December 2008 (issue 116) - Sussex Archaeological Society
December 2008 (issue 116) - Sussex Archaeological Society December 2008 (issue 116) - Sussex Archaeological Society
NUMBER 116 DECEM BER 2008 Tom Paine in Lewes Oral History at Phoenix Foundry Work starts on Lewes Castle Beedings Excavation www.romansinsussex.co.uk Sussex Past & Present December 2008 1
- Page 2: Membership Matters Lorna’s Notebo
- Page 6: Conference AUTUMN CONFERENCE Lookin
- Page 10: Excavations ARCHAEOLOGY ROUND-UP HI
- Page 14: Books Pevsner Architectural Guide B
NUMBER <strong>116</strong> DECEM BER <strong>2008</strong><br />
Tom Paine in Lewes<br />
Oral History at Phoenix Foundry<br />
Work starts on Lewes Castle<br />
Beedings Excavation<br />
www.romansinsussex.co.uk <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> 1
Membership Matters<br />
Lorna’s Notebook<br />
A round-up of all that’s new in the membership department<br />
Welcome to the autumn edition<br />
of <strong>Sussex</strong> Past and Present.<br />
2009 Subscription Renewal<br />
Many of you will be due to renew<br />
your subscription at the start of the<br />
year, and it would help the <strong>Society</strong> if<br />
you would check your membership<br />
card now, and if due for renewal<br />
on January 1, arrange for payment<br />
straightaway. This will save us the<br />
cost of sending out reminder notices,<br />
usually in late January.<br />
Of course, if you pay by direct<br />
debit, no further action is needed.<br />
You will shortly receive, or may<br />
already have done so, a letter notifying<br />
the amount and date of collection.<br />
If you wish to switch to this<br />
method, (the most cost-effective<br />
for the <strong>Society</strong>) you may download<br />
a copy of the direct debit mandate<br />
from the Membership section of our<br />
website www.sussexpast.co.uk,<br />
or I can post a form to you on request.<br />
If you are not prepared to<br />
pay by direct debit, please choose<br />
from the following methods:<br />
— cheque, payable to “<strong>Sussex</strong><br />
Past” and sent to the address<br />
below<br />
— online at www.sussexpastshop.co.uk<br />
(select ‘membership’<br />
followed by ‘subscription renewal’<br />
and then the appropriate category)<br />
— by credit card over the phone<br />
(number as shown).<br />
I am pleased to say that subscription<br />
rates are unchanged for<br />
MEMBERSHIP<br />
2009. The amounts due are shown<br />
in the box below – simply check<br />
your subscription type as shown<br />
on your membership card to verify<br />
the amount you need to pay. If the<br />
subs type shown on your card is<br />
followed by +B or +POST (or both),<br />
you need to add the extra amount(s)<br />
shown to the applicable rate. If<br />
you want to make any changes to<br />
your subscription type, or simply to<br />
check your renewal details, do call<br />
me and I will be pleased to help.<br />
Membership contact<br />
over the winter<br />
As many of you know, I am based at<br />
Barbican House, which will be largely<br />
closed over much of the winter while<br />
building and improvement works<br />
take place both at the Museum<br />
and Lewes Castle. Inevitably, there<br />
will be some disruption as we all<br />
move around to accommodate<br />
the works, and unfortunately I will<br />
be most affected in January, when<br />
many of you will be renewing your<br />
subscriptions (another good reason<br />
to renew early!). After Christmas<br />
I will be available but not always<br />
so accessible as usual, so please<br />
be patient. Use the normal ofce<br />
number initially, but if you cannot<br />
reach me on the landline, try the<br />
temporary mobile number I have<br />
arranged as a fallback. The number<br />
is 07982 830645. I hope to keep<br />
disruption to a minimum over this<br />
period, and normal service should<br />
resume in the spring!<br />
Subscription Type & Description Cost<br />
O Standard Individual £30<br />
J Joint: 2 adults living at same address £42<br />
F1 Family (1 adult + children) £35<br />
F2 Family (2 adults + children) £45<br />
S Student £14<br />
AFF Afliated <strong>Society</strong> £30<br />
+B Hardback copy SAC Add £5 to above<br />
+POST Overseas postage Add £10 to above<br />
Autumn Conference<br />
Our <strong>2008</strong> Conference People and<br />
Place: Landscape and Identity<br />
through Time was very successful,<br />
and although some members found<br />
Chichester a long way to go, the<br />
feedback was very positive. The<br />
posters from the conference will<br />
be displayed at Fishbourne Roman<br />
Palace until the end of February,<br />
so if you have the chance, do go<br />
and have a look. We are starting<br />
to plan next year’s conference, for<br />
which we will return to Falmer, and<br />
the topic is rural change and the<br />
<strong>Sussex</strong> landscape. More details<br />
will be available in the April edition<br />
of SP&P, and on our website.<br />
Noticeboard/Events<br />
In order to give members advance<br />
notice of forthcoming events, run<br />
not just by us but by other local<br />
organisations, we will now post<br />
the Noticeboard on our website as<br />
soon as the newsletter is ready for<br />
printing. You can nd it as a ‘pdf’<br />
document on the Members’ events<br />
page of the Membership section.<br />
Lorna Gartside<br />
Membership Secretary<br />
For all membership enquiries<br />
and to apply, please contact<br />
MEMBERSHIP<br />
DEPARTMENT<br />
Barbican House,<br />
169 High Street<br />
Lewes, <strong>Sussex</strong> BN7 1YE<br />
Tues-Fri 10.00am-3.00pm<br />
Answering machine facility<br />
outside these hours<br />
01273 405737<br />
Email:<br />
members@sussexpast.co.uk<br />
SUSSEX<br />
Past &<br />
Present<br />
The <strong>Sussex</strong> <strong>Archaeological</strong><br />
<strong>Society</strong> Newsletter<br />
NUMBER <strong>116</strong><br />
N O V E M BER <strong>2008</strong><br />
Contents<br />
2 Membership matters<br />
3 Opening lines<br />
4 Tom Paine in Lewes<br />
5 Baxter’s Printworks<br />
6 Autumn Conference<br />
7 Fishbourne News<br />
8 Phoenix Project<br />
9 Lewes Castle<br />
10 Archaeology Round-up<br />
11 History & Library News<br />
12 Beedings excavation<br />
13 Brighton Museum<br />
14 Book reviews<br />
16 Snippets<br />
Published by the <strong>Sussex</strong><br />
<strong>Archaeological</strong> <strong>Society</strong>, Bull<br />
House, Lewes, E <strong>Sussex</strong>, BN71XH<br />
Tel: 01273 486260<br />
Fax: 01273 486990<br />
Email: admin@sussexpast.co.uk<br />
Editor: Sarah Hanna<br />
Email: spp@sussexpast.co.uk<br />
Technical Editors:<br />
John Manley, Luke Barber<br />
Technical Support:<br />
Penelope Parker<br />
ISSN 1357-7417<br />
Cover: Ermin Street Guards at Fishbourne<br />
Roman Palace, September. Photo: P Parker<br />
OPENING LINES<br />
Opening Lines<br />
Future Prospects<br />
New developments and strategic plans<br />
Over the past several months the refurbishment work on Bull House,<br />
Lewes, has been completed. The much needed work on repairs at<br />
Anne of Cleves House, Southover, has commenced. The major project for<br />
the refurbishment of Lewes Castle and Barbican House is well under way,<br />
and works are budgeted to be in excess of £1 million. These works will<br />
cause some disruption and result in part of the properties being closed<br />
from time to time. However we trust that, being over the winter months,<br />
this will not create too much inconvenience to members and to the public.<br />
Although all of these projects are grant-aided, the <strong>Society</strong> will bear<br />
some proportion of the expenditure, and we are most grateful to those<br />
members who have also made a contribution towards raising funds.<br />
The <strong>Society</strong>’s Events (which are publicised on our website) have generally<br />
been well supported this year. In particular the Autumn Conference<br />
held at Chichester University in September was very well attended, with<br />
various informative presentations on Landscape and Identity through<br />
Time, followed by eld trips to Kingley Vale and Fishbourne Harbour.<br />
The summer months have not seen the best of weather and as result<br />
visitor numbers were lower than in previous years, producing a considerable<br />
