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Lost Songs - Album Press Release - TOPBUTTON Digital

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“<strong>Lost</strong> <strong>Songs</strong>”<br />

Available as:<br />

Ltd. Ed. 2 CD Book (incl. 180 pages of text [excerpts from “Strange News From Another<br />

Planet”] & illustrations by Conrad Keely, 4 extra songs and a segued version of the album on disc 2)<br />

Standard jewel case (incl. a preview of the first part of chapter 1 of Strange News From<br />

Another Planet” in form of a flip through e-book enhancement)<br />

180g gatefold 2LP vinyl edition (incl. the standard version of the album on CD)<br />

<strong>Release</strong> Date: October 22 nd , 2012<br />

Formed in late 1994 by singers/guitarists/drummers Conrad Keely and Jason Reece, Trail<br />

of Dead has evolved over the years expanding their line-up while still being creatively<br />

driven by the core founding members. Friends since childhood, Keely and Reece started<br />

playing music in the indie rock town of Olympia, WA and eventually relocated to Austin, TX<br />

where they started …And You Will Know Us by the Trail of Dead. Their first release was a<br />

self-titled album that came out on Trance Records in 1998 and was succeeded by Madonna<br />

in 1999 on Merge records. …Trail of Dead toured the US with Superchunk shortly after and<br />

in 2002 they released Source Tags and Codes on Interscope Records. Over the next four<br />

years the band released two additional albums on Interscope Records – World’s Apart and<br />

So Divided before parting ways with the label in the fall of 2007. In the Spring of 2008,<br />

…And You Will Know Us by the Trail of Dead launched their Richter Scale Imprint and<br />

thanks to a partnership in the US with Justice Records and in Europe with Superball Music,<br />

their sixth studio album The Century of Self was released in February 2009. In the Spring<br />

of 2010 the band entered a worldwide deal with Superball Music and their Richter Scale<br />

Records Imprint and they released TAO OF THE DEAD in February 2011. In the summer of<br />

2012 the band headed over to Hannover, Germany to record their eight full-length studio<br />

album <strong>Lost</strong> <strong>Songs</strong> – due out October 22 nd on Richter Scale/Superball Music. Currently,<br />

Jason and Autry are based in Austin, TX, Conrad is based in Cambodia and Jamie lives in<br />

LA.<br />

FACTS ON LOST SONGS:<br />

Hello, we are ...And You Will Know Us By the Trail of Dead. This is our eighth album, it<br />

was recorded this summer in Hannover, Germany. The music was partly inspired by the<br />

apathy to real world events that has plagued the independent music scene now for over a<br />

decade. It was also inspired by artists such as the Cure, KARP, Ros Sereysothea, Human<br />

League, Hildegard von Bingen, and a few others. We feel that because the lyrics can say<br />

more about the album than we could, we would simply share them with you.<br />

We would like to dedicate our efforts to Pussy Riot, and any and all artists who have<br />

attempted to exercise their creativity under the oppression of government, as well as the<br />

endemic oppression of an indifference to passion present in our mainstream culture.<br />

- Conrad Keely, Phnom Penh 2012


INFLUENCES INCLUDE:<br />

Fugazi, Melvins, Bikini Kill, KARP, Unwound, Sonic Youth, Led Zeppelin, Rush, Genesis, Pink<br />

Floyd, Public Enemy, Yes, J.S. Bach, Vivaldi, etc.<br />

TOURED/PERFORMED WITH…<br />

Superchunk, Secret Machines, Blood Brothers, The Strokes, Yeah Yeah Yeahs, Doves, Audio<br />

Slave, Foo Fighters, U2, The Sex Pistols, The Sword, Mogwai, Dinosaur Jr., Queens of the<br />

Stone Age, Explosions in the Sky, Peaches, Spoon, My Bloody Valentine, Dethcock, Pains of<br />

Being Pure at Heart, Sleighbells, Surfer Blood, Rival Schools<br />

RANDOM FACTS:<br />

- Source Tags & Codes - Received highest possible score of 10.0 on Pitchfork.<br />

- Conrad and Jason met in high school in Hawaii<br />

- Went to college together at Evergreen State College in Olympia, WA<br />

- Moved to Austin, TX and started playing as a guitar and drums duo under the name<br />

You Will Know Us by the Trail of Dead<br />

- Conrad has done album artwork for band’s albums as well as others including The<br />

