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It is hard to find poems in iambic monometer - MokaEnglish1

It is hard to find poems in iambic monometer - MokaEnglish1

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TROCHAIC<br />

No examples of trochaic <strong>monometer</strong> have turned up yet, though there might be some <strong>in</strong> books of <strong>poems</strong><br />

for children. One could write the count<strong>in</strong>g poem that way:<br />

Eeenie<br />

Meenie<br />

M<strong>in</strong>ee<br />

Mo (*)<br />

Catch a<br />

Rabbit<br />

By the<br />

Toe (*)<br />

Trochaic dimeter<br />

William Blake's poem below <strong>is</strong> an example of what could be considered trochaic dimeter--though it could<br />

equally well be considered a <strong>monometer</strong> cons<strong>is</strong>t<strong>in</strong>g of amphimacers: / * /.<br />

To qualify as trochaic dimeter, it must be seen as an <strong>in</strong>stance of catalex<strong>is</strong>, which <strong>is</strong> what occurs <strong>in</strong> most trochaic<br />

l<strong>in</strong>es, where the last unstressed syllable <strong>is</strong> cut off. Here it would be diagrammed as: / * | / (*).<br />

Trochaic trimeter<br />

/ * | / (*)<br />

Little boy,<br />

Full of joy;<br />

Little girl,<br />

Sweet and small;<br />

Cock does crow,<br />

So do you;<br />

Merry voice,<br />

Infant no<strong>is</strong>e<br />

Th<strong>is</strong> <strong>is</strong> an example of trochaic trimeter that employs catalex<strong>is</strong>, so that the last syllable <strong>is</strong> cut off: / * | / * | / (*).<br />

As with many <strong>poems</strong> by William Blake, the meter <strong>is</strong> highly rhythmic but not mechanical.<br />

/ * | / * | / (*)<br />

Why should joys be sweet<br />

Used with deceit, ["used" <strong>is</strong> pronounced with two syllables]<br />

Nor with sorrows meet?<br />

But an honest joy<br />

Does itself destroy<br />

For a harlot coy.<br />

6

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