with critical observations and biographical notices, by Robert Burns

with critical observations and biographical notices, by Robert Burns with critical observations and biographical notices, by Robert Burns

28.03.2013 Views

tyre,* Ritson,f and above all, by Burns himself, who, besides the observations in the present work, has scat- tered among his prose writings the most judicious re- flections on the subject. It will be equally superfluous to prove the eminent qualifications of Burns for un- derstanding and relishing whatever relates to Scotish Song; they have been clearly elucidated in the follow- ing elegant and concise testimony by Mr. Walter Scott. " The Scottish songs and tunes preserved for Burns that inexpressible charm which they have ever afforded to his countrymen. He entered into the idea of collecting their fragments with all the zeal of an enthusiast ; and few, whether serious or humorous, past through his hands without receiving some of those magic touches, which, without greatly altering the song, restored its original spirit, or gave it more than it had ever possessed. So dexterously are these touches combined with the ancient structure, that the rifacciamentOf in many instances, could scarcely have been detected, without the avowal of the Bard himself. Neither would it be easy to mark his share in the individual ditties. Some he appears entirely to * This gentleman has written an excellent Essay on Scotish Song, which originally appeared in the second volume of " The Bee" p. 201, under the signature of J. Runcole. + In the Appendix (e) will be found an account of the last days of this antiquary.

have re-written ; to others he added supplementary stanzas ; in some he retained only the leading lines and the chorus, and others he merely arranged and ornamented. Let us take one of the best examples of his skill in imitating the old ballad,—Macpher- son's Lament was a well-known song many years before the Ayrshire Bard wrote those additional verses which constitute its principal merit.* This noted freebooter was executed at Inverness, about the beginning of the last century. When he came to the fatal tree, he played the tune to which he has be- queathed his name, upon a favourite violin, and hold- ing up the instrument, offered it to any one of his clan who would undertake to play the tune over his body at the lyke-w^ake : as none answered, he dashed it to pieces on the executioner's head, and flung him- self from the ladder. The wild stanzas which Burns has put into the mouth of this desperado, are ground- ed upon some traditional remains. " How much Burns delighted in the task of eking out the ancient melodies of his country, appears from the following affecting passage in a letter writ- ten to Mr. Johnson, shortly before his death." ' You are a good, worthy, honest fellow, and have a good right to live in this world—because you de- serve it. Many a merry meeting this publication has * This will be found in the present vol, p. 108. b2

tyre,* Ritson,f <strong>and</strong> above all, <strong>by</strong> <strong>Burns</strong> himself, who,<br />

besides the <strong>observations</strong> in the present work, has scat-<br />

tered among his prose writings the most judicious re-<br />

flections on the subject. It will be equally superfluous<br />

to prove the eminent qualifications of <strong>Burns</strong> for un-<br />

derst<strong>and</strong>ing <strong>and</strong> relishing whatever relates to Scotish<br />

Song; they have been clearly elucidated in the follow-<br />

ing elegant <strong>and</strong> concise testimony <strong>by</strong> Mr. Walter Scott.<br />

" The Scottish songs <strong>and</strong> tunes preserved for<br />

<strong>Burns</strong> that inexpressible charm which they have ever<br />

afforded to his countrymen. He entered into the<br />

idea of collecting their fragments <strong>with</strong> all the zeal of<br />

an enthusiast ; <strong>and</strong> few, whether serious or humorous,<br />

past through his h<strong>and</strong>s <strong>with</strong>out receiving some of<br />

those magic touches, which, <strong>with</strong>out greatly altering<br />

the song, restored its original spirit, or gave it more<br />

than it had ever possessed. So dexterously are these<br />

touches combined <strong>with</strong> the ancient structure, that<br />

the rifacciamentOf in many instances, could scarcely<br />

have been detected, <strong>with</strong>out the avowal of the Bard<br />

himself. Neither would it be easy to mark his share<br />

in the individual ditties. Some he appears entirely to<br />

* This gentleman has written an excellent Essay on Scotish<br />

Song, which originally appeared in the second volume of " The<br />

Bee" p. 201, under the signature of J. Runcole.<br />

+ In the Appendix (e) will be found an account of the last<br />

days of this antiquary.

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