shortfall in income from our properties. In addition, at the time of<br />
writing, with the recent turbulence in the International Finance markets,<br />
(in common with other organisations) the <strong>Society</strong> has to anticipate further<br />
reductions in income for the rest of this year. Against this background, the<br />
Trustees are looking at ways in which the <strong>Society</strong> can protect its nances,<br />
and reduce running costs, to ensure that the <strong>Society</strong> does not incur a<br />
signicant annual loss. I am pleased to be able to say that, although the<br />
recent Stock Market losses have affected the <strong>Society</strong>’s investments (although<br />
to a lesser extent than might have been expected) this has been<br />
well managed, and none of the <strong>Society</strong>’s funds were invested in banks<br />
that have experienced solvency problems.<br />
The Strategy Working Party (consisting of some of the Trustees) has<br />
prepared a report to Council, and its ndings and recommendations will<br />
be considered with a view to presenting a new Strategy for the <strong>Society</strong><br />
for the next ve years. This is to be discussed with Staff and Members<br />
before implementation, and I hope to be able to report on this in more<br />
detail early in 2009.<br />
On behalf of all the Trustees I would like to wish all our Members a very<br />
happy and peaceful Christmas and a prosperous New Year.<br />
Peter Sangster<br />
Chairman of Council<br />
2 <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> www.sussexpast.co.uk www.romansinsussex.co.uk <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> 3
Feature<br />
THOMAS PAINE CENTENARY<br />
Tom Paine and Bull House<br />
The revolutionary writer’s Lewes connection<br />
Two hundred and forty years<br />
have passed since Tom Paine<br />
rst rode into Lewes, East <strong>Sussex</strong><br />
to take up lodgings in Bull House.<br />
An Outrider with the Excise, he<br />
was to make it his home for the<br />
next six years, the quiet centre<br />
of the life of the man described<br />
by George Washington as “the<br />
godfather of our independence”;<br />
by Michael Foot as “the greatest<br />
exile ever to leave these shores”;<br />
and dismissed, slanderously, by<br />
Theodore Roosevelt as “that lthy<br />
little atheist” – but that is another<br />
story...<br />
Early influences<br />
In 1768 there was little to<br />
mark Paine out as an ‘agent<br />
of revolution’ (Edmund Burke),<br />
though his background provided<br />
a clue to what he was to become.<br />
Born in Norfolk in 1737, the son<br />
of a Quaker, Paine served his<br />
apprenticeship as a corset maker<br />
with his father before moving to<br />
London in 1757. The exposure of<br />
his Quaker sensibilities to the ‘city<br />
of dreadful night’, to the contrast<br />
between the extravagances of the<br />
aristocracy and the poverty of the<br />
‘mobbocracy’ (a word which only<br />
came into use in the eighteenth<br />
century) horried Paine. The times,<br />
however, were growing restless.<br />
In America there was mounting<br />
clamour from the Thirteen<br />
Colonies for independence. In<br />
France the philosophes – amongst<br />
them Voltaire and Rousseau – were<br />
challenging the authority of the<br />
ancien regime, whilst in England<br />
‘that devil Wilkes’ was leading the<br />
charge to determine whether ‘the<br />
freeborn Englishman’s liberty be<br />
reality or shadow.’ For a man who<br />
boasted that he learned something<br />
new every day, the mid-eighteenth<br />
century was alive with portents of<br />
Portrait of Thomas Paine by A Milliere, 1880.<br />
National Portrait Gallery<br />
things to come, and it was in Lewes<br />
that Paine began to formulate the<br />
ideas that helped turn the world<br />
upside down. Not that so much<br />
was apparent during those early<br />
days in the town. He had other business<br />
to hand. In 1769 his landlord,<br />
Samuel Olive died, and in March,<br />
1771 Paine married his daughter<br />
Elizabeth, to take a hand in running<br />
the family’s business which traded<br />
out of Bull House. ‘Every article of<br />
Grocery stocked – TEA excepted.’<br />
Headstrong Club &<br />
Excise Pamphlet<br />
The exception was signicant,<br />
revealing, as it did, Paine’s support<br />
for the Colonists’ opposition to<br />
paying a tax on tea imposed by<br />
London, a position he may well<br />
have developed at meetings of the<br />
Headstrong Club. There is no record<br />
as to when Paine rst joined the<br />
Club. One thing is certain however,<br />
the Headstrong provided him with<br />
a platform to develop his critique<br />
of society, for which he was to be<br />
awarded The Headstrong book, or<br />
Original Book of Obstinacy, and<br />
crowned in mock eulogy:<br />
‘Immortal PAINE! While mighty<br />
reasons jar<br />
We crown thee General of the<br />
Headstrong War...’<br />
The Club’s members were not<br />
the only ones to appreciate Paine.<br />
Altogether more signicantly, he was<br />
invited by his fellow Excise ofcers<br />
to draft a pamphlet – The Case of<br />
the Officers of Excise – representing<br />
their demands for an increase<br />
in pay. Written in Bull House, and<br />
published in 1772, it captures the<br />
penetrating, unadorned, and steelhard<br />
brilliance of Paine’s prose style:<br />
“The rich in ease and afuence may<br />
think I have drawn an unnatural<br />
portrait, but could they descend<br />
into the cold regions of want, the<br />
circle of polar poverty, they would<br />
nd their opinions changing with<br />
the climate.”<br />
Farewell to Lewes<br />
The rst of Paine’s major<br />
publications, the pamphlet was to<br />
cost him his post with the Excise.<br />
On April 8, 1774, he received notice<br />
to quit the service, whilst within<br />
the week the entire Bull House<br />
stock was sold at auction to pay<br />
off the business’ escalating debts.<br />
Seemingly the small world of Lewes<br />
was collapsing about him, and on<br />
June 4 he formally separated from<br />
Elizabeth, and rode out of town<br />
for the last time, his revolutionary<br />
apprenticeship complete.<br />
David Powell<br />
The Headstrong Club, Lewes<br />
Tom Paine died in New York on<br />
June 8 1809. The bicentenary of<br />
his death is to be marked by the<br />
Thomas Paine <strong>Society</strong> with events<br />
including a conference in Lewes.<br />
Bull House will also be opened to<br />
the public for pre-booked parties at<br />
weekends.<br />
EXCAVATION IN LEWES<br />
Excavation<br />
Baxter’s Printworks, Lewes<br />
Simon Stevens reports on excavations at the site<br />
View of Baxter’s site, Lewes. Photo: S Stevens<br />
The Baxter’s Printworks in St<br />
Nicholas Lane, Lewes closed<br />
its doors in 2002, ending two<br />
centuries of the family’s business<br />
association with the town. The majority<br />
of the factory complex was<br />
demolished in 2006, in advance<br />
of new residential development.<br />
Given its location in the heart of<br />
the historic town, a condition was<br />
placed on planning permission<br />
for the development requiring a<br />
programme of archaeological work<br />
at the site. Following some preliminary<br />
investigations, a team from<br />
Archaeology South-East began<br />
large-scale excavations at the site<br />
in August 2006, and although most<br />
of the on-site archaeological work<br />
was completed that year, parts of<br />
the site were not available at the<br />
time. Small-scale excavations and<br />
monitoring visits continued until<br />
<strong>December</strong> 2007, by which time the<br />
entire site had been examined, and<br />
nearly 400 archaeological features<br />
had been identied, excavated and<br />
recorded.<br />
Occupation history<br />
There were hints of prehistoric and<br />
Roman occupation in the vicinity,<br />
including tiles dated to the 1st<br />
century AD, indicating the distinct<br />
possibility of a Roman building<br />
nearby. However the rst proven<br />
activity at the site dates from the<br />
Anglo-Saxon period. The town’s<br />
status as a burh (fortied town) from<br />
the 9th century onwards is wellknown<br />
from historical sources but<br />
archaeological remains from this<br />
date have proved elusive. However,<br />
