with critical observations and biographical notices, by Robert Burns

with critical observations and biographical notices, by Robert Burns with critical observations and biographical notices, by Robert Burns

28.03.2013 Views

16 And she came tripping down the stair^ And a' her maids before her ; As soon as they saw her weelfar'd face^ They coost the glamer o'er her. " Gar tak fra me this gay mantile^ And bring to me a plaidie For if kith and kin and a' had sworn, ril follow the gypsie laddie. " Yestreen 1 lay in a well-made bed, And my good lord beside me ; This night I'll ly in a tenant's barn^ Whatever shall betide me." Culzean Castle. It remains to be mentioned, that the ford, by which the lady and her lover crossed the river Doon from a wood near Cassilis-house, is still denominated the Gypsies' Steps. " There seems to be no reason for identifying the hero with Johnie Faa, who was king of the gypsies about the year 159a. The coincidence of names, and the disguise assumed by the lover, is perhaps the foundation on which popular tradition has raised the structure. Upon authority so vague, nothing can be assumed; and indeed I am inclined to adopt the opinion of a correspondent, that the whole story may have been the inven- tion of some feudal or political rival, to injure the character and hurt the feelings of an opponent ; at least, after a pretty diligent search, I have been able to discover nothing that in the slightest degree confirms the popular tale."

17 Come to your bed, says Johny Faa, Oh ! come to your bed, my deary ; For I vow and swear by the hilt of my sword, That your lord shall nae mair come near ye. " I'll go to bed to my Johny Faa, And I'll go to bed to my deary For I vow and swear by what past yestreen, That my lord shall nae mair come near me." " I'll mak a hap to my Johny Faa, And I'll mak a hap to my deary And he's get a' the coat gaes round. And my lord shall nae mair come near me." And when our lord came home at e'en. And speir'd for his fair lady, The tane she cry'd, and the other reply'd. She's away wi' the ^ypsie laddie. '^ Gae saddle to me the black, black steed, Gae saddle and mak him ready Before that I either eat or sleep, I'll gae seek my fair lady." And we were fifteen well-made men, Altho' we were nae bonny And we were a' put down for ane, A fair young wanton lady. VOL. II. c

16<br />

And she came tripping down the stair^<br />

And a' her maids before her ;<br />

As soon as they saw her weelfar'd face^<br />

They coost the glamer o'er her.<br />

" Gar tak fra me this gay mantile^<br />

And bring to me a plaidie<br />

For if kith <strong>and</strong> kin <strong>and</strong> a' had sworn,<br />

ril follow the gypsie laddie.<br />

" Yestreen 1 lay in a well-made bed,<br />

And my good lord beside me ;<br />

This night I'll ly in a tenant's barn^<br />

Whatever shall betide me."<br />

Culzean Castle. It remains to be mentioned, that the ford, <strong>by</strong><br />

which the lady <strong>and</strong> her lover crossed the river Doon from a wood<br />

near Cassilis-house, is still denominated the Gypsies' Steps.<br />

" There seems to be no reason for identifying the hero <strong>with</strong><br />

Johnie Faa, who was king of the gypsies about the year 159a.<br />

The coincidence of names, <strong>and</strong> the disguise assumed <strong>by</strong> the<br />

lover, is perhaps the foundation on which popular tradition has<br />

raised the structure. Upon authority so vague, nothing can be<br />

assumed; <strong>and</strong> indeed I am inclined to adopt the opinion of a<br />

correspondent, that the whole story may have been the inven-<br />

tion of some feudal or political rival, to injure the character <strong>and</strong><br />

hurt the feelings of an opponent ; at least, after a pretty diligent<br />

search, I have been able to discover nothing that in the slightest<br />

degree confirms the popular tale."

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