Lost Songs - Album Press Release - TOPBUTTON Digital
Lost Songs - Album Press Release - TOPBUTTON Digital
Lost Songs - Album Press Release - TOPBUTTON Digital
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“<strong>Lost</strong> <strong>Songs</strong>”<br />
Available as:<br />
Ltd. Ed. 2 CD Book (incl. 180 pages of text [excerpts from “Strange News From Another<br />
Planet”] & illustrations by Conrad Keely, 4 extra songs and a segued version of the album on disc 2)<br />
Standard jewel case (incl. a preview of the first part of chapter 1 of Strange News From<br />
Another Planet” in form of a flip through e-book enhancement)<br />
180g gatefold 2LP vinyl edition (incl. the standard version of the album on CD)<br />
<strong>Release</strong> Date: October 22 nd , 2012<br />
Formed in late 1994 by singers/guitarists/drummers Conrad Keely and Jason Reece, Trail<br />
of Dead has evolved over the years expanding their line-up while still being creatively<br />
driven by the core founding members. Friends since childhood, Keely and Reece started<br />
playing music in the indie rock town of Olympia, WA and eventually relocated to Austin, TX<br />
where they started …And You Will Know Us by the Trail of Dead. Their first release was a<br />
self-titled album that came out on Trance Records in 1998 and was succeeded by Madonna<br />
in 1999 on Merge records. …Trail of Dead toured the US with Superchunk shortly after and<br />
in 2002 they released Source Tags and Codes on Interscope Records. Over the next four<br />
years the band released two additional albums on Interscope Records – World’s Apart and<br />
So Divided before parting ways with the label in the fall of 2007. In the Spring of 2008,<br />
…And You Will Know Us by the Trail of Dead launched their Richter Scale Imprint and<br />
thanks to a partnership in the US with Justice Records and in Europe with Superball Music,<br />
their sixth studio album The Century of Self was released in February 2009. In the Spring<br />
of 2010 the band entered a worldwide deal with Superball Music and their Richter Scale<br />
Records Imprint and they released TAO OF THE DEAD in February 2011. In the summer of<br />
2012 the band headed over to Hannover, Germany to record their eight full-length studio<br />
album <strong>Lost</strong> <strong>Songs</strong> – due out October 22 nd on Richter Scale/Superball Music. Currently,<br />
Jason and Autry are based in Austin, TX, Conrad is based in Cambodia and Jamie lives in<br />
LA.<br />
FACTS ON LOST SONGS:<br />
Hello, we are ...And You Will Know Us By the Trail of Dead. This is our eighth album, it<br />
was recorded this summer in Hannover, Germany. The music was partly inspired by the<br />
apathy to real world events that has plagued the independent music scene now for over a<br />
decade. It was also inspired by artists such as the Cure, KARP, Ros Sereysothea, Human<br />
League, Hildegard von Bingen, and a few others. We feel that because the lyrics can say<br />
more about the album than we could, we would simply share them with you.<br />
We would like to dedicate our efforts to Pussy Riot, and any and all artists who have<br />
attempted to exercise their creativity under the oppression of government, as well as the<br />
endemic oppression of an indifference to passion present in our mainstream culture.<br />
- Conrad Keely, Phnom Penh 2012
INFLUENCES INCLUDE:<br />
Fugazi, Melvins, Bikini Kill, KARP, Unwound, Sonic Youth, Led Zeppelin, Rush, Genesis, Pink<br />
Floyd, Public Enemy, Yes, J.S. Bach, Vivaldi, etc.<br />
TOURED/PERFORMED WITH…<br />
Superchunk, Secret Machines, Blood Brothers, The Strokes, Yeah Yeah Yeahs, Doves, Audio<br />
Slave, Foo Fighters, U2, The Sex Pistols, The Sword, Mogwai, Dinosaur Jr., Queens of the<br />
Stone Age, Explosions in the Sky, Peaches, Spoon, My Bloody Valentine, Dethcock, Pains of<br />
Being Pure at Heart, Sleighbells, Surfer Blood, Rival Schools<br />
RANDOM FACTS:<br />
- Source Tags & Codes - Received highest possible score of 10.0 on Pitchfork.<br />
- Conrad and Jason met in high school in Hawaii<br />
- Went to college together at Evergreen State College in Olympia, WA<br />
- Moved to Austin, TX and started playing as a guitar and drums duo under the name<br />
You Will Know Us by the Trail of Dead<br />
- Conrad has done album artwork for band’s albums as well as others including The<br />
Sword, Fugo, Amanda Palmer and Eagle Claw and has showed his work at galleries<br />
across the world.<br />
Line-Up:<br />
Conrad Keely – Vocals, guitar, drums, piano<br />
Jason Reece – Drums, vocals, guitar<br />
Autry Fulbright II – Bass, vocals<br />
Jamie Miller – Drums, guitar<br />
Trail Of Dead online:<br />
www.facebook.com/andyouwillknowusbythetrailofdead<br />
www.trailofdead.com<br />
Selected Discography:<br />
S/T (1998, Trance Syndicate)<br />
Madonna (1999, Merge)<br />
Source Tags & Codes (2002, Interscope)<br />
Worlds Apart (2005, Interscope)<br />
So Divided (2006, Interscope)<br />
The Century of Self (2009, Richter Scale/Justice Records)<br />
Tao of the Dead (2011, Richter Scale/Superball Music)<br />
