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Joaquim da Silva Fontes, Significação e Estabilidade do Género no ...

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Experiment Perilous also contains Gothic <strong>no</strong>ir elements in the same vein as<br />

Rebecca, Gaslight and The Spiral Staircase, but in my view is far more puzzling and<br />

unsettling in the sense that it concentrates on the strange suggestibility and eerie movement<br />

of characters suffering from compulsive behaviour. Its opening sequence, taking place on a<br />

train (fig. 97), is evocative of Hitchcock’s The Lady Vanishes, as Dr. Huntington Bailey<br />

(George Brent) encounters and befriends a mysterious older woman Clarissa “Cissie”<br />

Bederaux (Olive Blakeney) who offers him her “special brand tea”. The film also uses the<br />

flashback technique quite extensively. One of the most impressive scenes of the film is a<br />

set-piece spectacular gun battle in an aquarium hall, filled with smashed pieces of glass,<br />

surging water and floundering fish, prefiguring the end of The Lady from Shanghai. 95<br />

Figure 97. Experiment Perilous<br />

Regarding Berlin Express, much of its interest rests on the ravishing location<br />

photography of Frankfurt. This was the first American production shot in postwar<br />

Germany, and it shows a city made up entirely of debris. The film is indicative of the<br />

disillusionment that followed World War II, and ultimately reports back to us from the<br />

compelling ico<strong>no</strong>graphy of a destroyed and decaying society. The shot below (fig. 98)<br />

shows Robert Lindley (Robert Ryan) teamed up with a group of companions, Sterling<br />

(Robert Coote) and Lucienne (Merle Oberon), all US allies, in the overwhelming ruins of<br />

an almost totally destroyed postwar Frankfurt. The various reflective surfaces, the<br />

grotesquerie contained in the plot, treacherous clowns (one scene involves a fatally<br />

wounded man in a clown suit who is trying to pass on fun<strong>da</strong>mental information in front of<br />

95<br />

This particular sequence would later be imitated in films such as Lethal Weapon (1987) and Mission:<br />

Impossible (1996), for example.<br />

340

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