the Baxter’s site contained an<br />
embarrassment-of-riches from the<br />
9th to 11th centuries including<br />
a stretch of the defensive ditch<br />
marking the edge of the burh<br />
(the rst physical evidence of this<br />
feature), and a hoard of seventeen<br />
silver pennies from the reign of<br />
Edward the Elder, 899-924 AD.<br />
Other nds from this era included<br />
pottery, large quantities of animal<br />
and sh bone and a group of<br />
loom-weights.<br />
Occupation of the area continued<br />
beyond the Norman Conquest,<br />
with at least one building fronting<br />
onto St Nicholas Lane in the 12th<br />
century, and a variety of pits,<br />
cess-pits and wells to the rear. It<br />
appears that the burh ditch was<br />
also backlled at this time. The<br />
evidence was somewhat thinner<br />
for activity from the 13th to 15th<br />
centuries; however the site clearly<br />
continued to be used for rubbish<br />
disposal in pits, and for some industrial<br />
processes. Relatively little<br />
material was deposited at the site<br />
during the 16th and 17th centuries,<br />
but impressive assemblages of late<br />
18th and 19th century artefacts<br />
were recovered from wells, cellars<br />
and pits. The story of the site was<br />
brought almost up-to-date by the<br />
discovery of elements of the printing-presses<br />
housed at the site in<br />
more recent years, some bearing<br />
the scars of a re which destroyed<br />
much of the factory in the 1950s.<br />
Finds analysis<br />
The range of artefacts recovered<br />
from the Anglo-Saxon and medieval<br />
deposits was impressive. Although<br />
there was little imported pottery,<br />
the assemblages were large and<br />
varied in origin of manufacture. The<br />
animal and sh bones included the<br />
usual meat-bearing species and<br />
domestic animals, as well as some<br />
more exotic specimens, including<br />
part of the collarbone of a minke<br />
whale. Some bones had been<br />
made into tools. The metalwork<br />
assemblage was particularly striking,<br />
and included keys, knives,<br />
buckles, brooches, pins and a barrel<br />
padlock. There was a variety of<br />
other medieval nds including tiles,<br />
building stone and more ‘domestic’<br />
items such as quernstones and<br />
spindle whorls. A piece of medieval<br />
window glass was also recovered.<br />
Nineteenth century bottles. Photo: S Stevens<br />
Post-medieval assemblages<br />
included a range of pottery, tiles,<br />
glass, animal bones, clay pipes<br />
and other ‘everyday’ artefacts (see<br />
above photo), as well as evidence<br />
of various industrial processes,<br />
including printing. Analysis of the<br />
artefacts from the Baxter’s site is<br />
now in process. When studied in<br />
conjunction with material from other<br />
sites in Lewes, such as the library<br />
site, and the on-going excavation<br />
at Walwers Lane, a fuller picture of<br />
Lewes’s past will emerge, with full<br />
publication in due course.<br />
4 <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> www.sussexpast.co.uk www.romansinsussex.co.uk <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> 5
Conference<br />
AUTUMN CONFERENCE<br />
Looking at Landscape<br />
Report from the <strong>Society</strong>’s Autumn Conference<br />
September’s Conference, People<br />
and Place: Landscape and<br />
Identity through Time, proved to be<br />
a resounding success. It was jointly<br />
organised with the Universities of<br />
Nottingham and Chichester (hosts),<br />
and also became a sponsored event<br />
on the Landscape and Environment<br />
programme (www.landscape.<br />
ac.uk), a multi-million pound project<br />
funded by the Arts and Humanities<br />
Research Council (AHRC). We<br />
were privileged to have Professor<br />
Stephen Daniels, Programme<br />
Director, to give an opening speech<br />
on the programme’s current work<br />
and future expectations. Many<br />
thanks to Stephen and the AHRC<br />
for providing valuable funding. The<br />
central theme of Landscape attracted<br />
speakers who delivered papers<br />
on current archaeological research,<br />
ranging from the Palaeolithic to<br />
today, within <strong>Sussex</strong> and beyond.<br />
The keynote speaker, Professor<br />
Matthew Johnson (Southampton<br />
University), provided an essential<br />
and thoroughly engaging talk on<br />
how landscape is viewed by people<br />
in diverse ways. Importantly,<br />
Matthew introduced a theoretically<br />
complicated subject in very understandable<br />
terms.<br />
Prehistoric to early Roman<br />
The rst two papers, by Royal<br />
Holloway’s Caroline Juby and<br />
Danielle Shreve, focused on the<br />
Palaeolithic, discussing how<br />
the archaeological record is<br />
currently used to reconstruct past<br />
environments. These gave an<br />
opportunity to view the world before<br />
modern humans; landscapes very<br />
different to today. Caroline’s paper<br />
was especially insightful in revealing<br />
how much our understanding is<br />
based upon the work of nineteenth<br />
century antiquarians and reevaluating<br />
their accounts. Following<br />
that was my chance to showcase<br />
ideas which have developed from<br />
my research on animal bones at<br />
Fishbourne. I aimed to show how<br />
changes in animal management,<br />
across the Iron Age/Romano-<br />
British transition, were embedded<br />
within local environments. As the<br />
political situation altered, these<br />
changes inuenced how people of<br />
different social backgrounds moved<br />
through and understood their own<br />
landscape.<br />
Medieval to modern<br />
Lunch gave people time to view<br />
and vote on the posters, of which<br />
we had sixteen presentations<br />
from archaeologists, historians,<br />
geographers and anthropologists,<br />
from as far away as New Zealand.<br />
Congratulations to Richard<br />
Haddlesey (Winchester University),<br />
Robin Kim (London School of<br />
Economics) and Ramona Usher<br />
(Nottingham Trent University) for<br />
taking the top prizes. We are now<br />
planning to redisplay these posters<br />
at Fishbourne for anyone who<br />
missed the conference: details will<br />
soon be on the <strong>Sussex</strong>past website<br />
(and see p2, this <strong>issue</strong>).<br />
The third paper session was a<br />
medieval monopoly with, most<br />
notably, Richard Jones (Leicester<br />
University) returning to the <strong>Society</strong><br />
where he spent ve years as research<br />
ofcer. Richard’s paper on<br />
eldnames (not place-names!) of<br />
the late Middle Ages showed how<br />
peasants made their mark on a<br />
landscape which we generally associate<br />
with the nobility. The nal<br />
session was a light-hearted affair,<br />
with Chris Lewis giving a drily humourous<br />
account of house-names<br />
in Goring-on-Sea. The association<br />
of this area with the seaside is clear:<br />
but house-names such as ‘Florida’<br />
are a reminder that people’s perception<br />
of the landscape can be<br />
Fishbourne harbour walk: discussing the<br />
Southern Garden. Photo: E van Breemen<br />
rather different to the reality. Finally,<br />
Professor Brian Short’s (<strong>Sussex</strong><br />
University) closing address rounded<br />
off the day, suggesting future conferences<br />
could aim, as this event<br />
did, to be more outward-looking.<br />
Field Trips<br />
The Sunday eldtrips were also<br />
successful, adding an extra<br />
dimension to the conference. Many<br />
thanks to James Kenny (Chichester<br />
District Council) and Matthew<br />
Pope (University College, London)<br />
who gave an inspiring account of<br />
the landscape, past and present,<br />
from Kingley Vale. The Fishbourne<br />
Harbour trip, with gratitude to David<br />
Rudkin, also provided fascinating<br />
discussion (see photo), plus<br />
interest from local cows! We hope<br />
these trips will become a feature of<br />
future conferences. On behalf of the<br />
organising committee, Naomi Sykes<br />
(Nottingham), Mandy Richardson<br />
(Chichester), Lorna Gartside (SAS),<br />
Caroline Juby and myself, I would<br />
like to thank everyone who attended<br />
the conference — you made it an<br />
event to remember.<br />
Martyn Allen<br />
FISHBOURNE ROMAN PALACE<br />
Order out of Chaos<br />
Managing the Fishbourne Collections<br />
