Joaquim da Silva Fontes, Significação e Estabilidade do Género no ...

Hilfer, Anthony (1990). The Crime Novel: A Deviant Genre. Austin: University of Texas
Press.
Hirsch, Foster (1981). The Dark Side of the Screen: Film Noir. New York: Da Capo Press.
Homer, Sean (2005). Jacques Lacan. New York: Routledge.
Hordnes, Lise (1998). Does Film Noir Mirror the Culture of Contemporary America?.
Bergen, Norway: University of Bergen.
Horsley, Lee (2005). Twentieth-Century Crime Fiction. New York: Oxford University
Press.
Horton, Robert, ed. (2001). Billy Wilder: Interviews. Jackson, Mississippi: University Press
of Mississippi.
House, Rebecca (1986). “Night of the Soul: American Film Noir”. In Studies in Popular
Culture, vol. 9, nº 1, pp. 61-83.
Hughes, Lloyd (2005). The Rough Guide to Gangster Movies. London: Rough Guides, Ltd.
Hume, Robert (1969). “Gothic versus Romantic: A Revaluation of the Gothic Novel”. In
The Scholarly Modern Archive (Modern Language Association), vol. 84, no.2, March
1969, pp. 282-90.
Humphries, Reynold (1989). Fritz Lang: Genre and Representation in His American
Films. Baltimore: Johns Hopkins University Press.
Hunt, Marsha (1996). The Way We Wore: Styles of the 1930s and ’40s and Our World
Since Then. San Diego, CA: Fallbrook Publishing, Ltd.
I
Ingram, Robert & Duncan, Paul, eds. (2008). François Truffaut: Film Author 1932-1984.
Cologne: Taschen.
Irwin, John T. (2006). Unless the Threat of Death Is Behind Them: Hard-Boiled Fiction
and Film Noir. Baltimore: Johns Hopkins University Press.
Izod, John (1988). Hollywood at the Box Office, 1895-1986. London: Macmillan.
J
Jackson, Barry (2001). Art, Culture, and the Semiotics of Meaning. Basingstoke: Palgrave.
Jacobs, Lea (1991). The Wages of Sin: Censorship and the Fallen Woman Film 1928-1942.
Madison: University of Wisconsin Press.
422