<strong>Lost</strong> <strong>Songs</strong> (2012, Richter Scale/Superball Music)
Open Doors<br />
It might have been the page and pen<br />
Were once enough to save the world<br />
Now it doesn't answer<br />
Tables have been turned<br />
Save your smile, and woe betide<br />
These seven simple offerings<br />
Daylight hides the answers<br />
Walking through open doors<br />
Light defines our states of mind<br />
They push us through our sufferings<br />
To lose ourselves in laughter<br />
Life lets you flow<br />
Understand how underhand<br />
We reinvent ourselves again<br />
Waiting for the answers<br />
And walking through open doors<br />
Bright as day and soft as sky<br />
The oracle goes passing by<br />
Giving us no glances<br />
Life lets you flow<br />
Fear is not when all is lost<br />
And all is lost when suffering<br />
Daylight hides the answers<br />
Walking through open doors<br />
It brings to mind that simpler times<br />
Were once enough to save to world<br />
Now it doesn't matter<br />
Time has been scorned<br />
This song is named after a series of<br />
performances I recently took part in, which<br />
took place in small villages around different<br />
provinces of Cambodia as part of a cultural<br />
exchange entitled "Open Doors". The tour was<br />
conceived and organized by Marcel<br />
Crompvoets, who is currently involved in APLE,<br />
or Action pour les Enfants<br />
(http://www.aplecambodia.org/) an<br />
organization to help fight human trafficking<br />
and abuse of children in Cambodia.<br />
Pin Hole Camera<br />
I've seen this city through eyes of pin hole<br />
cameras<br />
Shadows grey and upside down<br />
I've seen these streets stretch like slides in<br />
panorama<br />
Vanish into darkness on the edge of town<br />
I've walked the alleys with my camera in my<br />
pocket<br />
I've stopped to watch the sun set, Ladybird<br />
Lake, Austin<br />
I've captured moments, places, faces lost and<br />
empty<br />
I've seen them starving, living in this land of<br />
plenty<br />
It makes me sorry<br />
My pin hole camera<br />
These photographs<br />
Reveal no answers<br />
I've traced the lines of broken prayers on empty<br />
spaces<br />
Recorded time in strange and cryptic wire<br />
transmissions<br />
Postponed the days I felt fit to reveal the<br />
deception<br />
Does deception reveal itself?<br />
I've kept the world a secret in my instamatic<br />
I've captured history upside down<br />
Taken light from others heedless of their vision<br />
<strong>Lost</strong> memories to anger in a split decision<br />
It makes me sorry<br />
This world of cameras<br />
Our photographs<br />
Reveal no answers<br />
These lyrics addresses our dependence upon<br />
photography in modern communication, and<br />
invites us to question the validity of what we<br />
see in the photographed images that we are<br />
inundated with on a daily basis.<br />
Up To Infinity<br />
The darkest days they lie before us<br />
The world, a monster coming back to eat her<br />
master<br />
Remember when we bathed with candles<br />
The granite eyes of Horus danced about our<br />
naked mantles<br />
This cross, which cross<br />
Which cross is the one<br />
This cross, which cross?<br />
You'll hang the witches from?<br />
A mother screams, a child answers<br />
Her flesh is ripped apart and dashed upon<br />
the flagstones<br />
A father cries, a soldier dances<br />
Streets of fire, raped bodies piled among the<br />
ashes<br />
Which son, which son, Which son is the one?<br />
Is this son the one you waste your kingdom<br />
on?<br />
The seven songs of spring, a dish to set<br />
before the king<br />
The solemn secret signs for those who died<br />
before their time<br />
The fallen king is found, his mouth is gagged<br />
his hands are bound<br />
The seven fiddlers play for those who won't<br />
survive this day<br />
A mother scream<br />
Which son is the one?<br />
This song is about the Syrian civil war. We<br />
believe that tyranny and despotism suffered<br />
by any people, anywhere, is intolerable, and<br />
not an internal matter, but one which<br />
justifies international intervention.<br />
Opera Obscura<br />
Anchors away, we raise the canvas<br />
Ride the rising wind across the blank space<br />
Brace the sails tie down the main stays<br />
Fix down the hatches while the storms rages about<br />
our heads<br />
Would I come crashing down into the Storm<br />
Out of a dream to fly the wind god is born<br />
Fire in the hold, release the captives<br />
Embrace the fury as the torrent screams about us<br />
Across the waves, across the planets<br />
Across the empty skies our hopes are dashed like<br />
antlers<br />
I would come back across seas of the remote<br />
I will come back to you and bind you to your oath<br />
The lyrics of this song are specific to my novel<br />
Strange News From Another Planet, the first<br />
preview of which was published with our last<br />
album Tao of the Dead, and upcoming sections of<br />
which will be included in the deluxe version of<br />
this album.