Fishbourne Roman Palace has had a full time curator for nearly three<br />
years now, and the collections are starting to feel the benet. Of<br />
course, there is (and always will be!) a lot more work to do, but the<br />
3500 boxes that make up the collection are at last stored and labelled<br />
according to site, material and context number. This will undoubtedly<br />
maximize the research potential of the material, exemplied by the fact<br />
that since it opened in 2006 the Collections Discovery Centre (CDC)<br />
has attracted over eighty separate projects. Work on the catalogue is<br />
proceeding, and ultimately all nds from the Fishbourne collecting area<br />
will be installed on a database using the MODES for Windows system.<br />
The database has been rened for use as a research tool to enable<br />
comparisons between types of material found within features, across a<br />
particular site as a whole, and between sites within the collecting area.<br />
This project is likely to take ve to seven years to complete, but the<br />
potential for the collections as a whole is self explanatory.<br />
New procedures<br />
With the practical tasks going so well, it has been possible to turn our<br />
attention to aspects of collections management policy and procedure. Not<br />
least, we have nally produced a document specifying the requirements<br />
that must be fullled by anybody wishing to deposit archaeological<br />
material in the CDC. This manual, sent out to all archaeological units<br />
working in the area, describes every stage of a deposition. This will<br />
ensure that boxes are packed to our exact requirements and that they<br />
are labelled with the relevant Fishbourne accession number. A charge<br />
is levied for every box deposited. Most importantly, it will mean that<br />
no material can be deposited without transferring the legal title to us.<br />
These procedures place the onus on the depositor to ensure that any<br />
deposition meets our requirements, and will signicantly cut down on<br />
work and expense incurred by the <strong>Society</strong>.<br />
Professionalisation<br />
Implementing such a policy brings us in line with other museums and<br />
can be seen as part of the ongoing process of professionalisation of<br />
the collections at Fishbourne. Another aspect of this is the production<br />
of a procedural manual. Written in collaboration with Chichester District<br />
Museum, this describes detailed processes such as accessioning<br />
an object into our collections, how it should be catalogued, how to<br />
process a loan, and dealing with research or visitor enquiries. It is hardly<br />
a riveting read, but it unquestionably will be a great asset. It means<br />
that procedures can be standardised and will be understood by any<br />
staff member, rather than being accessible to the curator alone. It will<br />
create continuity within the organisation and will signicantly improve<br />
the quality of service that we provide to visitors.<br />
Museums frequently enjoy the reputation of being old-fashioned and<br />
even arcane. However, we hope that this recent work at Fishbourne<br />
has shown us to be dynamic, modern, professional and proactive.<br />
Rob Symmons & Gordon Hayden<br />
Collections Discovery Centre, Fishbourne Roman Palace<br />
Research<br />
Bognor Regis<br />
Warrior Burial<br />
Skeleton and associated metalwork. Photo: TVAS<br />
E xcavations conducted by<br />
Thames Valley Archaeology<br />
Services at North Bersted, near<br />
Bognor Regis, West <strong>Sussex</strong>, in<br />
June <strong>2008</strong> revealed an accompanied<br />
adult male inhumation burial<br />
of Late Iron Age date. The man<br />
appears to have been buried in a<br />
large cofn or chamber within a<br />
small rectilinear ditched Iron Age<br />
enclosure. Three large pots were<br />
placed at the head of the grave<br />
and two small pottery vessels<br />
were situated near the grave foot.<br />
By the body’s left side were found<br />
a copper alloy shield boss, iron<br />
shears/re dogs, a copper alloy<br />
suspension ring, and a copper alloy<br />
helmet of possible continental design<br />
(see above). Associated with<br />
the shield boss were two crescentshaped<br />
or semicircular thin copper<br />
alloy decorated openwork panels.<br />
Mark Taylor, West <strong>Sussex</strong> County<br />
Archaeologist has suggested this<br />
style of metalwork may be unique<br />
in the UK.<br />
Elsewhere on the site, a small<br />
hoard of ve Middle Bronze Age<br />
copper alloy palstaves was recovered<br />
from the topsoil.<br />
6 <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> www.sussexpast.co.uk www.romansinsussex.co.uk <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> 7
Research<br />
PHOENIX FOUNDRY HISTORY<br />
Phoenix Oral History Project<br />
Sarah Hitchings talks to former Foundry workers in Lewes<br />
The Lewes Phoenix project,<br />
which was recently awarded a<br />
Heritage Lottery Fund grant, is the<br />
creation of locally based Artemis<br />
Arts Ltd. They will be working with<br />
members of the community, from<br />
schoolchildren to elderly residents,<br />
to add to the existing historical<br />
records by capturing stories and<br />
images of the former iron foundry<br />
and engineering company, the site<br />
of which is likely to form part of a<br />
major town centre redevelopment.<br />
Established by John Every in 1832,<br />
the nal remnant of the once vast<br />
works closed in 1986, making the<br />
last four employees redundant.<br />
The Every name can be found on<br />
the ironwork at Lewes Station, all<br />
along Brighton Seafront, drain covers<br />
and streetlamps to name but<br />
a few of the extraordinary range<br />
of cast items made there. The engineering<br />
department worked on<br />
many complex projects including a<br />
set of gangways for Hong Kong’s<br />
Kowloon Wharf. Despite once employing<br />
over ve hundred people<br />
in its heyday, and occupying a site<br />
that stretched between the re station<br />
in North Street, the tree outside<br />
Waitrose and the river Ouse, the<br />
history of the Phoenix Ironworks is<br />
little known in today’s Lewes. There<br />
is a scarcity of company records<br />
mainly due to a re which devastated<br />
the company ofces in 1948.<br />
Oral Histories<br />
In order to add substantially to the<br />
existing historical records Artemis<br />
Arts have decided to employ Sarah<br />
Hitchings, an oral historian, to<br />
record the memories of previous<br />
employees and their families. The<br />
interviews will be deposited in the<br />
East <strong>Sussex</strong> Record Ofce,and the<br />
work was generously supported by<br />
a <strong>Sussex</strong> <strong>Archaeological</strong> <strong>Society</strong><br />
Margary Research Grant. Publicity<br />
about the project to date has led<br />
Working on sewage steelworks at Phoenix Foundry. Photo: E Reeves<br />
to contact with many contributors<br />
covering a wide range of trades.<br />
The Margary Grant has enabled<br />
key interviews to take place with<br />
an apprentice pattern maker, a tool<br />
cutter and grinder in the machine<br />
shop, two of the very few women<br />
who worked at the foundry as core<br />
makers, a fettler, and a labourer in<br />
the foundry. These interviews are<br />
rich in experiential details of working<br />
conditions and provide information<br />
about what was made there and<br />
the complex skills involved. One of<br />
the interviewees mentions lorries<br />
that occasionally arrived incognito<br />
from Portsmouth, containing giant<br />
bearings from warships stationed<br />
there. The Phoenix was the only<br />
engineering company in the South<br />
of England that could handle the<br />
necessary repairs, and employees<br />
in the machine shop would be<br />
required to work twenty four hour<br />
shifts until they were nished.<br />
Restoration work<br />
The interviewees also provide a<br />
link to the more distant past, and<br />
it seems there are strong family<br />
connections with the rm over<br />
generations. In the early 1950s the<br />
pattern store contained hundreds<br />
of wooden patterns from previous<br />
castings including the original lamp<br />
column patterns from Brighton<br />
seafront. The pattern makers’<br />