Sword, Fugo, Amanda Palmer and Eagle Claw and has showed his work at galleries<br />

across the world.<br />

Line-Up:<br />

Conrad Keely – Vocals, guitar, drums, piano<br />

Jason Reece – Drums, vocals, guitar<br />

Autry Fulbright II – Bass, vocals<br />

Jamie Miller – Drums, guitar<br />

Trail Of Dead online:<br />

www.facebook.com/andyouwillknowusbythetrailofdead<br />

www.trailofdead.com<br />

Selected Discography:<br />

S/T (1998, Trance Syndicate)<br />

Madonna (1999, Merge)<br />

Source Tags & Codes (2002, Interscope)<br />

Worlds Apart (2005, Interscope)<br />

So Divided (2006, Interscope)<br />

The Century of Self (2009, Richter Scale/Justice Records)<br />

Tao of the Dead (2011, Richter Scale/Superball Music)<br />

<strong>Lost</strong> <strong>Songs</strong> (2012, Richter Scale/Superball Music)


Open Doors<br />

It might have been the page and pen<br />

Were once enough to save the world<br />

Now it doesn't answer<br />

Tables have been turned<br />

Save your smile, and woe betide<br />

These seven simple offerings<br />

Daylight hides the answers<br />

Walking through open doors<br />

Light defines our states of mind<br />

They push us through our sufferings<br />

To lose ourselves in laughter<br />

Life lets you flow<br />

Understand how underhand<br />

We reinvent ourselves again<br />

Waiting for the answers<br />

And walking through open doors<br />

Bright as day and soft as sky<br />

The oracle goes passing by<br />

Giving us no glances<br />

Life lets you flow<br />

Fear is not when all is lost<br />

And all is lost when suffering<br />

Daylight hides the answers<br />

Walking through open doors<br />

It brings to mind that simpler times<br />

Were once enough to save to world<br />

Now it doesn't matter<br />

Time has been scorned<br />

This song is named after a series of<br />

performances I recently took part in, which<br />

took place in small villages around different<br />

provinces of Cambodia as part of a cultural<br />

exchange entitled "Open Doors". The tour was<br />

conceived and organized by Marcel<br />

Crompvoets, who is currently involved in APLE,<br />

or Action pour les Enfants<br />

(http://www.aplecambodia.org/) an<br />

organization to help fight human trafficking<br />

and abuse of children in Cambodia.<br />

Pin Hole Camera<br />

I've seen this city through eyes of pin hole<br />

cameras<br />

Shadows grey and upside down<br />

I've seen these streets stretch like slides in<br />

panorama<br />

Vanish into darkness on the edge of town<br />

I've walked the alleys with my camera in my<br />

pocket<br />

I've stopped to watch the sun set, Ladybird<br />

Lake, Austin<br />

I've captured moments, places, faces lost and<br />

empty<br />

I've seen them starving, living in this land of<br />

plenty<br />

It makes me sorry<br />

My pin hole camera<br />

These photographs<br />

Reveal no answers<br />

I've traced the lines of broken prayers on empty<br />

spaces<br />

Recorded time in strange and cryptic wire<br />

transmissions<br />

Postponed the days I felt fit to reveal the<br />

deception<br />

Does deception reveal itself?<br />

I've kept the world a secret in my instamatic<br />

I've captured history upside down<br />

Taken light from others heedless of their vision<br />

<strong>Lost</strong> memories to anger in a split decision<br />

It makes me sorry<br />

This world of cameras<br />

Our photographs<br />

Reveal no answers<br />

These lyrics addresses our dependence upon<br />

photography in modern communication, and<br />

invites us to question the validity of what we<br />

see in the photographed images that we are<br />

inundated with on a daily basis.<br />

Up To Infinity<br />

The darkest days they lie before us<br />

The world, a monster coming back to eat her<br />

master<br />

Remember when we bathed with candles<br />

The granite eyes of Horus danced about our<br />

naked mantles<br />

This cross, which cross<br />

Which cross is the one<br />

This cross, which cross?<br />

You'll hang the witches from?<br />

A mother screams, a child answers<br />

Her flesh is ripped apart and dashed upon<br />

the flagstones<br />

A father cries, a soldier dances<br />

Streets of fire, raped bodies piled among the<br />

ashes<br />

Which son, which son, Which son is the one?<br />

Is this son the one you waste your kingdom<br />

on?<br />

The seven songs of spring, a dish to set<br />

before the king<br />

The solemn secret signs for those who died<br />

before their time<br />

The fallen king is found, his mouth is gagged<br />

his hands are bound<br />

The seven fiddlers play for those who won't<br />

survive this day<br />

A mother scream<br />

Which son is the one?<br />

This song is about the Syrian civil war. We<br />

believe that tyranny and despotism suffered<br />

by any people, anywhere, is intolerable, and<br />

not an internal matter, but one which<br />

justifies international intervention.<br />

Opera Obscura<br />

Anchors away, we raise the canvas<br />

Ride the rising wind across the blank space<br />

Brace the sails tie down the main stays<br />

Fix down the hatches while the storms rages about<br />

our heads<br />

Would I come crashing down into the Storm<br />

Out of a dream to fly the wind god is born<br />

Fire in the hold, release the captives<br />

Embrace the fury as the torrent screams about us<br />

Across the waves, across the planets<br />

Across the empty skies our hopes are dashed like<br />

antlers<br />

I would come back across seas of the remote<br />

I will come back to you and bind you to your oath<br />

The lyrics of this song are specific to my novel<br />

Strange News From Another Planet, the first<br />

preview of which was published with our last<br />

album Tao of the Dead, and upcoming sections of<br />

which will be included in the deluxe version of<br />

this album.


