"Puss and Boots Succumb Again! / Puss and Boots Meet ... - Dyna Flix
"Puss and Boots Succumb Again! / Puss and Boots Meet ... - Dyna Flix
"Puss and Boots Succumb Again! / Puss and Boots Meet ... - Dyna Flix
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"<strong>Puss</strong> <strong>and</strong> <strong>Boots</strong> <strong>Succumb</strong> <strong>Again</strong>! / <strong>Puss</strong> <strong>and</strong> <strong>Boots</strong> <strong>Meet</strong> Their End!"<br />
by<br />
Don Cortier<br />
PO Box 2901<br />
South Bend, IN 46680<br />
dynahunk@dyna-flix.com
INTRO/THEME<br />
Channel switch to a show in progress, introduced by a<br />
thoroughly tacky ’70s/’80s Saturday-morning t.v. cartoon<br />
graphic: a grasshopper dressed like a Bible salesman<br />
("Hopper") shares one side of the illustration with a<br />
Vietnam-vet dragonfly ("Chopper"), while generic DareDolls<br />
fight for display space with "Spazzam," a square-cut <strong>and</strong><br />
clearly corny throwback to the old cliffhanger serials.<br />
NARRATOR<br />
We now return to the All-New<br />
SuperBabes with Hopper <strong>and</strong> Chopper<br />
Fun-tastic Span-blastic Adventure<br />
Hour with Special Appearance by<br />
CrapJac Studios’ Spazzam!<br />
The usual montage/snappy theme song follows.<br />
(Lyrics to come.)<br />
Titlecard: "<strong>Puss</strong> <strong>and</strong> <strong>Boots</strong> <strong>Succumb</strong> <strong>Again</strong>!"<br />
OPEN SESAME<br />
<strong>Puss</strong> <strong>and</strong> <strong>Boots</strong>--two sexily attired crimefightresses-seemingly<br />
leap into frame from nowhere, a "hi hat" camera<br />
angle obscuring just how far they’ve jumped.<br />
BOOTS<br />
If the CrimeComp is correct, the<br />
Jack of Ruby’s diamonds are hidden<br />
somewhere in this old warehouse.<br />
They <strong>and</strong> the camera move in toward a gatekeeper: a giant<br />
cyclops statue, straight from some fair.<br />
PUSS<br />
I don’t like the looks of this<br />
thing, <strong>Boots</strong>. What is it?<br />
BOOTS<br />
It’s a cyclops, <strong>Puss</strong>. No doubt it’s<br />
the sphinx-like protector of this<br />
old ab<strong>and</strong>oned magic factory.<br />
Suddenly, it jerks to life with rusty-metal sfx accompaniment.<br />
What am I?<br />
THE CYCLOPS
PUSS<br />
(slamming her fist<br />
into her palm)<br />
It’s an existential conundrum!<br />
BOOTS<br />
No, <strong>Puss</strong>. He’s asking us a riddle.<br />
Let him finish!<br />
THE CYCLOPS<br />
(clears throat <strong>and</strong> continues)<br />
Man walks over <strong>and</strong> man walks under<br />
<strong>and</strong>--in times of war--he burns<br />
asunder me. What am I?<br />
BOOTS<br />
Are you a bridge?<br />
They are met with a long silence from the Cyclops, which<br />
seems to go into hibernation like a dormant unused computer,<br />
thanks to some appropriate sfx <strong>and</strong> the rolling downward of<br />
its eye.<br />
EQUIPMENT CHECK<br />
BOOTS<br />
(to <strong>Puss</strong>)<br />
I think it’s a bridge.<br />
PUSS<br />
This could only be the work of<br />
Sc<strong>and</strong>alabra. His next gossip column<br />
will no doubt paint us as clueless<br />
bimbos.<br />
BOOTS<br />
I bet the answer was, "You are a<br />
cyclops." Let’s try that next time.<br />
PUSS<br />
Right! But for now, let’s just<br />
break in like we always do.<br />
The duo back-crawl into the warehouse through a tunnel. They<br />
st<strong>and</strong>, adjusting their costumes <strong>and</strong> brushing off themselves<br />
(<strong>and</strong> each other).<br />
2.
