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with critical observations and biographical notices, by Robert Burns

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220<br />

THE JOLLY BEGGARS.<br />

This spirited <strong>and</strong> humorous effusion fell into the<br />

h<strong>and</strong>s of the Editor while engaged in collecting the<br />

^Heliques of <strong>Burns</strong>. Not<strong>with</strong>st<strong>and</strong>ing its various <strong>and</strong><br />

striking merits, he was compelled to <strong>with</strong>hold it from<br />

publication <strong>by</strong> the same motives which induced Dr.<br />

Currie to suppress it ; but in so doing he has, to his<br />

surprise, incurred censure instead of approbation.<br />

Mr. Walter Scott, in an elaborate essay on the Ge-<br />

nius of <strong>Burns</strong>, has thought proper to introduce the<br />

following remarks :<br />

—<br />

" Yet applaudin^i aS We do most highly applaud^<br />

the leading principles of Dr. Curriers selection, we are<br />

aware that they sometimes led him into fastidious <strong>and</strong><br />

over-delicate rejection of the bard's most spirited <strong>and</strong><br />

happy effusions. A thin octavo, published at Glasgow<br />

in 1801, under the title of ' Poems ascribed to <strong>Robert</strong><br />

<strong>Burns</strong>, the Ayrshire bard/ furnishes valuable proofs of<br />

this assertion. It contains, among a good deal of rub-<br />

bish, some of his most brilliant poetry. A cantata in<br />

particular, called The Jolly Beggars, for humorous de-

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