Flower Card Games<br />

A space, a line, a thought, a crime<br />

A peace of mind, flower card games<br />

A throne, a jewel, an empty pool<br />

Break all the rules to flower card games<br />

I cross the empty space, deny myself again<br />

Somehow I break away, flower card games<br />

I won't resign to be defined<br />

I can survive these flower card games<br />

Can we play flower card games?<br />

I am the ghost, I am the son,<br />

I am the one flower card game<br />

I will devise, conquer divide<br />

I will be here in time, flower card games<br />

I won't deny the shame, I won't hide it away<br />

I want my love to play flower card games<br />

I will escape the chains I will come back again<br />

I want my love to play flower card games<br />

Flower cards are a game from Korea. Jim<br />

Morrison once said "All games contain the idea<br />

of death".<br />

Place to Rest<br />

Lay on the ground<br />

Taste of the shade<br />

Save your last sound<br />

Burn it away<br />

Lights on the hill<br />

Wolves on their way<br />

As above<br />

So below<br />

Fight for the throne<br />

Hunt for the horn<br />

Dreams had been sown<br />

War has been born<br />

The wolf hath devoured<br />

Where oaths hath been scorned<br />

As above<br />

So below<br />

Shadows waiting for the day<br />

Gyre and gimble in the wabe<br />

Bastard son sent to the wall<br />

Bastard bitch sits on the throne<br />

Life so cheap for one so young<br />

Flesh so soft for one so dumb<br />

This song is about Game of Thrones.<br />

Heart of Wires<br />

Out from the wires under the ambience<br />

Born from the violence haunting the town<br />

Indigo stains, eyes that answer<br />

To one with no one around<br />

Here on the many cold day she walks among<br />

this heart of wires<br />

Steal her memories back from the boy whose<br />

mind has come alive<br />

Blood becomes oil melts into acid<br />

Thoughts become blurs on the monitor lights<br />

Who is to say that life is not sprung up<br />

From silence that dwells in disguise<br />

Here amidst the cold razors she walks among<br />

this heart of wires<br />

Give her memories back to the boy whose<br />

mind comes afire<br />

Who from the heart of these wires<br />

Rises up from the mud<br />

Into their graves, I'll bury the stones<br />

Make silent their innocent tongues<br />

Here amidst the cold razors she walks among<br />

these heart of wires<br />

Seize the beast and the boy and bring them<br />

back to me alive<br />

Here on her bellicose days she stalks among<br />

these heart of wires<br />

Steal her memories back from the boy whose<br />

mind has come alive<br />

Adsel come back here!<br />

I will come after you.<br />

I will come back here.<br />

This song, specific to Strange News From<br />

Another Planet, concerns a cyborg creation<br />

called Eloise IX.<br />

Catatonic<br />

We had so many dreams<br />

We had so many breaks<br />

Who were we trying to save?<br />

What were we trying to say?<br />

Where are we meant to go?<br />

What are we meant to do?<br />

Why are we standing still<br />

When all about us moves?<br />

Catatonic<br />

Looking for something new<br />

Eclipses reason<br />

We're catatonic<br />

I see dying in your palms<br />

I see nothing in your eyes<br />

I see torment in your past<br />

See boredom in your glass<br />

A scene of us alone<br />

So endlessly remote<br />

Nothing to conceal<br />

Or fill the depth we feel<br />

This song was originally called Catatonic<br />

Youth. It is a portrait of an over-privileged,<br />

dispassionate generation.