PUSS<br />
Normally we short-circuit the alarm<br />
to get the drop on our "nemesiseses,"<br />
but they always seem to ensnare us<br />
anyway, <strong>Boots</strong>. Let’s trick them by<br />
not doing the obvious.<br />
BOOTS<br />
Yeah! They’ll never expect the<br />
unexpected!<br />
PUSS<br />
Wait! If we get split up, we’ll<br />
need to be able to find each other.<br />
BOOTS<br />
Right! Let’s put on our homing devices.<br />
They tape wires to each other’s legs, hidden by their boots.<br />
PUSS<br />
Are these new tights, <strong>Boots</strong>? They<br />
feel silkier.<br />
BOOTS<br />
H<strong>and</strong>-washing keeps them in top<br />
condition, girlfriend. Try it<br />
sometime. Now let’s see who’s<br />
waiting at the other end of this maze.<br />
They run down the usual hallways, but wind up right back at<br />
the switch box.<br />
SPLOOGE-GASSED!<br />
PUSS<br />
I think this is where we came in.<br />
BOOTS<br />
Let’s take the same route, but make<br />
left turns where we would normally<br />
turn right.<br />
PUSS<br />
That’s some kind of plan. We sure<br />
could try it!<br />
Cut to the Peepers, ready for anyone. An alarm sounds.<br />
3.
CHAD<br />
That sounds like our new sensory<br />
sensor alarm, Larry. It can smell<br />
superbabe sp<strong>and</strong>ex from fifty paces.<br />
Those foolish sex-dolls may even be<br />
wearing homing devices. That would<br />
definitely tip it off.<br />
LARRY<br />
We’ve got company, then. So let’s<br />
show them a little Peeper Brothers<br />
hospitality.<br />
CHAD<br />
(holds up a big<br />
squirt gun)<br />
Are we talking splooge gas? That<br />
ought to put them on ice, <strong>and</strong> nicely!<br />
Pan to reveal the Daredolls at the other end of the hall,<br />
listening in.<br />
PUSS<br />
Funny you should mention ice, you<br />
felonious fiends, because like so<br />
many scofflaws, you’re going to<br />
wind up on it.<br />
BOOTS<br />
Yeah. You’re going to wind up on ice!<br />
PUSS<br />
Thanks for that, <strong>Boots</strong>. My imagery<br />
was a little too subtle.<br />
BOOTS<br />
Don’t mention it, <strong>Puss</strong>. That’s why<br />
we’re partners!<br />
They hug, while the Peepers look disgusted.<br />
CHAD<br />
Far be it from us to chill such a<br />
heart-warming moment, but Larry <strong>and</strong><br />
I have a plan that’ll stiffen your<br />
nipples...permanently!<br />
PUSS<br />
Not tonight, unless you can pull it<br />
off from behind prison walls!<br />
<strong>Puss</strong> <strong>and</strong> <strong>Boots</strong> pull out h<strong>and</strong>cuffs <strong>and</strong> advance on the Peepers;<br />
the funnier their advance (silly walk), the better. They hit<br />
a slick spot <strong>and</strong> stumble, unable to st<strong>and</strong>.<br />
4.
LARRY<br />
Hey, Chad! It looks like these two<br />
could use some skating lessons. Or<br />
at least some not-falling-down lessons.<br />
CHAD<br />
Your predictability is once again<br />
your downfall, damsels! We’ve<br />
coated that section of the floor<br />
with super-slick massage oil!<br />
LARRY<br />
Hey! Have you been raiding my<br />
medicine cabinet?<br />
CHAD<br />
I’ll get those pills back to you<br />
just as soon as I’m done taking<br />
them, Larry, but for now, could we<br />
please stay focused?<br />
LARRY<br />
(turns to the duo as<br />
he pulls out a gun)<br />
Did someone say "splooge gun" fun?<br />
CHAD<br />
Such noble gas!<br />
With their guns, the Peepers pump suds onto the hapless<br />
heroines’ faces. They pass out cold.<br />
LARRY<br />
I thought you said "gas." How was<br />
that gas?<br />
CHAD<br />
It’s gas, alright...in solid form.<br />
How else could we spurt it into the<br />
unsuspecting sweet pusses of<br />
superbabes like these two?<br />
LARRY<br />
We’ll argue about physics, later,<br />
but first let’s get these two prize<br />
packages into position for a proper<br />
unwrapping.<br />
CHAD<br />
Ahhhhh. Who said, "Christmas comes<br />
only once a year?"<br />
The Peepers carry away their prey.<br />
5.