Flower Card Games<br />
A space, a line, a thought, a crime<br />
A peace of mind, flower card games<br />
A throne, a jewel, an empty pool<br />
Break all the rules to flower card games<br />
I cross the empty space, deny myself again<br />
Somehow I break away, flower card games<br />
I won't resign to be defined<br />
I can survive these flower card games<br />
Can we play flower card games?<br />
I am the ghost, I am the son,<br />
I am the one flower card game<br />
I will devise, conquer divide<br />
I will be here in time, flower card games<br />
I won't deny the shame, I won't hide it away<br />
I want my love to play flower card games<br />
I will escape the chains I will come back again<br />
I want my love to play flower card games<br />
Flower cards are a game from Korea. Jim<br />
Morrison once said "All games contain the idea<br />
of death".<br />
Place to Rest<br />
Lay on the ground<br />
Taste of the shade<br />
Save your last sound<br />
Burn it away<br />
Lights on the hill<br />
Wolves on their way<br />
As above<br />
So below<br />
Fight for the throne<br />
Hunt for the horn<br />
Dreams had been sown<br />
War has been born<br />
The wolf hath devoured<br />
Where oaths hath been scorned<br />
As above<br />
So below<br />
Shadows waiting for the day<br />
Gyre and gimble in the wabe<br />
Bastard son sent to the wall<br />
Bastard bitch sits on the throne<br />
Life so cheap for one so young<br />
Flesh so soft for one so dumb<br />
This song is about Game of Thrones.<br />
Heart of Wires<br />
Out from the wires under the ambience<br />
Born from the violence haunting the town<br />
Indigo stains, eyes that answer<br />
To one with no one around<br />
Here on the many cold day she walks among<br />
this heart of wires<br />
Steal her memories back from the boy whose<br />
mind has come alive<br />
Blood becomes oil melts into acid<br />
Thoughts become blurs on the monitor lights<br />
Who is to say that life is not sprung up<br />
From silence that dwells in disguise<br />
Here amidst the cold razors she walks among<br />
this heart of wires<br />
Give her memories back to the boy whose<br />
mind comes afire<br />
Who from the heart of these wires<br />
Rises up from the mud<br />
Into their graves, I'll bury the stones<br />
Make silent their innocent tongues<br />
Here amidst the cold razors she walks among<br />
these heart of wires<br />
Seize the beast and the boy and bring them<br />
back to me alive<br />
Here on her bellicose days she stalks among<br />
these heart of wires<br />
Steal her memories back from the boy whose<br />
mind has come alive<br />
Adsel come back here!<br />
I will come after you.<br />
I will come back here.<br />
This song, specific to Strange News From<br />
Another Planet, concerns a cyborg creation<br />
called Eloise IX.<br />
Catatonic<br />
We had so many dreams<br />
We had so many breaks<br />
Who were we trying to save?<br />
What were we trying to say?<br />
Where are we meant to go?<br />
What are we meant to do?<br />
Why are we standing still<br />
When all about us moves?<br />
Catatonic<br />
Looking for something new<br />
Eclipses reason<br />
We're catatonic<br />
I see dying in your palms<br />
I see nothing in your eyes<br />
I see torment in your past<br />
See boredom in your glass<br />
A scene of us alone<br />
So endlessly remote<br />
Nothing to conceal<br />
Or fill the depth we feel<br />
This song was originally called Catatonic<br />
Youth. It is a portrait of an over-privileged,<br />
dispassionate generation.
