28.03.2013 Views

Joaquim da Silva Fontes, Significação e Estabilidade do Género no ...

Joaquim da Silva Fontes, Significação e Estabilidade do Género no ...

Joaquim da Silva Fontes, Significação e Estabilidade do Género no ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Vernet, Mark (1975). “Freud: Effets Spéciaux Mise en Scène: U.S.A”. In<br />

Communications Magazine, issue 23, p. 229.<br />

Vincendeau, Ginette (1992). “Noir Is Also a French Word: The French Antecedents of<br />

Film Noir”. In Cameron, I., ed., The Movie Book of Film Noir, Lon<strong>do</strong>n: Studio Vista, pp.<br />

49-58.<br />

____________ (2000). Stars and Star<strong>do</strong>m in French Cinema. Lon<strong>do</strong>n and New York:<br />

Continuum.<br />

W<br />

Wager, Jans B. (1999). Dangerous Dames : Women and Representation in the Weimar<br />

Street Film and Film Noir. Athens: Ohio University Press.<br />

____________ (2005). Dames in the Driver’s Seat: Rereading Film Noir. Austin:<br />

University of Texas Press.<br />

Waldman, Diane (1986). “The Childish, the Insane and the Ugly”. In Wide Angle 5, nº 2,<br />

pp. 52-65.<br />

Walker, Alexander, Taylor, Sybil, & Ruchti, Ulrich (2000). Stanley Kubrick, Director: A<br />

Visual Analysis. New York: W.W. Norton and Company.<br />

Walker, Michael (1992a). “Film Noir: Introduction”. In Cameron, I., ed., The Movie Book<br />

of Film Noir, Lon<strong>do</strong>n: Studio Vista, pp. 8-38.<br />

____________ (1992b). “Robert Siodmak”. In Cameron, I., ed., The Movie Book of Film<br />

Noir, Lon<strong>do</strong>n: Studio Vista, pp. 110-51.<br />

Walsh, Andrea S. (1985). Women’s Film and Female Experience 1940 – 1950. New York:<br />

Praeger.<br />

Warshow, Robert (1959). “The Westerner”. In Film: An Anthology, Talbot, Daniel, ed.,<br />

Berkeley: University of California Press, pp. 148-162.<br />

____________ (1972). The Immediate Experience: Movies, Comics, Theatre, and Other<br />

Aspects of Popular Culture. New York: Atheneum.<br />

Wartenberg, Thomas E. and Curran, Angela, eds. (2005). The Philosophy of Film:<br />

Introductory Text and Readings. Oxford: Blackwell Publishing.<br />

Wexman, Virginia Wright (1993). Creating the Couple: Love, Marriage, and Hollywood<br />

Performance. Princeton, NJ: Princeton University Press.<br />

____________, ed. (2003). Film and Authorship. New Brunswick, NJ: Rutgers University<br />

Press.<br />

434

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!