with critical observations and biographical notices, by Robert Burns

with critical observations and biographical notices, by Robert Burns with critical observations and biographical notices, by Robert Burns

28.03.2013 Views

16 gallant though unfortunate house of Stuart, the kings of our fathers for so many heroic ages, is a theme much more interesting than * * ^ * resentment of the guilty great, or their descendants. Thou mightest then have rolled in affluence, and ceased to struggle under the insulting taunts of every little upstart in office. Thou, mightest have flourished in thy day, and left behind thee an off- spring securely treading the path of honours and preferment, in- stead of leaving thy v\?ife and children poor and pennyless, at the mercy of the vporld.—All this tliou mightest have done ; but then thou would'st not have been a poet. Thy mantle has in- deed been claimed by the first of a new order of poets, who has done all that thou would'st have disdained to do. The world has seen with astonishment, the solid treasures realized by the speculating muse ; but the meretricious laurel will soon wither around the wearer's brow, and succeeding generations will turn with contempt from the cold and the courtly strain. I do not mean to say that poetry and prudence are altogether incompatible; but that prudence which would stifle the feelings which should glow in every manly bosom, can never exist with true and genuine poetry. The prudence that would suppress the indignant strain of a Campbell at the horrors of Warsaw, or at the cries of the helpless women and children of our American brethren mangled and murdered by Savages, spurred on by cold and unfeeling politicians ;—the prudence that could see unmoved the smoking villages and unhallowed butchery which followed in the train of Culloden, the unsophisticated muse will ever disdain. He can never be a poet who does not feel as a man. Ed,

17 JAMIE GAY. Jamie Gay is another and a tolerable Anglo- Scotish piece. MY DEAR JOCKIE. Jnother Anglo-Scotish production. FYE, GAE RUB HER o'eR Wl' STRAE. It is self-evident that the first four lines of this song are part of a sorig more ancient than Ramsay s heautifid verses zvhich are annexed to them. As music is the lariguage of nature; and poetry, parti- cularly songs, are always less or more localized (if I may he allowed the verb) by some of the modifica- tions of time and place, this is the reason zvhy so many of our Scots airs have outlived their original, and perhaps many subsequent sets of verses; except a single name, or phrase, or sometimes one or tzco lines, simply to distinguish the tunes by. VOL,

16<br />

gallant though unfortunate house of Stuart, the<br />

kings of our fathers for so many heroic ages, is a<br />

theme much more interesting than * * ^ *<br />

resentment of the guilty great, or their descendants. Thou<br />

mightest then have rolled in affluence, <strong>and</strong> ceased to struggle<br />

under the insulting taunts of every little upstart in office. Thou,<br />

mightest have flourished in thy day, <strong>and</strong> left behind thee an off-<br />

spring securely treading the path of honours <strong>and</strong> preferment, in-<br />

stead of leaving thy v\?ife <strong>and</strong> children poor <strong>and</strong> pennyless, at the<br />

mercy of the vporld.—All this tliou mightest have done ; but<br />

then thou would'st not have been a poet. Thy mantle has in-<br />

deed been claimed <strong>by</strong> the first of a new order of poets, who<br />

has done all that thou would'st have disdained to do. The world<br />

has seen <strong>with</strong> astonishment, the solid treasures realized <strong>by</strong> the<br />

speculating muse ; but the meretricious laurel will soon <strong>with</strong>er<br />

around the wearer's brow, <strong>and</strong> succeeding generations will turn<br />

<strong>with</strong> contempt from the cold <strong>and</strong> the courtly strain.<br />

I do not mean to say that poetry <strong>and</strong> prudence are altogether<br />

incompatible; but that prudence which would stifle the feelings<br />

which should glow in every manly bosom, can never exist <strong>with</strong><br />

true <strong>and</strong> genuine poetry. The prudence that would suppress<br />

the indignant strain of a Campbell at the horrors of Warsaw, or<br />

at the cries of the helpless women <strong>and</strong> children of our American<br />

brethren mangled <strong>and</strong> murdered <strong>by</strong> Savages, spurred on <strong>by</strong><br />

cold <strong>and</strong> unfeeling politicians ;—the prudence that could see<br />

unmoved the smoking villages <strong>and</strong> unhallowed butchery which<br />

followed in the train of Culloden, the unsophisticated muse<br />

will ever disdain. He can never be a poet who does not feel as<br />

a man. Ed,

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