28.03.2013 Views

Joaquim da Silva Fontes, Significação e Estabilidade do Género no ...

Joaquim da Silva Fontes, Significação e Estabilidade do Género no ...

Joaquim da Silva Fontes, Significação e Estabilidade do Género no ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

peculiar expressionistic lighting and eccentric geometric forms all intensify the sordid<br />

subject matter of the film (fig. 27).<br />

Figure 27. The Black Cat<br />

The film opens with the Orient Express arriving in Bu<strong>da</strong>pest with Joan (Jacqueline<br />

Wells), a beautiful young lady, and Peter Allison (David Manners), a young mystery<br />

writer, recently married and honeymooning in Hungary, sharing the same train<br />

compartment with enigmatic Dr. Vitus Werdegast (Bela Lugosi), who is on a journey from<br />

a Russian prison camp to the remains of a town he shielded and fought for before<br />

becoming a prisoner of war for fifteen years. They all disembark at the same station at<br />

Vizhegrad in the rain and board an unsteady bus which, on the way, crashes and skids off<br />

into a ravine, leaving Joan unconscious. The travellers find shelter in a fortress-like<br />

mansion, overlooking the site of Fort Marmorus, a bloody battlefield described as “the<br />

greatest graveyard in the world”. 36 They manage to reach the famous architect Hjalmar<br />

36 The script actually runs like this: “All of this country was one of the greatest battlefields of the war. Ten of<br />

thousands of men died here. The ravine <strong>do</strong>wn there was piled twelve deep with dead and wounded man. The<br />

123

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!