apprentices would refurbish these<br />
patterns when replacements were<br />
necessary. They would also be<br />
required to perform the dangerous<br />
job of maintaining the Brighton<br />
piers during the winter months. This<br />
involved going down onto a lower<br />
platform at the end of the pier, with<br />
nothing to stop them falling in, and<br />
making drawings of the metalwork<br />
that was broken.<br />
Several interviewees have been<br />
able to provide new photographs<br />
and documents for the archives<br />
and Artemis Arts would welcome<br />
any new information, documents<br />
or artefacts. They also welcome<br />
anyone who would like to get<br />
involved with any aspect of the<br />
project. Please contact Artemis<br />
Arts on 01273 486595/01273<br />
470376, or email artemis-arts@<br />
macdream.net.<br />
LEWES PROPERTIES<br />
Development<br />
Developments in Lewes<br />
Work begins at Lewes Castle and Anne of Cleves House<br />
By the time you are reading this<br />
the Castle will have closed<br />
and work on our Heritage Lottery<br />
funded project will have begun on<br />
site. I am not sure whether excitement<br />
or trepidation is uppermost<br />
in the minds of Lewes staff. We all<br />
think the project is a fantastic opportunity<br />
to improve the way we<br />
present the site but getting through<br />
the next six months calmly will be<br />
a challenge. When we re-open next<br />
year you will hear our combined<br />
sighs of relief from either end of<br />
the County. Thank goodness for<br />
the contractors and experts who<br />
are working to make this project a<br />
success.<br />
Please be patient with us. The<br />
Castle will be closed for six months<br />
from October 13, but we will do our<br />
best to keep part of Barbican House<br />
open at all times. Until the end of<br />
this year the front part of the ground<br />
oor will be closed to visitors but<br />
the Library, Gift and Book Shops<br />
will be open. We do not know how<br />
much, if any, of the Museum will be<br />
accessible in the New Year. We will<br />
have no Ofce Administrator for<br />
the next six months so the front of<br />
house staff will cover her work as<br />
well as their own. Some staff may<br />
be relocated to Bull House, or work<br />
from home. We will try to answer<br />
phones and deal with enquiries<br />
but it may take longer than usual<br />
to respond to messages, so keep<br />
an eye on the website for regular<br />
updates on progress for access to<br />
the Library, Museum and Shops.<br />
A great deal of preparatory work<br />
has been done on the interpretation.<br />
Text is being written, edited,<br />
re-written and generally polished,<br />
images sourced or created and<br />
we have the rst draft of the new<br />
audiovisual show. Barbara Alcock<br />
has been creating a photographic<br />
record of everything as it now is.<br />
Lewes Castle in August <strong>2008</strong> before the start of work. Photo: B Alcock<br />
Fundraising<br />
We have raised £120,000 towards<br />
our total of £177,000 including<br />
£1000 from Lewes Town Council<br />
and £1000 from the Lewes Rotary<br />
Carnival. Pupils at Dorothy Stringer<br />
School in Brighton have been<br />
raising money for us and hope to<br />
sponsor a step. Fundraising is<br />
winding down, as we can’t apply<br />
for grants once work has started.<br />
However, it is certainly not too late<br />
to make a contribution, however<br />
large or small. You have until the<br />
end of <strong>December</strong> to sponsor a step<br />
and have your generosity recorded<br />
with an inscribed brick, and every<br />
pound helps so that we don’t have<br />
to dip so far into the <strong>Society</strong>’s<br />
reserves. If you can gift aid it, better<br />
still. You can donate in person, by<br />
post or through the website.<br />
Following an advisory visit by<br />
people with visual impairments I<br />
am now seeking grants to help pay<br />
for a specially recorded guided tour,<br />
and tape or MP3 players. This is<br />
not part of the main project, but an<br />
extra we would really like to do. An<br />
unexpected bonus came when the<br />
<strong>Sussex</strong> Gardens Trust invited us to<br />
consider applying for a grant, and<br />
subject to certain conditions, they<br />
have offered £400 for plants for the<br />
upper garden, to provide colour<br />
and scent while also standing up<br />
to strong winds, poor soil and lack<br />
of water. Once all the other work<br />
is completed, Peter, our gardener<br />
should be able to make a huge difference<br />
to the Castle garden.<br />
Anne of Cleves House<br />
As if this is not enough I have<br />
learned from Richard Akhurst that<br />
the long-awaited repairs to Anne of<br />
Cleves House are to run at the same<br />
time as the Lewes Castle works.<br />
This may sound like poor planning,<br />
but the timing is driven by the fact<br />
that we cannot have scaffolding at<br />
Anne of Cleves House during the<br />
wedding season. Once again the<br />
workmen will have to do everything<br />
during the worst weather. Since<br />
they will be replacing all the gutters<br />
and down pipes and working on<br />
the roof and windows, I am hoping<br />
for a warm, dry winter with only the<br />
softest of breezes. Please keep<br />
your ngers crossed!<br />
8 <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> www.sussexpast.co.uk www.romansinsussex.co.uk <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> 9<br />
Sally White
Excavations<br />
ARCHAEOLOGY ROUND-UP HISTORY and LIBRARY NEWS<br />
What’s Going on in <strong>Sussex</strong>?<br />
Round-up of archaeological work July to September <strong>2008</strong><br />
Due to pressure on space in the<br />
newsletter the archaeology<br />
round-up will now feature in the<br />
spring <strong>issue</strong> each year. However,<br />
full summaries will continue to<br />
appear three/four times a year on<br />
the Research pages of the website,<br />
so readers are advised to check<br />
there for up to date information<br />
on activities and volunteer<br />
opportunities (www.sussexpast.<br />
co.uk). For information on particular<br />
sites please contact the responsible<br />
body (abbreviated in brackets at<br />
the end of the report) whose details<br />
are given on the web-pages, where<br />
the key to the abbreviations is also<br />
to be found. If you do not have<br />
access to the web then you should<br />
contact me on 01273-405733 or<br />
research@sussexpast.co.uk.<br />
Luke Barber<br />
Research Officer<br />
East <strong>Sussex</strong><br />
*Arlington: Roman ‘Small Town’<br />
Excavation continued all summer focusing<br />
on roadside activity. Iron smelting<br />
activity was identified in a furnace<br />
base and related deep pit. Evidence for<br />
construction of a road ditch (and road)<br />
between 45-65AD was found, with<br />
evidence of a side road and later pit<br />
concentrations. (ESCC/BHAS/ENHAS/<br />
MSFAT). Contact Greg Chuter (Gregory.<br />
Chuter@eastsussex.gov.uk).<br />
Ashburnham: Kitchenham Farm A<br />
Roman habitation layer was uncovered<br />
with ditches, pits and possible iron<br />
production area. Numerous Roman<br />
finds, including a Bronze Age copper<br />
alloy socketed spearhead fragment.<br />
(HAARG).<br />
Barcombe Roman Villa The <strong>2008</strong><br />
season located a substantial bath<br />
house, which had been systematically<br />
demolished and rebuilt on smaller<br />
scale. (CCE/MSFAT).<br />
*Bishopstone Tidemills The<br />
stationmaster’s cottage was excavated<br />
and recorded, a complex structure<br />
with two main phases of construction.<br />
Work is beginning on two agricultural<br />
buildings to the south-east as well<br />
Stationmaster’s cottage, Tidemills. Photo: L Barber<br />
as a probable WW2 air-raid shelter.<br />
Volunteers welcome, please contact<br />
Luke Barber on research@sussexpast.<br />
co.uk (SAS).<br />
Groombridge to Langton Green<br />
Pipeline Trial trenching revealed evidence<br />
for post-medieval farm complex.<br />
(Network Archaeology).<br />
Hailsham: Welbury Farm Survey<br />
in advance of housing development<br />
identified a possible moated site, ring<br />
ditches and field boundaries. (OA).<br />
Lewes: Lewes House residential<br />
excavation The archaeology consisted<br />
