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Raisins and almonds - Poisoned Pen Press (UK)

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<strong>Raisins</strong> <strong>and</strong> Almonds<br />

corporation extensive. Benjamin Abrahams was thick set, strong,<br />

middle aged, <strong>and</strong> prosperous. Phryne looked for the phantom<br />

cigar that always hovered in his mouth when convention would<br />

not allow him a real one. His h<strong>and</strong>clasp was firm <strong>and</strong> warm <strong>and</strong><br />

he beamed on Miss Fisher.<br />

‘The Hon. Detective Lady!’ he exclaimed. ‘What can we fetch<br />

for you? A little sherry, maybe, or would you like a cocktail?’<br />

‘Sherry, if you please,’ murmured Phryne. She tasted it with<br />

pleasure. It was amontillado, to be sipped with reverence. The<br />

company sat down in comfortable chairs which could have been<br />

real Chippendale <strong>and</strong> surveyed Phryne, who surveyed them back<br />

with perfect poise.<br />

‘The pictures in the hall are absolutely beautiful.’ Phryne<br />

opened with a conventional remark. ‘Have you been collecting<br />

for a long time, Mr. Abrahams?’<br />

‘Since I arrived in Paris just after the war,’ said Mr. Abrahams.<br />

‘They are a good investment, <strong>and</strong> besides they are beautiful, nu?<br />

I have a big canvas in the drawing room you will like, I think,<br />

if you care for the later Impressionists. Of the earlier I have alas<br />

only a few pieces—they were too expensive for me then; now,<br />

they are worth thous<strong>and</strong>s, then only hundreds, but I did not<br />

have the hundreds, eh? But Toulouse-Lautrec I could afford,<br />

the Pissaro <strong>and</strong> some Sisley, also some rare books <strong>and</strong> drawings,<br />

manuscripts. I brought them with me when we left <strong>and</strong> came<br />

here; also my dear Julia has exquisite taste <strong>and</strong> she ordered the<br />

decoration of this house to set them off.’<br />

Mrs. Abrahams waved off the compliment with a negligent<br />

h<strong>and</strong>. She was good, Phryne considered, a very finished product<br />

of some English finishing school, perhaps.<br />

‘Cream walls, yes,’ agreed Phryne. ‘With just touches of old<br />

gold <strong>and</strong> bronze. Very stylish. But what do you think of the art<br />

moderne, then?’<br />

‘Myself, I have no taste for it,’ admitted Mr. Abrahams. ‘But<br />

Simon likes it. See, there on the mantelpiece: the bronze girl.<br />

Simon dotes on her.’ He grinned <strong>and</strong> Mrs. Abrahams stiffened,

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