms and constituencies. It had a strong outward orientation and, while people were always jostling for scarce jobs, its conferences and publications were motivated by something greater than the search for points on the Research Assessment Exercise. I wrote A Journey Through Ruins at a time when the distance between academic thought and the broader public domain seemed to be increasing, and it was an attempt to pull things in the other direction. I also wanted to write a book that could be entered by people who hadn’t necessarily bought into the current curriculum, and got three degrees to prove it. Over the years in which Thatcher was shaking up the country, cultural theory seemed to disappear into self-referring isolation, developing its own utterly conventional star system and pursuing themes and preoccupations that often seemed to me unnecessarily marginal, even if they weren’t entirely disconnected from reality. Partly, I think this was the result of a growing internationalization of cultural studies. The development of the conference/employment circuit that reaches into North America and elsewhere has introduced a curious “placelessness” into its theorizing—one that is too easily dressed up as “postmodernism” and the rest. I would like to see a younger generation coming forward to transform and reenergize this way of thinking—but I have seen too little sign of that over the last fifteen years. Maybe nowadays your time is up before you have even got to the end of the obligatory reading list. So, yes, I have found myself increasingly at odds with the way this whole area of inquiry has become institutionalized within the higher education system and, as someone with nothing to lose in this regard, I’m happy not to contribute to peer-reviewed journals. JK: Presumably one way forward, apart from the radical transformation of theory, is on a more modest level, simply the application of those ideas to intelligent subjects. PW: To start with, we shouldn’t assume that all intellectual activity is of the academic theoretical kind. Immigrants are often natural philosophers, for example: their situation obliges them to think things out for themselves. I can’t claim to have filled my book with encounters with “organic intellectu-
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- Page 1040: Patrick Wright 30 Around the World
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- Page 1064: Sources of Illustrations
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- Page 1072: 508 I 509 Index Architectural educa
<strong>The</strong> Last Days of London<br />
the journals. But I’m also trying to write in direct engagement with what timewarped<br />
deconstructionists somewhere may still be inclined to dismiss as “the<br />
so-called real world.” I think a lot of theoretical writing about culture has become<br />
very detached, partly due to its retreat into a beleaguered academy <strong>and</strong><br />
partly to do with a loss of moral <strong>and</strong> political purpose which, at my least charitable<br />
moments, I think has been replaced by a machine-minding mentality<br />
with a more or less adequate career structure attached. Twenty years ago, cultural<br />
studies was a nonconformist <strong>and</strong> partly piratical venture interested in extending<br />
critical value to new forms <strong>and</strong> constituencies. It had a strong<br />
outward orientation <strong>and</strong>, while people were always jostling for scarce jobs, its<br />
conferences <strong>and</strong> publications were motivated by something greater than the<br />
search for points on the Research Assessment Exercise. I wrote A Journey<br />
Through Ruins at a time when the distance between academic thought <strong>and</strong><br />
the broader public domain seemed to be increasing, <strong>and</strong> it was an attempt to<br />
pull things in the other direction. I also wanted to write a book that could be<br />
entered by people who hadn’t necessarily bought into the current curriculum,<br />
<strong>and</strong> got three degrees to prove it.<br />
Over the years in which Thatcher was shaking up the country, cultural<br />
theory seemed to disappear into self-referring isolation, developing its<br />
own utterly conventional star system <strong>and</strong> pursuing themes <strong>and</strong> preoccupations<br />
that often seemed to me unnecessarily marginal, even if they weren’t<br />
entirely disconnected from reality. Partly, I think this was the result of a growing<br />
internationalization of cultural studies. <strong>The</strong> development of the conference/employment<br />
circuit that reaches into North America <strong>and</strong> elsewhere has<br />
introduced a curious “placelessness” into its theorizing—one that is too easily<br />
dressed up as “postmodernism” <strong>and</strong> the rest. I would like to see a younger<br />
generation coming forward to transform <strong>and</strong> reenergize this way of thinking—but<br />
I have seen too little sign of that over the last fifteen years. Maybe<br />
nowadays your time is up before you have even got to the end of the obligatory<br />
reading list. So, yes, I have found myself increasingly at odds with the<br />
way this whole area of inquiry has become institutionalized within the higher<br />
education system <strong>and</strong>, as someone with nothing to lose in this regard, I’m<br />
happy not to contribute to peer-reviewed journals.<br />
JK: Presumably one way forward, apart from the radical transformation of<br />
theory, is on a more modest level, simply the application of those ideas to intelligent<br />
subjects.<br />
PW: To start with, we shouldn’t assume that all intellectual activity is of the<br />
academic theoretical kind. Immigrants are often natural philosophers, for<br />
example: their situation obliges them to think things out for themselves. I<br />
can’t claim to have filled my book with encounters with “organic intellectu-