with critical observations and biographical notices, by Robert Burns
with critical observations and biographical notices, by Robert Burns with critical observations and biographical notices, by Robert Burns
6 to tvhom I am indebted for the anecdotey kept for some years as an amanuensis. I do not knozo who is the author of the second song to the tune, Tytler, in his amusing history of Scots music, gives the air to Oswald ; hut in Oswald's own collection of Scots tunes, where he affixes an asterisk to those he him- self composed, he does not make the least claim to the tune. 'Twas ill that season of the year, When all thmgs gay and sweet appear, That Colin, with the morning ray, Arose and sung his rural lay. Of Nanny's charms the shepherd sung, The hills and dales with Nanny rung While Roslin Castle heard the swain. And echoed back the cheerful strain. Awake, sweet Muse ! the breathing spring. With rapture warms ; awake and sing ! Awake and join the vocal throng, Who hail the morning with a song Alluding, as it is said in a note, to a sort of narrative songs, which make no inconsiderable part of the innocent amusements with which the country people (of Cumberland) pass the wijitry nights, and of which the author of the present piece was a faithful rehearser. Blacklock's Poems, 1756, 8vo. p. 5.
To Nanny raise the cheerful lay, O ! bid her haste and come away In sweetest smiles herself adorn. And add new graces to the morn O, hark, my love ! on ev'ry spray. Each feather'd warbler tunes his lay 'Tis beauty fires the ravish'd throng. And love inspires the melting song: Then let my raptur'd notes arise. For beauty darts from Nanny's eyes And love my rising bosom warms, And fills my soul with sweet alarms. O ! come, my love ! thy Colin's lay With rapture calls, O come away ! Come, while the Muse this wreath shall twin^ Around that modest brow of thine ; O ! hither haste, and with thee bring That beauty blooming like the spring Those graces that divinely shine, And charm this ravish'd breast of mine!
- Page 1 and 2: J^^. ^^y m ;.v"5 :Hx ;>**;m 'fmm. %
- Page 3 and 4: I.^wl
- Page 7: SELECT SCOTISH SONGS, ANCIENT AND M
- Page 10 and 11: tyre,* Ritson,f and above all, by B
- Page 12 and 13: IV given us, and possibly it may gi
- Page 14 and 15: VI to recollect so much of it as sh
- Page 16 and 17: vin And to each month add five year
- Page 18 and 19: The man doth thrive to thirty -five
- Page 20 and 21: xu Then may he say, both night and
- Page 22 and 23: In what state ever that thou be, re
- Page 24 and 25: XVI gotten bards we owe some of his
- Page 26 and 27: music are both posterior to the day
- Page 28 and 29: The guilt appeared in Jamie's cheek
- Page 32 and 33: ~s THE BEDS OF SWEET ROSES. This so
- Page 34 and 35: Fee him, father,* fee him, quo' she
- Page 36 and 37: 12 SAW YE NAE MY PEGGY? This charmi
- Page 38 and 39: 14 Saw ye my Maggie, Saw ye my Magg
- Page 40 and 41: 16 gallant though unfortunate house
- Page 42 and 43: 18 To this day among people who kno
- Page 44 and 45: 20 Let neist day come as it thinks
- Page 46 and 47: 22 THE LAST TIME 1 CAME O ER THE MO
- Page 48 and 49: £4 To dead him weel shall be my ca
- Page 50 and 51: 26 The poor poet, with that inoffen
- Page 52 and 53: 28 Upon the green the virgins wait,
- Page 54 and 55: 30 .; ing together by the banks of
- Page 56 and 57: 32 THE TURNIMSPIKE. There is a stan
- Page 58 and 59: 34 They tak the horse then py te he
- Page 60 and 61: 36 ^c." It consists of three stanza
- Page 62 and 63: 38 THE BLAITHRIE O T. The following
- Page 64 and 65: 40 Tho' we hae nae horses or menzie
- Page 66 and 67: m worthy and able defender of the b
- Page 68 and 69: 44 Say, charmer, where do thy flock
- Page 70 and 71: 46 O weel may the boatie row. That
- Page 72 and 73: THE POSIE. It appears evident to me
- Page 74 and 75: 5a The primrose I will pu', the fir
- Page 76 and 77: 52 She from her pillow gently rais'
- Page 78 and 79: 54 Up raise the good man's dochter,
6<br />
to tvhom I am indebted for the anecdotey kept for<br />
some years as an amanuensis. I do not knozo who<br />
is the author of the second song to the tune, Tytler,<br />
in his amusing history of Scots music, gives the air<br />
to Oswald ; hut in Oswald's own collection of Scots<br />
tunes, where he affixes an asterisk to those he him-<br />
self composed, he does not make the least claim to<br />
the tune.<br />
'Twas ill that season of the year,<br />
When all thmgs gay <strong>and</strong> sweet appear,<br />
That Colin, <strong>with</strong> the morning ray,<br />
Arose <strong>and</strong> sung his rural lay.<br />
Of Nanny's charms the shepherd sung,<br />
The hills <strong>and</strong> dales <strong>with</strong> Nanny rung<br />
While Roslin Castle heard the swain.<br />
And echoed back the cheerful strain.<br />
Awake, sweet Muse ! the breathing spring.<br />
With rapture warms ; awake <strong>and</strong> sing !<br />
Awake <strong>and</strong> join the vocal throng,<br />
Who hail the morning <strong>with</strong> a song<br />
Alluding, as it is said in a note, to a sort of narrative songs,<br />
which make no inconsiderable part of the innocent amusements<br />
<strong>with</strong> which the country people (of Cumberl<strong>and</strong>) pass the wijitry<br />
nights, <strong>and</strong> of which the author of the present piece was a<br />
faithful rehearser.<br />
Blacklock's Poems, 1756, 8vo. p. 5.