Awestruck<br />
Meriam, her boy in hand<br />
Lies awake and thinks of him<br />
Who was she to ask for then?<br />
Wandering lost in grey<br />
The singing of the amber waves<br />
Moving through the cloud sea scape<br />
Get out!<br />
Get awestruck!<br />
Universal song of men<br />
From the lips of a girl who takes<br />
Her place among the hall of saints<br />
Raise your eyes up to the sun<br />
Sing a verse for everyone<br />
Answer for the wrongs you've done<br />
This song references two characters from Strange News.<br />
It was inspired by my travels and time spent in<br />
Cambodia.<br />
It is meant as a rallying cry to encourage all people, but<br />
especially young people, to step outside of their country<br />
of origin and travel our rapidly changing planet.<br />
For the first time in history a global community exists<br />
as a result of the internet but also aided by relative<br />
accessibility of air travel. The phrase "Charity starts at<br />
the home" once meant our immediate community, but<br />
now it means the entire planet. In order to affect any<br />
real change and understand the upcoming changes we<br />
are about to witness it is absolutely necessary for us to<br />
step outside of our comfort zone and dare to be<br />
awestruck.<br />
Time and again<br />
I had this crazy feeling that I had lost you again<br />
Looked about to find out where you are<br />
Turned around and caught your frown standing on the street<br />
Dressed the color of your guitar<br />
When I took you to the places I'd been to as a kid<br />
Cities where the sidewalks never lie<br />
We were drifting through the crowds, I saw you glancing away<br />
Terrified to meet my eyes<br />
I hope you understand I won't be easily turned away<br />
But if you need me to I'm happy to oblige<br />
Somehow I can sense that you are lost and hesitant<br />
In the sum of your denial<br />
I know too well the strain of losing someone you've tried to save<br />
Friends of ours who fell to bitter ends<br />
To have our best put to the test, knowing that we failed them<br />
Time and again<br />
This song is dedicated to the many wonderful friends who have<br />
shared our musical journey but who no longer play with us.<br />
Mountain battle song<br />
In the summer of that year we moved the men down from<br />
the highland<br />
Our bodies were tired but our beds warm and dry<br />
In the valleys the tribes had formed a secret alliance<br />
That morning our general moved us east across the Rhine<br />
Drums beat down the valley, through the forests in the<br />
distance<br />
Coming from all sides we heard cold and savage cries<br />
As the sunset that night we knew we'd meet the resistance<br />
But we didn't know that we the sons of Rome were going to<br />
die<br />
My wife, she writes to tell me of our little praetorian<br />
In the Forum theres talk of more wars on the way<br />
And I think as I lie here beside three fallen legions<br />
Die for what you believe in, not the gold you get paid<br />
Down with the Emporer<br />
This song is about the Battle of Teutoburg forest, the<br />
events of which took place about seventy kilometers away<br />
from the studio we were recording in.<br />
The battle was a great defeat for Rome, and a particular<br />
painful one since three legions were annihilated by,<br />
essentially, an undisciplined alliance of barbarian tribes.<br />
This song also addresses the theme of tyranny. It is a bonus<br />
track on the deluxe version of the album.
Bright young things<br />
Riding up their faces down bright young things wade through town<br />
Starved souls come to life with pursed up lips and starstruck smiles<br />
See the creatures on the prowl pushing through the sea-foam crowd<br />
Bedridden femme fatales lining up to follow them around<br />
I have caught this city<br />
It won't me go<br />
Archives of wasted times in hazy states and drunken minds<br />
Hung beauty on the walls who risk the world to bare it all<br />
Gloss writers stuck for say ask why it has to be that way<br />
Stare at their nascent lines and wonder why they lack for rhyme<br />
Our sick generation<br />
Our festival<br />
Stop to watch the sun sink down beneath a line of manmade clouds<br />
Rode through the flood zone mire with broken lights and one good tire<br />
Raced up the temple hill, took a blessing for a cheap thrill<br />
Disposed it for a laugh, post it to a face book photograph<br />
I love this city<br />
Its a spectacle<br />
A laugh a minute<br />
Raised to avoid the lie, never learning how or why<br />
Taught to defend that right but never knowing what to fight<br />
The schooling we'd forget chained us to a world of debt<br />
Waste paint on what we feel, without the art to make it real<br />
But we love this city<br />
We won't let it go<br />
And we are this city<br />
I watched the sun sink down beneath the line of manmade clouds<br />
I watched the undead rise and walk the streets in search of life<br />
I've seen you back away, talking to yourself for days<br />
I've seen you sifting through a trumped up list of what life did to you<br />
And I thought you'd make it<br />
But you let go<br />
Let yourself go crazy<br />
Archives of wasted times in hazy states and drunken minds<br />
The schooling we'd forget chained us to a world of debt<br />
Gloss writers stuck for say ask why it has to be that way<br />
Waste words on what they feel without the pain to make it real<br />
And I thought you'd make it<br />
But you let go<br />
Let yourself go crazy<br />
Your festival<br />
Sick generation<br />
A spectacle<br />
How I love this city<br />
It won't let me go<br />
This song is inspired by Austin, Texas and Phnom Penh, Cambodia. It is an exercise in contrast.<br />
It also addresses the folly of a system that forces its youth into debt just for wanting to be educated.