of a large number of deep medieval<br />
pits (12th-14th century), some possible<br />
small-scale quarrying activity and<br />
wells. Iron Age ditches were located<br />
with residual Roman and Saxon artefacts<br />
from across the site. (ASE).<br />
Ovingdean The south/west corner<br />
wall of the medieval manor house was<br />
exposed with a flint cobble floor, and<br />
13th century cellar floor about 1.4m<br />
deeper. No trace of a kitchen found, but<br />
large rectangular post holes indicate a<br />
possible earlier timber framed building<br />
within the enclosure banks. (BHAS/C.<br />
White/Uni of <strong>Sussex</strong>).<br />
Wivelsfield: Theobalds Road Two<br />
main phases of archaeological features<br />
were identified during evaluation:<br />
shallow ditches and pits of Late Iron<br />
Age/Early Roman period, possibly part<br />
of an enclosure immediately south of<br />
the prehistoric ridgeway route; and<br />
medieval enclosure ditches of 13th-<br />
14th century date. (ASE).<br />
West <strong>Sussex</strong><br />
*Alfoldean Fieldwalking around village<br />
is to continue, with geophysical and<br />
non-intrusive investigations. (Richard<br />
P Symonds/ WAS. Tel: 01403 273479).<br />
Beedings, near Pulborough See<br />
report p12. (Matt Pope (UCL)/Caroline<br />
Wells with WAS/BHAS/CDAS).<br />
Bersted: Land at North Bersted See<br />
report and picture p7. (TVAS).<br />
Bognor Regis Community College,<br />
Westloats Lane Excavations in two<br />
areas revealed linear ditches, probably<br />
part of a Later Bronze Age field system;<br />
possible LBA round house eaves-drip<br />
gully, and LBA pits and post-holes.<br />
Romano-British ditches to north-west<br />
of the site may be linked to RB field<br />
system, partly revealed in 1998. (ASE).<br />
Chichester: Tower Street Excavations<br />
for Chichester District Council on site of<br />
Roman public bath-house re-exposed<br />
remains of the hypocaust and ‘cistern’,<br />
in reasonable condition. (ASE).<br />
*Eartham: Selhurst Park The District<br />
Council’s annual community archaeological<br />
excavation opened a large<br />
area, revealing complex of Iron Age<br />
and Roman enclosures and features<br />
including pits and postholes. A ditch<br />
containing later C1st to early C2nd<br />
Roman pottery produced part of the<br />
cheek-piece from a Roman infantry helmet<br />
of mid first century date. (CDC).<br />
Lancing: 67, Manor Road Evaluation<br />
adjacent to the parish church has<br />
revealed medieval occupation of later<br />
12th to mid 14th century date and a<br />
probable property boundary parallel<br />
to Manor Road, the ancient main<br />
street of Lancing village. (C. Butler<br />
<strong>Archaeological</strong> Services).<br />
Lyminster: St Mary Magdalene’s<br />
CE church, Church Road Watching<br />
brief on building extension recorded<br />
an inhumation burial accompanied by<br />
an iron knife – possibly Anglo-Saxon.<br />
(ASE).<br />
*Worthing: Land at Lower Northbrook<br />
Farm, Titnore Lane Excavation and<br />
recording in advance of construction<br />
for the new St Barnabas Hospice,<br />
including 2-week “Community<br />
<strong>Archaeological</strong> Excavation” area directed<br />
by WAS. Initial work revealed<br />
linear features, pits and post-holes of<br />
Bronze Age, Iron Age and Roman date.<br />
(AOC Archaeology & WAS).<br />
History Round-up<br />
T his autumn a well known <strong>Sussex</strong><br />
country house caught the attention<br />
of the national press, when<br />
the family of the 6th Lord Hampden<br />
who lived at Glynde House east<br />
of Lewes, sold The Apotheosis<br />
of James First. This is a preparatory<br />
sketch in oil by Rubens, for a<br />
canvas in the Banqueting House<br />
in London. It was bought for the<br />
nation in October for £6million and<br />
will go to the Tate.<br />
Several local web sites and<br />
publications refer to the cost of<br />
building Ovingdean Place (now<br />
Hall), built by Nathaniel Kemp for<br />
himself, some stating the estimate<br />
is ‘at the Victoria and Albert<br />
Museum’. We are back to churches<br />
again, for Nathaniel Kemp was the<br />
father of CE Kempe (who added<br />
an ‘e’ to the family name). Kempe<br />
lived in Lindeld for many years,<br />
and his stained glass adorns many<br />
church windows in the county.<br />
The estimate for Ovingdean Hall<br />
is in the CE Kempe Archives, held<br />
by the V&A but with no catalogue<br />
reference. Another item indicates<br />
that CE Kempe did not donate the<br />
cost of painting the very attractive<br />
chancel ceiling in Ovingdean<br />
church, done by him when GM<br />
Hills undertook restoration of the<br />
church; by then the Kemp/e family<br />
had left the parish.<br />
There are some fascinating<br />
research projects under way in<br />
<strong>Sussex</strong>:<br />
• Dr Gillian Draper is running a<br />
group research project on early<br />
Rye. More information will be in a<br />
future <strong>issue</strong> of SP&P. Contact her<br />
on development.balh@btinternet.<br />
com.<br />
• Judy Woodman is researching<br />
the history of the barns at Charleston<br />
Farmhouse for the Charleston<br />
Trust. Contact her on judy@mayall<br />
-woodman.com.<br />
Please keep in touch with your<br />
news: contact pat.sueberry@<br />
btopenworld.com.<br />
Library News<br />
Library open during development work<br />
It is now apparent that the work on Lewes Castle and Barbican House,<br />
starting in October <strong>2008</strong>, will not in its rst stage (until the end of<br />
<strong>2008</strong>) prevent access to the Library, though members may have to<br />
tolerate some noise from elsewhere in the building. As I mentioned in<br />
the last <strong>issue</strong> of <strong>Sussex</strong> Past & Present, visual material (photographs,<br />
prints etc) will not be available, nor will most of the maps, as these<br />
items have to be moved and stored before work starts on the Research<br />
room.<br />
From January 2009 until at least the end of March, or completion of<br />
the works if later, the Library will be closed to visiting members, but it is<br />
hoped that telephone and email enquiries can be dealt with throughout<br />
this time. If urgent it is possible that specic items could be made<br />
available for consultation (perhaps at Bull House) by prior arrangement<br />
(week days only).<br />
Please see the website for any changes, and if travelling from a distance<br />
I suggest telephoning the Library in advance.<br />
I list below some recent additions to the Library (all <strong>2008</strong> unless<br />
otherwise stated):<br />
BROOKS, Anthony R The Changing Times of Fulking and<br />
Edburton, 1900-2007. (2007).<br />
BURTSCHER, Michael Earls of Arundel & Surrey, Lords of the<br />
Welsh Marches 1267-1415.<br />
CROOK, Diana Ragged Lands. (Revised edition).<br />
CRUMMY, Philip Stanway: an Elite Burial Site of Camulodunum.<br />
(Britannia Monograph series 24). (2007).<br />
DAVIS, O, and others Changing Perspectives on the First<br />
Millennium BC: Proceedings of the Iron Age<br />
Research Student Seminar, 2006.<br />
TAYLOR, J. An Atlas of Roman Rural Settlement in Britain.<br />
(CBA Research Report 151). (2007).<br />
WILKINSON, Keith & Environmental Archaeology: Approaches,<br />
STEVENS, Chris Techniques and Applications. 2nd edn.<br />
We are grateful to the following for donations to the Library: D Collins<br />
(Old Hastings Preservation <strong>Society</strong>} for three recent publications;<br />
E Colgate for his book on Hurstpierpoint; and H Smith, for a framed<br />
map of Brighton in 1788.<br />
Esme Evans<br />
Hon Librarian<br />
10 <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> www.sussexpast.co.uk www.romansinsussex.co.uk <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> 11<br />
Library<br />
Stop Press: Trustee Resigns<br />
We are sorry to report the recent resignation of Richard Carter as Trustee<br />
and member of Council of the <strong>Sussex</strong> <strong>Archaeological</strong> <strong>Society</strong>. Richard<br />
has served almost three years on Council and we are grateful for his<br />
contribution, which will be much missed. We hope to continue working<br />
with Richard in his role as Lecturer at CCE, University of <strong>Sussex</strong>.
