with critical observations and biographical notices, by Robert Burns
with critical observations and biographical notices, by Robert Burns with critical observations and biographical notices, by Robert Burns
Theft she pat siller in my purse, We drank wine in a coggie She feed a man to rub my horse, And wow ! but I was vogie. But I gat ne'er sa sair a fleg, Since I came frae my daddy, The laird came, rap rap, to the yett, AVhen I was wi' his lady. Then she pat me below a chair. And happ'd me wi' a plaidie But I was like to swarf wi' fear. And wish'd me wi' my daddy. The laird went out, he saw na me, I went when I was ready I promis'd, but I ne'er gade back To kiss his bonny lady. A rose-bud by my early walk. This song I composed on Miss Jenny Cruikshankf only child to my worthy friend Mr. Wm. Cruikshank, of the High- School, Edinburgh. The air is by a David Sillar, quondam Merchant, and
25 MOW Schoolmaster in Irvine. He is the Davie to whom I address my 'printed -poetical epistle in the measure of the Cherry and the Slae.^ * The Cherry and the Slae was written by Capt. Alexander Montgomery (See "The Evergreen," 1724). He died 1591. To the admirers of this Allegory the following excerpt from an -unpublished work by the late Mr. Ritson will be interesting. " That this Poem was written before 1584 is evident from its being repeatedly quoted by K. James VI. in his ' Rewlis and Cautells of Scottis Poesie,' printed in that year. Ramsay tells ns, that his edition is taken from two curious old ones, the first printed by Robert Walgrave, the King's printer, in 1597, accord- ing to a copy corrected by the author himself; the other by Andro Hart, printed 1615, said on the title-page to be newly altered, perfyted, and divided into 114 quatuorzeims, not long before the author's death." " The first of these editions, however, so far from having been corrected by the author, is both grossly inaccurate and mani- festly surreptitious, not containhig above half the Poem, and breaking off abruptly in the middle of a stanza. The other has not been met with, which is one reason why the entire Foera was not reprinted. Captain Montgomery was not, as is gene- rally supposed, the inventor of this sort of stanza. He only imi- tated a more ancient piece, intitled, * The Banks of Helicon,* which is still extant; and the tune, to which both Poems appear to have been originally sung, is still known in Wales by the name of Glyn Helicon. The Allegory of this Poem (according to Dempster, who translated it into Latin) is the conflict of the Virtues and Vices, or theA^hoice of a state in Youth."
- Page 229 and 230: 205 manners, the modesty of his dis
- Page 231 and 232: £07 Songs, called, '^ What ails th
- Page 233 and 234: 209 APPENDIX fd,J Mr. Skinner died
- Page 235 and 236: 211 " His old friend, however, afte
- Page 237 and 238: 21; It's true we've been but poor,
- Page 239 and 240: 215 The two subjoined letters were
- Page 241 and 242: 217 Songs in the English language,
- Page 243 and 244: 219 ly in the old Scottish dialect
- Page 245 and 246: 221 your own proper and piercing we
- Page 247 and 248: 223 tioned in your last, to the tun
- Page 249 and 250: 225 fluence over him than any other
- Page 251 and 252: £27 food, I desired her to endeavo
- Page 253 and 254: 229 was then very complaisant, and
- Page 255: SELECT SCOTISH SONGS, ANCIENT AND M
- Page 258 and 259: 2 Get up, goodman, it is fou time,
- Page 260 and 261: RATTLIN, ROARIN WILLIE. The last st
- Page 262 and 263: 6 As one who by some savage stream,
- Page 264 and 265: 8 I doubt na, lass, but ye may thin
- Page 266 and 267: 10 Loove for loove is the bargain f
- Page 268 and 269: 12 YOUNG DAMON. This air is hy Oswa
- Page 270 and 271: 14 JOHNY FAA, OR THE GYPSIE LADDIE.
