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SAGA-BOOK - Viking Society Web Publications

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20 Saga-Book of the <strong>Viking</strong> <strong>Society</strong><br />

for the company, as kings with their own fingers choose<br />

the best pieces from a dish to show favour to honoured<br />

guests. Outwardly, she is an attentive hostess, proud<br />

of her hospitality, but beneath the control is disgust and<br />

revulsion - revulsion against the food, revulsion against<br />

the Huns, pallid with the drink she has zealously plied<br />

them with. Her antagonism, her inner segregation from<br />

the others in the hall, is expressed by the repeated abrupt<br />

juxtapositions, afkd» dis, iofrom . . . . natttJug, neffolom.<br />

The poet delights in placing words so as to exploit them to<br />

the full, and his art reaches its climax here. When Gul'5nin<br />

tells Atli the truth, her terms are sickeningly plain: he is<br />

chewing, digesting, roast human meat. When he believed<br />

he was showing royal favour to his warriors by graciously<br />

sharing with them the delicacies of his table, he was<br />

drawing them too into his crime of cannibalism, his last<br />

sacrilege. His wife has defiled him as a father and a king.<br />

Neckel, in his labyrinthine Beitrdge zur Eddaforschung<br />

(p. 133), after giving his own summary of AtlakvitJa, remarks:<br />

"Even from this summary, I think we cansee indications<br />

that our poem is not originally a unity, that it is held<br />

together only by the partial restoration of lost parts of the<br />

poem that are essential to its structure. The stanzas<br />

concerning the Burgundian brothers in general breathe<br />

a different spirit from those which treat of Gul'5nin and<br />

Atli." He failed to see the logical and insistent structure<br />

of the poem; he saw complexity and thought it a tangle.<br />

A more willing attention to the motivation of the poem<br />

as it stands, and an open sympathy towards the notion<br />

that a poet might have composed in a manner we have<br />

not met before, may lead us nearer to solving the problems<br />

of AtlakvitJa. Subjective pitfalls lie on either side, but<br />

those who dogmatically criticise the unity of the poem<br />

are as likely to fall into them as those who interpret it with<br />

too admiring an imagination. Had Genzmer tried to<br />

recreate for himself the reasoning of the poet who shaped<br />

the plot of Atlakoioa, rather than study statistics of

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