Raisins and almonds - Poisoned Pen Press (UK)
Raisins and almonds - Poisoned Pen Press (UK)
Raisins and almonds - Poisoned Pen Press (UK)
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188 Kerry Greenwood<br />
‘Chaim,’ she said to the man. ‘Let him go.’<br />
‘I should let him go?’ dem<strong>and</strong>ed Chaim Abrahams. ‘Never.<br />
You let me go <strong>and</strong> maybe I won’t kill him.’<br />
‘Uncle,’ said Simon. He was on his knees, his h<strong>and</strong>s tied<br />
behind his back. His face was dirty <strong>and</strong> he had, perhaps, been<br />
crying. But his voice was soft <strong>and</strong> there was no thread of hysteria<br />
in it. ‘Uncle, you can’t kill me,’ he said.<br />
‘I can,’ said Chaim.<br />
‘Simon,’ said Phryne, <strong>and</strong> the boy tried to smile.<br />
‘I’m all right. He hasn’t hurt me, he’s just tied me up.’<br />
‘Send for his brother,’ said Phryne to Robinson in a low voice.<br />
Then she addressed the murderer cheerily, sounding in her own<br />
ears like a district visitor. ‘Now, now, a respected gentleman like<br />
you, Mr. Abrahams, why are you making a scene like this? We’ve<br />
got you bang to rights, put down the knife.’<br />
‘Him, I’ve got,’ said Chaim, between his teeth. He took a fistful<br />
of Simon’s hair <strong>and</strong> shook it. ‘You come any closer, he’s dead.’<br />
‘Keep back,’ ordered Robinson. He did not like the wild look<br />
in Chaim’s eye. He turned from the scene <strong>and</strong> walked away out<br />
of Chaim’s hearing. ‘Go <strong>and</strong> get the boy’s father, Constable, on<br />
the double. Keep a man at each door, keep the public out if any<br />
come along on a dirty night like this. And get me a marksman<br />
with a rifle. Station him out of sight if you can. He’s to fire as<br />
soon as he’s got a clear shot. Might save the boy’s life.’<br />
‘Yes, sir. What are you going to do?’<br />
‘I’m going to wait,’ said Detective Inspector Robinson grimly.<br />
Thunder rolled. The storm was getting closer.<br />
‘I’m going to get a chair,’ said Phryne conversationally. ‘So<br />
tiring to st<strong>and</strong> on a night like this, don’t you think?’<br />
She sat down on a wrought-iron bench <strong>and</strong> regarded the<br />
tableau critically. It was rather sculptural. Chaim was st<strong>and</strong>ing<br />
behind the kneeling boy, <strong>and</strong> the knife was held firmly in his<br />
tremorless h<strong>and</strong>. Phryne greatly feared that Chaim was determined,<br />
<strong>and</strong> that if she didn’t think of something very impressive<br />
the boy was going to die.