Excavation<br />
BEEDINGS EXCAVATION BRIGHTON MUSEUM<br />
Discoveries at Beedings, <strong>2008</strong><br />
Multiple occupation on a Wealden Greensand ridge<br />
This year’s excavations at<br />
Beedings, on the Lower<br />
Greensand escarpment near<br />
Pulborough, West <strong>Sussex</strong>, has<br />
furthered a century of research and<br />
speculation concerning a collection<br />
of worked int blades, discovered<br />
during construction of a house<br />
in 1900. Initially recognised as an<br />
Upper Palaeolithic assemblage,<br />
it was subsequently discredited<br />
and the rump of the assemblage<br />
discarded in the 1930s, (perhaps<br />
down a well at Lewes castle<br />
mound) consigning the site to obscurity.<br />
Reconsideration by Roger<br />
Jacobi of the remnants of the assemblage<br />
in 2007 conrmed this as<br />
a peerless example of the earliest<br />
Upper Palaeolithic archaeology in<br />
northern Europe, yet excavations<br />
by Jacobi and Ainsworth failed to<br />
nd any Palaeolithic material.<br />
New excavations<br />
Through the rst half of <strong>2008</strong>, a new<br />
project, funded by English Heritage<br />
and directed by Matt Pope and<br />
Caroline Wells, readdressed the hill<br />
and its elusive Upper Palaeolithic<br />
archaeology. The opportunity was<br />
provided by proposed planting<br />
of vineyards and trees at the site,<br />
which required evaluation of the<br />
potential archaeological threat. A<br />
team of volunteers was mobilised<br />
from Worthing and Brighton and<br />
Hove <strong>Archaeological</strong> Societies,<br />
with students from University<br />
College London, Southampton and<br />
Reading Universities. Attention<br />
focused on a series of ssures in<br />
the natural sandstone, which nally<br />
yielded pieces of Upper Palaeolithic<br />
int work in situ, identical in condition<br />
and technological afnity to<br />
the original Beedings nds. This<br />
provided access to the sedimentary<br />
context for environmental and<br />
dating evidence and the analysis<br />
Trench F: Excavating flintwork. Photo: M Pope<br />
programme, already underway, can<br />
provide a modern account of the<br />
site, in lieu of the loss and destruction<br />
of the original nd-spot.<br />
Research potential<br />
The rediscovery of the site is<br />
important. The tools from these<br />
excavations, comprising pieces<br />
of robust, straight-sided blades<br />
which have been retouched and<br />
thinned for hafting as projectiles,<br />
were shown by Jacobi to be part<br />
of an Early Upper Palaeolithic<br />
industry, distributed across the<br />
North European plain from Wales<br />
to Poland. Known as Lincombian-<br />
Ranisian-Jerzmanovician (LRJ),<br />
this represents the rst blade<br />
technology present in northern<br />
Europe, predating the Aurignacian<br />
industries which are often seen<br />
as signifying the appearance of<br />
anatomically modern humans on<br />
the continent. Thus it is entirely<br />
feasible, indeed likely, that the<br />
makers of this efcient and deadly<br />
hunting kit were amongst the last<br />
Neanderthals to occupy northern<br />
Europe, and that prior to extinction<br />
they were developing tool kits as<br />
advanced as those of our own<br />
species.<br />
It may be fortuitous coincidence<br />
that at lower levels in the Beedings<br />
ssures, we found tools of Middle<br />
Palaeolithic character, clearly manufactured<br />
by Neanderthals. These<br />
tools are technologically similar<br />
to those from the ‘rock shelter’ at<br />
Oldbury in Kent, also situated on<br />
the Lower Greensand; and to the<br />
distinctive Neanderthal handaxe<br />
found at Woods Hill, 1km from<br />
Beedings and in an identical topographic<br />
position. Late Neanderthal<br />
archaeology is rare in the Weald<br />
and virtually absent in <strong>Sussex</strong>, so<br />
the indication that Beedings contains<br />
two phases of Neanderthal<br />
occupation is exciting.<br />
Geological significance<br />
A second signicant aspect is<br />
the geological context of the nds:<br />
ancient ssures known across the<br />
Weald as ‘Gulls’ or ‘Wents’, rarely<br />
visible as landscape features, and<br />
which have been ignored for over a<br />
century. While Beedings has shown<br />
the archaeological potential of<br />
these contexts, historical accounts<br />
also exist for preservation of ice<br />
age faunal remains within these<br />
contexts. Until now the Wealden<br />
region has lacked both exceptional<br />
Devensian archaeology and karstic<br />
contexts often responsible for its<br />
preservation in other parts of the<br />
country. The recognition of ssure<br />
potential in the region, galvanised<br />
by this year’s excavations at<br />
Beedings, suggests the need for immediate<br />
and proper consideration<br />
of this resource: in terms of future<br />
management, development control<br />
and targeted research including<br />
prospective eld work.<br />
Matt Pope<br />
Caroline Wells<br />
Many readers will recall the<br />
excellent display of archaeology<br />
that used to be at Brighton<br />
Museum. Perhaps its most memorable<br />
feature was the crouched<br />
burial, complete with skeleton, visible<br />
through a glass screen underfoot.<br />
Sadly the archaeology room<br />
has not been reinstated since the<br />
museum refurbishment some years<br />
ago, but one evening last July a<br />
cross-section of local enthusiasts<br />
had a rare chance to glimpse a few<br />
artefacts from behind the scenes.<br />
Community consultation<br />
The session came out of consultations<br />
with members of the Brighton<br />
and Hove black and minority ethnic<br />
(BME) communities, who, although<br />
they form some 6% of the city’s<br />
population, are notably under-represented<br />
in local archaeology organisations,<br />
courses and activities.<br />
This led the University of <strong>Sussex</strong><br />
to set up a project with community<br />
partners BMECP and InnerVision to<br />
investigate. We found a ourishing<br />
Brighton and Hove Black History<br />
group and a group of people with<br />
an interest in the subject. Their<br />
top four interests turned out to<br />
be ‘archaeology and Black history’,<br />
‘museum artefacts’, ‘arts and<br />
crafts’ and ‘going on a dig’ – but in<br />
many cases they were unaware of<br />
all the archaeology activities available.<br />
Over the past year we have<br />
been helping to bring the BME enthusiasts<br />
and people active in the<br />
archaeology community together.<br />
Black History Group<br />
Bert Williams of Brighton and Hove<br />
Black History welcomed the twenty-strong<br />
group, which included<br />
committee members from the<br />
<strong>Sussex</strong> <strong>Archaeological</strong> <strong>Society</strong> and<br />
Brighton and Hove <strong>Archaeological</strong><br />
<strong>Society</strong> (BHAS), pointing out some<br />
of the museum’s items related to<br />
12 <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> www.sussexpast.co.uk www.romansinsussex.co.uk <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> 13<br />
Feature<br />
Archaeology for Everyone<br />
Communities come together at Brighton Museum<br />
Handling artefacts at Brighton Museum. Photo: BHAS<br />
Black history. Heather Fitch, the<br />
museum’s curator of local history<br />
and archaeology, introduced the<br />
session, and Tristan Bareham of<br />
East <strong>Sussex</strong> Archaeology and<br />
Museums Partnership (ESAMP),<br />
who was responsible for the museum’s<br />
former archaeology display,<br />
led us through a very ne selection<br />
of artefacts, from Palaeolithic int<br />
handaxes to Saxon loomweights<br />
and medieval ceramic tiles. Such<br />
was the interest that we only had<br />
time to look at the contents of one<br />
box, and at the time of writing we<br />
were hoping to arrange some further<br />
sessions.<br />
Here are some of the reactions<br />
from those participating:<br />
“We could handle local objects<br />
for the rst time and it was amazing…”<br />
(Adriana Naves Silva and<br />
daughters aged 13 and 9)<br />
“… the tile painted with two birds<br />
turning backwards…reminds me of<br />
a wooden carving I have indoors<br />
of an African Sankofa symbol from<br />
the Asante of Ghana…It symbolizes<br />
taking from the past what is good<br />
and bringing it into the present.”<br />
(Bert Williams, Brighton and Hove<br />
Black History).<br />
“Tristan and Heather really<br />
showed the value of actually handling<br />
the material culture from sites<br />
like Whitehawk and it was clear<br />
from Bert’s great introductions<br />
onwards that the opportunity created<br />
a real buzz. I very much hope<br />
that this sort of opportunity can<br />
be made more available in future<br />
years.” (Casper Johnson, East <strong>Sussex</strong><br />
County Archaeologist)<br />
For more information about the<br />
project please contact me on 01273<br />
475381 or anne.locke@talktalk.<br />
net. To nd out more about Brighton<br />
and Hove Black History please<br />
contact Bert Williams on 077 9194<br />
1342 or see www.black-history.<br />
org.uk.<br />
Anne Locke<br />
Inclusive Archaeology Project,<br />
CCE, University of <strong>Sussex</strong>
Books<br />
Pevsner<br />
Architectural Guide<br />
Brighton and Hove<br />