- Page 272 and 273: 16 And she came tripping down the s
- Page 274 and 275: 18 TO DAUNTON ME. The two following
- Page 276 and 277: 20 By my gude luck a maid 1 met. Ju
- Page 278 and 279: 22 The bonie lassie made the bed to
- Page 282 and 283: 26 AULD ROBIN GRAY. This air was fo
- Page 284 and 285: 28 I gang like a ghaist, and I care
- Page 286 and 287: ^ When we gaed to the braes o' Mar,
- Page 288 and 289: 32 He streight gaed to Duniblane ag
- Page 290 and 291: 34 Represents hoary locks; an old b
- Page 292 and 293: 36 And there will be lang-kail and
- Page 294 and 295: S8 And there will be happer-ars'd N
- Page 296 and 297: 40 O CAN YE XABOUR LEA, YOUNG MAN.
- Page 298 and 299: 42 WHEN I UPON THY BOSOM LEAN. Tune
- Page 300 and 301: 44 MY HARRY WAS A GALLANT GAY. Tune
- Page 302 and 303: 46 The captive bands may chain the
- Page 304 and 305: 48 And in Scotia's cold climate may
- Page 306 and 307: 50 Pan playing on his aiten reed, A
- Page 308 and 309: 50, What sweeter music wad ye hear,
- Page 310 and 311: 54 Woo'd and married and a\ Married
- Page 312 and 313: 56 Young luckie thus fand hersel' m
- Page 314 and 315: 6B " What's the matter?" quo' Willi
- Page 316 and 317: m MUIRLAND WILLIE, Hearken, and I w
- Page 318 and 319: 6^2 Besides, I had frae the great l
- Page 320 and 321: 64 Their toys and mutches were sae
- Page 322 and 323: 66 O soft as love ! as honour fair
- Page 324 and 325: 6S Lasses a' lilting before the bre
- Page 326 and 327: 70 O dule for the order Sent our la
- Page 328 and 329: n O fickle fortune ! why this cruel
25<br />
MOW Schoolmaster in Irvine. He is the Davie to<br />
whom I address my 'printed -poetical epistle in the<br />
measure of the Cherry <strong>and</strong> the Slae.^<br />
* The Cherry <strong>and</strong> the Slae was written <strong>by</strong> Capt. Alex<strong>and</strong>er<br />
Montgomery (See "The Evergreen," 1724). He died 1591.<br />
To the admirers of this Allegory the following excerpt from an<br />
-unpublished work <strong>by</strong> the late Mr. Ritson will be interesting.<br />
" That this Poem was written before 1584 is evident from its<br />
being repeatedly quoted <strong>by</strong> K. James VI. in his ' Rewlis <strong>and</strong><br />
Cautells of Scottis Poesie,' printed in that year. Ramsay tells<br />
ns, that his edition is taken from two curious old ones, the first<br />
printed <strong>by</strong> <strong>Robert</strong> Walgrave, the King's printer, in 1597, accord-<br />
ing to a copy corrected <strong>by</strong> the author himself; the other <strong>by</strong><br />
Andro Hart, printed 1615, said on the title-page to be newly<br />
altered, perfyted, <strong>and</strong> divided into 114 quatuorzeims, not long<br />
before the author's death."<br />
" The first of these editions, however, so far from having been<br />
corrected <strong>by</strong> the author, is both grossly inaccurate <strong>and</strong> mani-<br />
festly surreptitious, not containhig above half the Poem, <strong>and</strong><br />
breaking off abruptly in the middle of a stanza. The other has<br />
not been met <strong>with</strong>, which is one reason why the entire Foera<br />
was not reprinted. Captain Montgomery was not, as is gene-<br />
rally supposed, the inventor of this sort of stanza. He only imi-<br />
tated a more ancient piece, intitled, * The Banks of Helicon,*<br />
which is still extant; <strong>and</strong> the tune, to which both Poems appear<br />
to have been originally sung, is still known in Wales <strong>by</strong> the name<br />
of Glyn Helicon. The Allegory of this Poem (according to<br />
Dempster, who translated it into Latin) is the conflict of the<br />
Virtues <strong>and</strong> Vices, or theA^hoice of a state in Youth."