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with critical observations and biographical notices, by Robert Burns

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XV<br />

It would be unc<strong>and</strong>id to suppose that the Editor<br />

has here been actuated <strong>by</strong> a wish to detract from the<br />

merit of <strong>Burns</strong>. He conceived that nothing which<br />

might serve to elucidate the progress of his gigantic<br />

mind could be useless or uninteresting. <strong>Burns</strong><br />

wished not to shroud himself up in any mysterious<br />

obscurity. He felt no jealousy that the closest in-<br />

spection would in the least diminish his reputation.<br />

We see him continually pointing to the productions<br />

<strong>with</strong> which his earliest years were most familiar;<br />

thus affording us, in a great measure, the means of<br />

ascertaining how much of his excellence we owe to<br />

the efforts of those who had preceded him, <strong>and</strong> how<br />

much to the inspiration of his own vigorous mind.<br />

The path he trod was so unfrequented, <strong>and</strong> lay so<br />

much out of the common road, that <strong>with</strong>out his as-<br />

sistance we should never have traced it. We saw<br />

<strong>with</strong> admiration a rich <strong>and</strong> unexpected harvest of<br />

original poetry; <strong>and</strong> we could not discover from<br />

whence he had collected the seeds that had shot up<br />

to such maturity. We find, however, that many of<br />

the thoughts which appear in him <strong>with</strong> such lustre<br />

were derived from others ; <strong>and</strong> even that some of his<br />

most sublime <strong>and</strong> pathetic poems owe their origin to<br />

models of a similar description, however inferior.<br />

To the Farmer's Ingle we owe the Cottar's Satur-<br />

day Night : to the rude <strong>and</strong> artless offspring of for-

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