WIRE SPOOL/LETHAL GAS<br />
In a basement, the Peepers tie up a still-sleeping <strong>Puss</strong> as<br />
an already bound but conscious <strong>Boots</strong> waits in the wings.<br />
He gags her.<br />
CHAD<br />
Be sure to tie her tight. Once this<br />
room fills with gas, she’ll be full<br />
of fight.<br />
LARRY<br />
No, she’ll be full of gas. Like a<br />
businessman on holiday in Reno.<br />
BOOTS<br />
You’re both full of hot air.<br />
CHAD<br />
You’d be wise to keep that pretty<br />
mouth of yours shut, <strong>Boots</strong>, but<br />
then, we both know that’s not possible.<br />
LARRY<br />
I’ve got a gag that says otherwise!<br />
CHAD<br />
That’s really puttin’ a sock in it!<br />
Now let’s wind things up for our<br />
suddenly silent little sauce-pot.<br />
LARRY<br />
Or maybe it will wind her up!<br />
Chad grabs one end of <strong>Boots</strong>, <strong>and</strong> Larry the other. They carry<br />
her out.<br />
<strong>Puss</strong> wakes, alone. She hears an engine start up outside.<br />
A van backs up to the basement window; a hose is lowered to<br />
the basement floor; gas seeps from it. <strong>Puss</strong>’s eyes go wide<br />
with the realization that she’s trapped.<br />
Meanwhile, the Peepers lash <strong>Boots</strong> to something resembling a<br />
barbecue spit.<br />
6.
CHAD<br />
Nice work, Larry. It kind of makes<br />
you wonder, though: Did <strong>Boots</strong>’s<br />
daily horoscope say anything about<br />
her being crushed in the coils of a<br />
high-intensity cable spooler?<br />
LARRY<br />
Maybe it said, "You will be all<br />
tied up today."<br />
CHAD<br />
I like mine better.<br />
<strong>Boots</strong> mumbles through her gag.<br />
Chad removes her gag.<br />
CHAD<br />
Let’s get her opinion.<br />
LARRY<br />
Yeah. Take it off. All the better<br />
to hear her screams!<br />
Well?<br />
CHAD<br />
BOOTS<br />
I wasn’t saying anything. I merely<br />
tricked you into removing that gag<br />
by taking advantage of a vulnerable<br />
moment.<br />
CHAD<br />
Well, now it’s our turn to take<br />
advantage of you, Daredoll, because<br />
this couldn’t possibly be a more<br />
vulnerable moment.<br />
BOOTS<br />
A true gentleman would never take<br />
advantage of a lady.<br />
LARRY<br />
We ain’t no gentleman, <strong>and</strong> you<br />
ain’t no lady!<br />
BOOTS<br />
Chivalry really is dead, then.<br />
CHAD<br />
Enough chit chat, Daredoll. Have<br />
you any last words for posterity?<br />
7.
BOOTS<br />
Only this, you grinning devils:<br />
"Torture never tested the mettle of<br />
a maiden true!"<br />
LARRY<br />
That sounds like that speech<br />
Laurence Olivier made at the Oscars<br />
that sounded great but really<br />
didn’t mean anything.<br />
CHAD<br />
A tale full of sound <strong>and</strong> fury,<br />
Larry, signifying nothing. Now<br />
let’s wrap up this tragedy!<br />
They wind her on "the spool," the cable taut as it binds her<br />
from her ankles to her thighs.<br />
Meanwhile, <strong>Puss</strong> coughs <strong>and</strong> struggles, the gas swirling all<br />
around her.<br />
THE POINTLESS RECAP<br />
DEATHTRAP RESUMES<br />
NARRATOR<br />
Perhaps your dear narrator is<br />
losing what’s left of his mind, but<br />
did we really just see the<br />
following?: The Delicious Daredolls,<br />
dominated in a deeply diabolical<br />
donnybrook? Gassed with garish goop?<br />
Wound in a loop? Sopped in the soup?<br />
The answers in just one short moment!<br />
<strong>Puss</strong> <strong>and</strong> <strong>Boots</strong> continue to groan <strong>and</strong> grind as we cross-cut<br />
between their dilemmas.<br />
PUSS<br />
(to herself)<br />
I’m getting so sleepy. If I can<br />
just...make it!<br />
8.
STAY TUNED<br />
BOOTS<br />
(also to herself)<br />
It’s like being stuck in the coils<br />
of a hungry cobra! I can actually<br />
feel my ribcage collapsing under<br />
the pressure! Uh! This is not going<br />
to be pleasant!<br />
NARRATOR<br />
I’ve seen some pretty twisted<br />
deathtraps during my tenure as<br />
narrator, dear viewer, but this is<br />
a pretty fresh twist on an old<br />
dilemma. Will <strong>Boots</strong> be crushed<br />
under pressure like a walnut in a<br />
vise? Is <strong>Puss</strong> about to go beddy-bye,<br />
never to return to wakey-wakey l<strong>and</strong>?<br />
As preposterous as it sounds, I’d<br />
like to think that hope will<br />
prevail for both. So don’t miss our<br />
next exciting episode, "<strong>Puss</strong> <strong>and</strong><br />
<strong>Boots</strong> <strong>Meet</strong> Their End!"<br />
9.