with critical observations and biographical notices, by Robert Burns
with critical observations and biographical notices, by Robert Burns with critical observations and biographical notices, by Robert Burns
16 gallant though unfortunate house of Stuart, the kings of our fathers for so many heroic ages, is a theme much more interesting than * * ^ * resentment of the guilty great, or their descendants. Thou mightest then have rolled in affluence, and ceased to struggle under the insulting taunts of every little upstart in office. Thou, mightest have flourished in thy day, and left behind thee an off- spring securely treading the path of honours and preferment, in- stead of leaving thy v\?ife and children poor and pennyless, at the mercy of the vporld.—All this tliou mightest have done ; but then thou would'st not have been a poet. Thy mantle has in- deed been claimed by the first of a new order of poets, who has done all that thou would'st have disdained to do. The world has seen with astonishment, the solid treasures realized by the speculating muse ; but the meretricious laurel will soon wither around the wearer's brow, and succeeding generations will turn with contempt from the cold and the courtly strain. I do not mean to say that poetry and prudence are altogether incompatible; but that prudence which would stifle the feelings which should glow in every manly bosom, can never exist with true and genuine poetry. The prudence that would suppress the indignant strain of a Campbell at the horrors of Warsaw, or at the cries of the helpless women and children of our American brethren mangled and murdered by Savages, spurred on by cold and unfeeling politicians ;—the prudence that could see unmoved the smoking villages and unhallowed butchery which followed in the train of Culloden, the unsophisticated muse will ever disdain. He can never be a poet who does not feel as a man. Ed,
17 JAMIE GAY. Jamie Gay is another and a tolerable Anglo- Scotish piece. MY DEAR JOCKIE. Jnother Anglo-Scotish production. FYE, GAE RUB HER o'eR Wl' STRAE. It is self-evident that the first four lines of this song are part of a sorig more ancient than Ramsay s heautifid verses zvhich are annexed to them. As music is the lariguage of nature; and poetry, parti- cularly songs, are always less or more localized (if I may he allowed the verb) by some of the modifica- tions of time and place, this is the reason zvhy so many of our Scots airs have outlived their original, and perhaps many subsequent sets of verses; except a single name, or phrase, or sometimes one or tzco lines, simply to distinguish the tunes by. VOL,
- Page 1 and 2: J^^. ^^y m ;.v"5 :Hx ;>**;m 'fmm. %
- Page 3 and 4: I.^wl
- Page 7: SELECT SCOTISH SONGS, ANCIENT AND M
- Page 10 and 11: tyre,* Ritson,f and above all, by B
- Page 12 and 13: IV given us, and possibly it may gi
- Page 14 and 15: VI to recollect so much of it as sh
- Page 16 and 17: vin And to each month add five year
- Page 18 and 19: The man doth thrive to thirty -five
- Page 20 and 21: xu Then may he say, both night and
- Page 22 and 23: In what state ever that thou be, re
- Page 24 and 25: XVI gotten bards we owe some of his
- Page 26 and 27: music are both posterior to the day
- Page 28 and 29: The guilt appeared in Jamie's cheek
- Page 30 and 31: 6 to tvhom I am indebted for the an
- Page 32 and 33: ~s THE BEDS OF SWEET ROSES. This so
- Page 34 and 35: Fee him, father,* fee him, quo' she
- Page 36 and 37: 12 SAW YE NAE MY PEGGY? This charmi
- Page 38 and 39: 14 Saw ye my Maggie, Saw ye my Magg
- Page 42 and 43: 18 To this day among people who kno
- Page 44 and 45: 20 Let neist day come as it thinks
- Page 46 and 47: 22 THE LAST TIME 1 CAME O ER THE MO
- Page 48 and 49: £4 To dead him weel shall be my ca
- Page 50 and 51: 26 The poor poet, with that inoffen
- Page 52 and 53: 28 Upon the green the virgins wait,
- Page 54 and 55: 30 .; ing together by the banks of
- Page 56 and 57: 32 THE TURNIMSPIKE. There is a stan
- Page 58 and 59: 34 They tak the horse then py te he
- Page 60 and 61: 36 ^c." It consists of three stanza
- Page 62 and 63: 38 THE BLAITHRIE O T. The following
- Page 64 and 65: 40 Tho' we hae nae horses or menzie
- Page 66 and 67: m worthy and able defender of the b
- Page 68 and 69: 44 Say, charmer, where do thy flock
- Page 70 and 71: 46 O weel may the boatie row. That
- Page 72 and 73: THE POSIE. It appears evident to me
- Page 74 and 75: 5a The primrose I will pu', the fir
- Page 76 and 77: 52 She from her pillow gently rais'
- Page 78 and 79: 54 Up raise the good man's dochter,
- Page 80 and 81: 66 And he took out his little knife
- Page 82 and 83: 58 Hart, and hynd, and fallow-deer,
- Page 84 and 85: 60 THE COLLIERS BONIE LASSIE. Thefi
- Page 86 and 87: 6^ Come, in thy raven plumage, Nigh
- Page 88 and 89: 64 DOWN THE BURN, DAVIE. I HAVE bee
16<br />
gallant though unfortunate house of Stuart, the<br />
kings of our fathers for so many heroic ages, is a<br />
theme much more interesting than * * ^ *<br />
resentment of the guilty great, or their descendants. Thou<br />
mightest then have rolled in affluence, <strong>and</strong> ceased to struggle<br />
under the insulting taunts of every little upstart in office. Thou,<br />
mightest have flourished in thy day, <strong>and</strong> left behind thee an off-<br />
spring securely treading the path of honours <strong>and</strong> preferment, in-<br />
stead of leaving thy v\?ife <strong>and</strong> children poor <strong>and</strong> pennyless, at the<br />
mercy of the vporld.—All this tliou mightest have done ; but<br />
then thou would'st not have been a poet. Thy mantle has in-<br />
deed been claimed <strong>by</strong> the first of a new order of poets, who<br />
has done all that thou would'st have disdained to do. The world<br />
has seen <strong>with</strong> astonishment, the solid treasures realized <strong>by</strong> the<br />
speculating muse ; but the meretricious laurel will soon <strong>with</strong>er<br />
around the wearer's brow, <strong>and</strong> succeeding generations will turn<br />
<strong>with</strong> contempt from the cold <strong>and</strong> the courtly strain.<br />
I do not mean to say that poetry <strong>and</strong> prudence are altogether<br />
incompatible; but that prudence which would stifle the feelings<br />
which should glow in every manly bosom, can never exist <strong>with</strong><br />
true <strong>and</strong> genuine poetry. The prudence that would suppress<br />
the indignant strain of a Campbell at the horrors of Warsaw, or<br />
at the cries of the helpless women <strong>and</strong> children of our American<br />
brethren mangled <strong>and</strong> murdered <strong>by</strong> Savages, spurred on <strong>by</strong><br />
cold <strong>and</strong> unfeeling politicians ;—the prudence that could see<br />
unmoved the smoking villages <strong>and</strong> unhallowed butchery which<br />
followed in the train of Culloden, the unsophisticated muse<br />
will ever disdain. He can never be a poet who does not feel as<br />
a man. Ed,