Raisins and almonds - Poisoned Pen Press (UK)
Raisins and almonds - Poisoned Pen Press (UK) Raisins and almonds - Poisoned Pen Press (UK)
Raisins and Almonds ened; and on the Saturday following, which was the daye she dyed on, I extracted it by former practice. And how his wife felt about it, left to die without her husband, was another matter of course. Phryne resisted the urge to fling the books out of the window and began again. What was alchemy? An attempt, the difficult rabbi had said, to raise matter to its perfect state. Good. That meant base metal into gold and men into immortal bodies. And how did one go about this task? One first acquired a patron with a lot of money, and purchased or made a lot of equipment. Phryne wondered whether to tell Mrs. Butler that her bain marie which kept the soup warm was an alchemical vessel invented by Miriam, sister of Moses—later called Maria Prophetissa in case Miriam seemed too Jewish—who had founded alchimia practica. Previously it had been a theory. Miriam seems to have actually tried to do it, thought Phryne, wondering if she had succeeded. The first principle was solve et coagula, that is, to dissolve and to recombine. Thomas Vaughan told her ‘in this matter is all the essential principles, or ingredients of the elixir, are already shut up in Nature and wee must not presume to add anything to this matter…for the stone excludes all extractions, but what distill immediately from their own chrystalline universal Minera’. Keeping that in mind, one began to make the first mixture, the so-called gold yeast. Everyone was vague on what else went into it except for gold in fine powder and a lot of mercury metal. Then, knowing that there are three elements—salt, sulphur and mercury—one cooked this gold yeast with some other ingredient, called Terra Adamae—Adam’s earth, the material of the first creation. Phryne noted that since one could not just send down to the grocer’s for half a pound of Adam’s earth, that there must be a recipe for that also, but could not find one. The first stage was reached when the material turned black. The illumination from Simon Michaels’ books showed it: the head of a crow, beak open. This melanosis was also, in the
100 Kerry Greenwood Emerald Tablet, called Adam’s earth. Phryne stopped trying to reconcile the varying accounts and continued with her list. Adding some other liquid, variously described as ‘womanseed’ or more bluntly ‘monthly blood’, to the black mixture and heating it again with orpiment and borax made it turn white: the leukosis or albedo stage, the purifying or purgation of the mixture. The picture fluttered onto the satin bedspread: a white dove. Distilled in an alembic, the funnel-shaped vessel, the matter was sublimated by high heat and the gas trapped in a coil of pipe. This was conjunctio, the mystic marriage where the red king lay with the white queen. The two entwined crowned figures joined the other pictures and Phryne scribbled busily. Then, if one was really lucky, xanthosis or yellowing would take place with the addition of unslaked lime, ground bones and more mercury. It occurred to Phryne that with the amount of mercury vapour that these wise men were breathing, it was no wonder that they saw visions of Hermes Thrice Great. In due course they would also have seen rhinoceroses on scaling ladders. Finally, after the work of years—the mixture buried in fresh horse dung to be heated to just the right temperature—the watcher would see the span of colours called the peacock’s tail and would achieve rubedo and iosis, completion. The red king would be enthroned and the lapis philosophorum would elevate the alchemist to heights of knowledge such as other men would never share. Thou shalt see…a shining carbuncle most temperate splendour, whose most subtile and depurated parts are inseparably united into one with a concordial mixture, exceedingly equal, transparent like crystal, compact and most ponderous, easily fusible in fire, like resin or wax yet flowing like smoke; entering into solid bodies and penetrating them like oil through paper; friable like glass, in powder like saffron, but in whole Mass shining like a ruby. His life would be crowned. He would be untouchable, immortal. He would not seek riches, as Elias Ashmole said, ‘And certaynly he to whom the whole of nature lies open, rejoyceth
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100 Kerry Greenwood<br />
Emerald Tablet, called Adam’s earth. Phryne stopped trying to<br />
reconcile the varying accounts <strong>and</strong> continued with her list.<br />
Adding some other liquid, variously described as ‘womanseed’<br />
or more bluntly ‘monthly blood’, to the black mixture <strong>and</strong> heating<br />
it again with orpiment <strong>and</strong> borax made it turn white: the<br />
leukosis or albedo stage, the purifying or purgation of the mixture.<br />
The picture fluttered onto the satin bedspread: a white dove.<br />
Distilled in an alembic, the funnel-shaped vessel, the matter<br />
was sublimated by high heat <strong>and</strong> the gas trapped in a coil of pipe.<br />
This was conjunctio, the mystic marriage where the red king lay<br />
with the white queen. The two entwined crowned figures joined<br />
the other pictures <strong>and</strong> Phryne scribbled busily.<br />
Then, if one was really lucky, xanthosis or yellowing would take<br />
place with the addition of unslaked lime, ground bones <strong>and</strong> more<br />
mercury. It occurred to Phryne that with the amount of mercury<br />
vapour that these wise men were breathing, it was no wonder<br />
that they saw visions of Hermes Thrice Great. In due course they<br />
would also have seen rhinoceroses on scaling ladders.<br />
Finally, after the work of years—the mixture buried in fresh<br />
horse dung to be heated to just the right temperature—the watcher<br />
would see the span of colours called the peacock’s tail <strong>and</strong> would<br />
achieve rubedo <strong>and</strong> iosis, completion. The red king would be<br />
enthroned <strong>and</strong> the lapis philosophorum would elevate the alchemist<br />
to heights of knowledge such as other men would never share.<br />
Thou shalt see…a shining carbuncle most temperate<br />
splendour, whose most subtile <strong>and</strong> depurated parts are<br />
inseparably united into one with a concordial mixture,<br />
exceedingly equal, transparent like crystal, compact <strong>and</strong><br />
most ponderous, easily fusible in fire, like resin or wax yet<br />
flowing like smoke; entering into solid bodies <strong>and</strong> penetrating<br />
them like oil through paper; friable like glass, in powder<br />
like saffron, but in whole Mass shining like a ruby.<br />
His life would be crowned. He would be untouchable,<br />
immortal. He would not seek riches, as Elias Ashmole said, ‘And<br />
certaynly he to whom the whole of nature lies open, rejoyceth