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Joaquim da Silva Fontes, Significação e Estabilidade do Género no ...

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is being followed. In this context, the <strong>da</strong>rkened staircase, only lit by flickering candles,<br />

evokes the imagined fears of childhood. Again in Freudian terms, the creepy reaction to<br />

being followed up gloomy stairs at night is evocative of the “<strong>da</strong>rk continent”, the metaphor<br />

that Freudian psychology used to describe female sexuality and the enigma that lies<br />

beneath it, this expressing the castration anxiety of the male who approaches it.<br />

Figure 92. The Night of the Hunter<br />

The same strange feeling of malevolence in pursuit is made evident by serial killer<br />

Harry Powell (Robert Mitchum), a misogynistic preacher with the word “LOVE” tattooed<br />

on the knuckles of his right hand and “HATE” on the knuckles of his left, who is also a<br />

terrifying psychopath calling to the children from the top of the stairs (fig. 92) in Charles<br />

Laughton’s <strong>no</strong>ir The Night of the Hunter. This upsetting and intricate story was designed to<br />

have the singular experience of a child’s nightmare, including the difficulty of trying to<br />

keep a secret, and it is actually told from the perspective of a child.<br />

The basement sequence in the figure above shows a frightening expressionistic<br />

composition casting Mitchum’s huge, terrifying sha<strong>do</strong>w on the wall, as he comes <strong>do</strong>wn the<br />

330

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