28.03.2013 Views

Joaquim da Silva Fontes, Significação e Estabilidade do Género no ...

Joaquim da Silva Fontes, Significação e Estabilidade do Género no ...

Joaquim da Silva Fontes, Significação e Estabilidade do Género no ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Siodmak, Robert (1959). “The Hoodlums: The Myth and the Reality”. In Films and<br />

Filming, nº 5, November, p. 10.<br />

Sklar, Robert (1994). Movie-Made America: A Cultural History of American Movies. New<br />

York: Vintage Books Edition (Ran<strong>do</strong>m House).<br />

Slide, Anthony (1986). The American Film Industry: A Historical Dictionary. New York:<br />

Greenwood Press, Inc.<br />

Sloan, Jane (1995). Alfred Hitchcock: A Filmography and Bibliography. Berkeley:<br />

University of California Press.<br />

Sobchack, Thomas. (1975). “Genre Film: A Classical Experience”. In Literature/Film<br />

Quarterly 3, pp. 196-204.<br />

Sontag, Susan, ed. (1983). Barthes: Selected Writings. Lon<strong>do</strong>n: Fontana Press.<br />

Spicer, Andrew (2002). Film Noir. Harlow, Essex: Pearson Education Limited.<br />

Spillane, Frank, “Hard-Boiled Mysteries”, in http://www.mysterynet.com/hardboiled.<br />

Staggs, Sam (2002). Close-Up on Sunset Boulevard: Billy Wilder, Norma Desmond, and<br />

the Dark Hollywood Dream. New York: St Martin’s Press.<br />

Stam, Robert (1989). Subversive Pleasures: Bakhtin, Cultural Criticism and Film.<br />

Baltimore: Johns Hopkins University Press.<br />

____________, Robert Burgoyne and Sandy Flitterman-Lewis, eds. (1992). New<br />

Vocabularies in Film Semiotics: Structuralism, Post-Structuralism and Beyond. Lon<strong>do</strong>n:<br />

Routledge.<br />

____________ (2002). Film Theory: An Introduction. Malden, MA: Blackwell Publishing<br />

Ltd.<br />

Sterritt, David and Anderson, John, eds. (2008). The B List: Low-Budget Beauties, Genre-<br />

Bending Mavericks, and Cult Classics We Love. Cambridge, MA: Da Capo Press.<br />

Storey, John (2006). Cultural Theory and Popular Culture: An Introduction. Harlow:<br />

Pearson Education Limited.<br />

Suden<strong>do</strong>rf, Werner (1993). “Expressionism and Film: The Testament of Dr. Caligari”. In<br />

Shulamith, B. & Fanning, D., Expressionism Reassessed, Manchester: Manchester<br />

University Press, pp. 91-100.<br />

Suhor, Charles (1984). “Towards a Semiotics-Based Curriculum”. In Journal of<br />

Curriculum Studies, issue 16, July-September, pp. 247-257.<br />

432

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!