Raisins and almonds - Poisoned Pen Press (UK)
Raisins and almonds - Poisoned Pen Press (UK)
Raisins and almonds - Poisoned Pen Press (UK)
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4 Kerry Greenwood<br />
‘Well, gentle lady, you wanted me,’ he said, hurt. ‘Was that<br />
all you desired, Phryne?’<br />
‘No, I desire a great deal more than that,’ she returned. ‘I<br />
am not intending to cast you from my door now that you have<br />
given me your all, Simon dear—don’t be melodramatic. You’re<br />
very beautiful,’ she kissed him once. ‘And you’re very skilled,’<br />
she kissed him twice. ‘And as you see,’ she kissed him a third<br />
time, ‘you have more to offer me.’<br />
Simon Abrahams found that, as usual, Miss Fisher was correct.<br />
999<br />
Phryne woke at noon <strong>and</strong> surveyed the room lazily. Dot had<br />
been in <strong>and</strong> removed the tray, contriving as she always did to<br />
ignore any extra tenants in Phryne’s bed. The sun was shining<br />
in that half-hearted watery unreliable way which marked the<br />
season as spring <strong>and</strong> the city as Melbourne. The wind appeared<br />
to have died down. The noises of the house came to her as she<br />
turned her head <strong>and</strong> picked rose petals from her surroundings.<br />
Something with a very high-pitched howl was making its wants<br />
felt: the telephone bell announcing that the outside world was<br />
still there <strong>and</strong> desirous of establishing contact with Miss Phryne<br />
Fisher. She heard Mr. Butler’s even tread as he went to answer<br />
it <strong>and</strong> Dot yelling something to the girls, who appeared to be<br />
in the kitchen. All normal, even comfortable sounds, after the<br />
strange night <strong>and</strong> the delightful, if fraught, morning.<br />
Sprawled asleep across half the bed was a long-limbed young<br />
man of surpassing beauty. His eyes were closed, his expression<br />
beatific, his arms outspread, his h<strong>and</strong>s out <strong>and</strong> half-open, halfcurled.<br />
He could have been a renaissance painting, except for the<br />
love bites which marked his olive throat with round red patches,<br />
darkening into black. Phryne wondered what had prompted her<br />
to bite him so hard, <strong>and</strong> shivered at the remembrance. If she<br />
had been his first lover—<strong>and</strong> she suspected so—then this was<br />
a youth of truly remarkable amatory skill, who needed only a<br />
little cultivation to be superb.