SAGA-BOOK - Viking Society Web Publications

SAGA-BOOK - Viking Society Web Publications SAGA-BOOK - Viking Society Web Publications

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Saga-Book of the Viking Society testimony about the sacred grove in Uppsala, but also because trees, probably cult trees, are clearly seen in the Swedish Bronze Age rock carvings. Should this, I admit rather bold, hypothesis be correct, we would have less difficulty in understanding why gods' names are also used as an abstract base in kennings, male gods for men, goddesses for women. Otherwise such a usage would be extremely hard to understand, and I am not aware that anyone has so interpreted it, though Einar 01. Sveinsson in one place suggests that it might be due to religious trance (leiozla) or mystic consciousness in which men imagined themselves to be gods. It is a well known fact, though unexplained, that Njor6r (28), Tyr (ro). Freyr (I6) and Baldr (I4) were most commonly used as abstract bases for kennings, while 06inn and Parr, Heimdallr and Loki were used practically not at all. Likewise Parr is extremely common in Iceland as a first element in proper names while 06inn is not. Finally the attitude towards sacred Christian names is quite different among Protestants and Catholics. Protestants can use Maria only as proper name for a girl, but Catholics can use Jesu Maria for a boy! We have no way of penetrating the meanings of these differences in the old kenning use of gods' names, but we guess that underlying them there must have been different religions attitudes or tabus. But the story of the abstract base names is not yet fully told. Snorri tells us iSkaldskaparmal, chapter 40) that instead of gods' names you could use elves' names (tilfa nofn) and that such a usage would be quite correct. But if you used the names of giants or trolls, you would be aiming at intentional satire or calumny in your poetry. Such usage was not unknown in the skaldic poetry and grew increasingly common in the rimur in describing the villain of the story. One such description, which lingers in the memory of every Icelander, even our Nobel-prize- I O ro In his 'Drottkvreoa pattur", see note 5 above.

Saga-Book of the <strong>Viking</strong> <strong>Society</strong><br />

testimony about the sacred grove in Uppsala, but also<br />

because trees, probably cult trees, are clearly seen in the<br />

Swedish Bronze Age rock carvings. Should this, I admit<br />

rather bold, hypothesis be correct, we would have less<br />

difficulty in understanding why gods' names are also used<br />

as an abstract base in kennings, male gods for men,<br />

goddesses for women. Otherwise such a usage would be<br />

extremely hard to understand, and I am not aware that<br />

anyone has so interpreted it, though Einar 01. Sveinsson<br />

in one place suggests that it might be due to religious<br />

trance (leiozla) or mystic consciousness in which men<br />

imagined themselves to be gods.<br />

It is a well known fact, though unexplained, that<br />

Njor6r (28), Tyr (ro). Freyr (I6) and Baldr (I4) were most<br />

commonly used as abstract bases for kennings, while<br />

06inn and Parr, Heimdallr and Loki were used practically<br />

not at all. Likewise Parr is extremely common in<br />

Iceland as a first element in proper names while 06inn is<br />

not. Finally the attitude towards sacred Christian<br />

names is quite different among Protestants and Catholics.<br />

Protestants can use Maria only as proper name for a girl,<br />

but Catholics can use Jesu Maria for a boy! We have no<br />

way of penetrating the meanings of these differences in<br />

the old kenning use of gods' names, but we guess that<br />

underlying them there must have been different religions<br />

attitudes or tabus.<br />

But the story of the abstract base names is not yet fully<br />

told. Snorri tells us iSkaldskaparmal, chapter 40) that<br />

instead of gods' names you could use elves' names (tilfa<br />

nofn) and that such a usage would be quite correct. But<br />

if you used the names of giants or trolls, you would be<br />

aiming at intentional satire or calumny in your poetry.<br />

Such usage was not unknown in the skaldic poetry and<br />

grew increasingly common in the rimur in describing the<br />

villain of the story. One such description, which lingers<br />

in the memory of every Icelander, even our Nobel-prize-<br />

I O<br />

ro In his 'Drottkvreoa pattur", see note 5 above.

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