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Joaquim da Silva Fontes, Significação e Estabilidade do Género no ...

Joaquim da Silva Fontes, Significação e Estabilidade do Género no ...

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Gun Crazy, a barrage of police gunfire causes their car to go out of control and crash into<br />

the roadblock.<br />

Jeff can<strong>no</strong>t escape from his past. In the <strong>no</strong>vel, Jeff says, “They had built my<br />

gallows higher and higher.” Back in Bridgeport, Ann asks Jimmy, Jeff’s mute assistant,<br />

whether Jeff really wanted to go away with Kathie (“Was he going away with her? I have<br />

to k<strong>no</strong>w. Was he going away with her?”). The young man <strong>no</strong>ds positively, lying as a way<br />

of letting her free herself from Jeff’s memory and eventually from her past and start up a<br />

new life with patient and dull Jim (Richard Webb) who still loves her. The film ends with<br />

young Jimmy, the Kid saluting the “Jeff Bailey” sign hanging at the gas station <strong>do</strong>or in a<br />

subversive manner (the beginning of the film focussed our attention upon this sign: “It’s a<br />

small world”, “Or a big sign”). The sign serves thus as a metonymy for the dead Jeff and<br />

the muteness of the Kid appositely reinforces the meaning of Jeff’s life, which remains a<br />

secret between the Kid – who represents the narrative itself - and the viewer. The Kid<br />

walks away towards the mountains in the far background, and turns his back on it (fig.<br />

107), with an inexpressible air of grief-stricken confusion, but perhaps as a way of starting<br />

a new life himself.<br />

365

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