Awestruck<br />

Meriam, her boy in hand<br />

Lies awake and thinks of him<br />

Who was she to ask for then?<br />

Wandering lost in grey<br />

The singing of the amber waves<br />

Moving through the cloud sea scape<br />

Get out!<br />

Get awestruck!<br />

Universal song of men<br />

From the lips of a girl who takes<br />

Her place among the hall of saints<br />

Raise your eyes up to the sun<br />

Sing a verse for everyone<br />

Answer for the wrongs you've done<br />

This song references two characters from Strange News.<br />

It was inspired by my travels and time spent in<br />

Cambodia.<br />

It is meant as a rallying cry to encourage all people, but<br />

especially young people, to step outside of their country<br />

of origin and travel our rapidly changing planet.<br />

For the first time in history a global community exists<br />

as a result of the internet but also aided by relative<br />

accessibility of air travel. The phrase "Charity starts at<br />

the home" once meant our immediate community, but<br />

now it means the entire planet. In order to affect any<br />

real change and understand the upcoming changes we<br />

are about to witness it is absolutely necessary for us to<br />

step outside of our comfort zone and dare to be<br />

awestruck.<br />

Time and again<br />

I had this crazy feeling that I had lost you again<br />

Looked about to find out where you are<br />

Turned around and caught your frown standing on the street<br />

Dressed the color of your guitar<br />

When I took you to the places I'd been to as a kid<br />

Cities where the sidewalks never lie<br />

We were drifting through the crowds, I saw you glancing away<br />

Terrified to meet my eyes<br />

I hope you understand I won't be easily turned away<br />

But if you need me to I'm happy to oblige<br />

Somehow I can sense that you are lost and hesitant<br />

In the sum of your denial<br />

I know too well the strain of losing someone you've tried to save<br />

Friends of ours who fell to bitter ends<br />

To have our best put to the test, knowing that we failed them<br />

Time and again<br />

This song is dedicated to the many wonderful friends who have<br />

shared our musical journey but who no longer play with us.<br />

Mountain battle song<br />

In the summer of that year we moved the men down from<br />

the highland<br />

Our bodies were tired but our beds warm and dry<br />

In the valleys the tribes had formed a secret alliance<br />

That morning our general moved us east across the Rhine<br />

Drums beat down the valley, through the forests in the<br />

distance<br />

Coming from all sides we heard cold and savage cries<br />

As the sunset that night we knew we'd meet the resistance<br />

But we didn't know that we the sons of Rome were going to<br />

die<br />

My wife, she writes to tell me of our little praetorian<br />

In the Forum theres talk of more wars on the way<br />

And I think as I lie here beside three fallen legions<br />

Die for what you believe in, not the gold you get paid<br />

Down with the Emporer<br />

This song is about the Battle of Teutoburg forest, the<br />

events of which took place about seventy kilometers away<br />

from the studio we were recording in.<br />

The battle was a great defeat for Rome, and a particular<br />

painful one since three legions were annihilated by,<br />

essentially, an undisciplined alliance of barbarian tribes.<br />

This song also addresses the theme of tyranny. It is a bonus<br />

track on the deluxe version of the album.


Bright young things<br />

Riding up their faces down bright young things wade through town<br />

Starved souls come to life with pursed up lips and starstruck smiles<br />

See the creatures on the prowl pushing through the sea-foam crowd<br />

Bedridden femme fatales lining up to follow them around<br />

I have caught this city<br />

It won't me go<br />

Archives of wasted times in hazy states and drunken minds<br />

Hung beauty on the walls who risk the world to bare it all<br />

Gloss writers stuck for say ask why it has to be that way<br />

Stare at their nascent lines and wonder why they lack for rhyme<br />

Our sick generation<br />

Our festival<br />

Stop to watch the sun sink down beneath a line of manmade clouds<br />

Rode through the flood zone mire with broken lights and one good tire<br />

Raced up the temple hill, took a blessing for a cheap thrill<br />

Disposed it for a laugh, post it to a face book photograph<br />

I love this city<br />

Its a spectacle<br />

A laugh a minute<br />

Raised to avoid the lie, never learning how or why<br />

Taught to defend that right but never knowing what to fight<br />

The schooling we'd forget chained us to a world of debt<br />

Waste paint on what we feel, without the art to make it real<br />

But we love this city<br />

We won't let it go<br />

And we are this city<br />

I watched the sun sink down beneath the line of manmade clouds<br />

I watched the undead rise and walk the streets in search of life<br />

I've seen you back away, talking to yourself for days<br />

I've seen you sifting through a trumped up list of what life did to you<br />

And I thought you'd make it<br />

But you let go<br />

Let yourself go crazy<br />

Archives of wasted times in hazy states and drunken minds<br />

The schooling we'd forget chained us to a world of debt<br />

Gloss writers stuck for say ask why it has to be that way<br />

Waste words on what they feel without the pain to make it real<br />

And I thought you'd make it<br />

But you let go<br />

Let yourself go crazy<br />

Your festival<br />

Sick generation<br />

A spectacle<br />

How I love this city<br />

It won't let me go<br />

This song is inspired by Austin, Texas and Phnom Penh, Cambodia. It is an exercise in contrast.<br />

It also addresses the folly of a system that forces its youth into debt just for wanting to be educated.

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