It is hard to find poems in iambic monometer - MokaEnglish1
It is hard to find poems in iambic monometer - MokaEnglish1
It is hard to find poems in iambic monometer - MokaEnglish1
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TROCHAIC<br />
No examples of trochaic <strong>monometer</strong> have turned up yet, though there might be some <strong>in</strong> books of <strong>poems</strong><br />
for children. One could write the count<strong>in</strong>g poem that way:<br />
Eeenie<br />
Meenie<br />
M<strong>in</strong>ee<br />
Mo (*)<br />
Catch a<br />
Rabbit<br />
By the<br />
Toe (*)<br />
Trochaic dimeter<br />
William Blake's poem below <strong>is</strong> an example of what could be considered trochaic dimeter--though it could<br />
equally well be considered a <strong>monometer</strong> cons<strong>is</strong>t<strong>in</strong>g of amphimacers: / * /.<br />
To qualify as trochaic dimeter, it must be seen as an <strong>in</strong>stance of catalex<strong>is</strong>, which <strong>is</strong> what occurs <strong>in</strong> most trochaic<br />
l<strong>in</strong>es, where the last unstressed syllable <strong>is</strong> cut off. Here it would be diagrammed as: / * | / (*).<br />
Trochaic trimeter<br />
/ * | / (*)<br />
Little boy,<br />
Full of joy;<br />
Little girl,<br />
Sweet and small;<br />
Cock does crow,<br />
So do you;<br />
Merry voice,<br />
Infant no<strong>is</strong>e<br />
Th<strong>is</strong> <strong>is</strong> an example of trochaic trimeter that employs catalex<strong>is</strong>, so that the last syllable <strong>is</strong> cut off: / * | / * | / (*).<br />
As with many <strong>poems</strong> by William Blake, the meter <strong>is</strong> highly rhythmic but not mechanical.<br />
/ * | / * | / (*)<br />
Why should joys be sweet<br />
Used with deceit, ["used" <strong>is</strong> pronounced with two syllables]<br />
Nor with sorrows meet?<br />
But an honest joy<br />
Does itself destroy<br />
For a harlot coy.<br />
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