This marvellous paperback expands,<br />
but also preserves, Pevsner’s pioneering<br />
guide to inner Brighton and<br />
Hove, part of his <strong>Sussex</strong> volume<br />
published in 1965. The authors<br />
chart the city’s evolving social and<br />
economic life, and the architects<br />
and developers who responded to<br />
it. They examine major monuments -<br />
the Pavilion, the Dome, St. Michael’s,<br />
St Bartholomew’s, All Saints, The<br />
Pier, Brighton Railway Station and<br />
the Jubilee Library. Twelve walks<br />
traverse the city roughly to its<br />
Edwardian boundaries, from the<br />
seafront out to Montpelier, Preston<br />
Village, London and Lewes Roads<br />
and Queen’s Park. Interspersed are<br />
discrete paragraphs on Building<br />
Materials, Bows and Bays, the<br />
West Pier, Orientalism (Chinese<br />
and Indian), Sea Bathing, Anglican<br />
Ritualism, Magnus Volk etc. All is<br />
accurate and acute, succinct and<br />
accessible.<br />
Like Pevsner, the authors identify<br />
excellence. But unlike the Master,<br />
they could summon up (besides<br />
Georgian aquatints and Victorian<br />
engravings) a hundred superbly<br />
crafted colour photographs by<br />
James Davies of English Heritage.<br />
The ‘Regency’ exteriors are there,<br />
splendid sunlit symphonies of<br />
cream stucco, pilasters and castiron<br />
balconies; the Pavilion, St<br />
Paul’s, the Sassoon Mausoleum,<br />
the Duke of York cinema, the<br />
Jaipur Gate etc. Brilliantly captured<br />
too are majestic interiors, some<br />
depending on spatial form – High-<br />
Gothic St Michael’s; ‘unforgettable’<br />
St Bartholomew’s; the soaring<br />
chancel at St Joseph’s; monumental<br />
All Saints; the Town Hall’s<br />
Corinthian stair-well; the Masonic<br />
council-chamber, domed and Art-<br />
Deco (J.L. Denman, 1928). Other<br />
interiors unite alluring space and<br />
fabulous furniture: the Banqueting<br />
BOOK REVIEWS<br />
and Music Rooms at the Pavilion;<br />
the Middle Street Synagogue;<br />
the reredos and pulpit-cover in<br />
towering St Martin’s; rafters, Della<br />
Robbia and Burne-Jones at the<br />
Annunciation.<br />
About 500 artists, designers and<br />
architects are indexed, and photographs<br />
dwell lovingly on features,<br />
furnishings and ttings: the Music<br />
Room ceiling; a staircase baluster<br />
in <strong>Sussex</strong> Square (1829); John<br />
Carew’s sublime Baptism of Christ<br />
in St John’s (1835); the train-shed<br />
roof at Brighton Station (1882);<br />
a mahogany saloon-bar at the<br />
Cricketers Arms (1886); the lectern<br />
in St. Paul’s (1888); a Moorish ceiling<br />
in Palmeira Mansions (1899); a<br />
Neo-Baroque reading-room at Hove<br />
Library (1907); the Freemason’s<br />
Restaurant, framed in blue and<br />
gold mosaic ‘Viennese Secession’<br />
(Denman again, 1928); Joseph<br />
Cribb’s relief of a mason at work<br />
(1933); sun and shadow at Embassy<br />
Court (1935); a barber’s shop<br />
below Gwydyr Mansions (1936).<br />
And after 1937? Well the authors<br />
do their best - the elegant ‘Art<br />
College’ in Grand Parade (1967), the<br />
hardly Brutal Hove Town Hall (1973),<br />
the ‘rst-class’ Jubilee Library<br />
(2005). Much else is plain ‘sterile’,<br />
‘lumpen’, ‘worthless’. Indeed they<br />
trekked out to Spence’s <strong>Sussex</strong><br />
University to nd a major post-war<br />
complex worth discussing, causing<br />
the exclusion maybe of Brighton<br />
Cemetery, that leafy but awesome<br />
high-bourgeois necropolis.<br />
Every discerning SAS member<br />
should own this amazing dirtcheap<br />
book, in a series which<br />
celebrates the long-neglected,<br />
abused glories of England’s greater<br />
cities. [‘Newcastle! Wouldn’t touch<br />
it! But we adored Prague, or was it<br />
Budapest?’]<br />
Colin Brent<br />
By Nicholas Antram and Richard<br />
Morrice. Published by Yale<br />
University Press, <strong>2008</strong>. ISBN 978-<br />
0-300-12661-7. Paperback. 244 pp.<br />
Price £9.99.<br />
The Archaeology<br />
of Fishbourne and<br />
Chichester<br />
A Framework for<br />
its Future<br />
This new <strong>Society</strong> publication<br />
concerns the future direction of<br />
archaeological research at the<br />
Fishbourne Roman Palace site<br />
and adjacent areas of Chichester<br />
District, following consultation with<br />
researchers and the public. The<br />
project, funded by English Heritage,<br />
the <strong>Society</strong>, and Chichester District<br />
Council, involved assessing the<br />
current state of our knowledge<br />
of the study area (approximately<br />
200 sq km), from the Palaeolithic<br />
to medieval times. An ‘Executive<br />
Summary’ brings together various<br />
‘scored’ research objectives.<br />
The book also reviews current<br />
conservation strategies in the<br />
Fishbourne area; and there are<br />
three Appendices. The volume<br />
is attractively produced and well<br />
illustrated by photographs, line<br />
drawings, distribution maps, etc,<br />
many in colour.<br />
Whilst the purpose of the project<br />
is to establish a broad multi-period<br />
research and conservation frame-<br />
work for the area, the core chronological<br />
period, ‘from the Middle Iron<br />
Age to the Late Saxon period’ gives<br />
examples of priorities for research<br />
projects for the future. For the Iron<br />
Age these are: publication of key<br />
excavations, especially the Middle<br />
Iron Age settlement at Lavant and<br />
Late Iron Age temple on Hayling<br />
Island; artefact and ecofact studies;<br />
and surveying to identify more Early<br />
and Middle Iron Age sites. For the<br />
Roman period highest research priority<br />
is also allocated to unpublished<br />
excavations (various); ‘re-thinking’<br />
older published excavations;<br />
artefact and ecofact studies; and<br />
new investigations at Fishbourne,<br />
Chichester, and areas between the<br />
two sites. Further investigations are<br />
considered for Broadbridge and<br />
Bosham, the Dell Quay tilery, and<br />
the postulated Stane Street extension<br />
to Dell Quay. It is argued that it<br />
may be useful to view the archaeology<br />
of this time ‘through insights<br />
drawn from colonial and post-colonial<br />
theory’. For the subsequent<br />
Saxon period, the main priority is<br />
identied as the construction of a<br />
ceramic chronology.<br />
The public consultations revealed<br />
interest in ‘sea-level changes<br />
through the millennia, associated<br />
with the corresponding changes in<br />
coastal geomorphology’, and the<br />
need for researchers to disseminate<br />
their results in ‘popularised’<br />
formats. The rst is very understandable<br />
as we increasingly face<br />
the threat of ‘global warming’, and<br />
many people on the West <strong>Sussex</strong><br />
coastal plain live only a few metres<br />
above sea-level! The second <strong>issue</strong><br />
is partly met by the accessibility<br />
of the Framework book itself. It is<br />
however a working document which<br />
will, we are informed, ‘be updated<br />
approximately every ve years’.<br />
It will be interesting to see what<br />
changes are necessary in ve years<br />
time, and how many of the highlighted<br />
unpublished excavations<br />
have appeared in print! Hopefully<br />
too, the <strong>Society</strong>’s programme of<br />
BOOK REVIEWS<br />
research excavations to the east<br />
of the Fishbourne Roman Palace<br />
will by then have resumed and<br />
continue to provide us with new information<br />
about the early phases of<br />
our ag-ship archaeological site. To<br />
conclude, this important and useful<br />
book will be welcomed by all those<br />
interested in the archaeology of the<br />
Fishbourne and Chichester area.<br />
David Rudling<br />
Ed John Manley. Published by<br />
<strong>Sussex</strong> <strong>Archaeological</strong> <strong>Society</strong>,<br />
Lewes, <strong>2008</strong>. ISBN 978-0-904973-<br />
08-2. Paperback. 179 pp. Price<br />
£14-99p.<br />
The Power and the<br />
Poverty – Life in a<br />
<strong>Sussex</strong> Village<br />
1790-1850<br />
Like his predecessor, Miss Grace<br />
Weekes, who (probably) penned “A<br />
slight sketch of a picture of Hurst”<br />
in 1825, the author’s enthusiasm for<br />
his town has led him into print, and<br />
here he covers all levels of society.<br />
If you want to know about the workings<br />
of the Poor Law in <strong>Sussex</strong>, or<br />
have an interest in Hurstpierpoint<br />
itself, you will nd much in this<br />
elaborately bound volume.<br />
The author’s experience as a<br />
teacher is evident as he communicates<br />
imaginatively and clearly,<br />
describing the reality of the treadmill<br />
and following beneciaries of<br />
the Poor Rates into other counties,<br />
even other continents.<br />
It shows painstaking research and<br />
illustrates well the town’s development<br />
through the late Georgian<br />
and early Victorian eras. This is a<br />
book for dipping into with its short<br />
chapters, helpful index and plentiful<br />
illustrations.<br />
Juliet Clarke<br />
By E J Colgate. Published by George<br />
Mann Publications, <strong>2008</strong>. ISBN<br />
9780955241567. Hardback 318pp.<br />
Price £15.00<br />
14 <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> www.sussexpast.co.uk www.romansinsussex.co.uk <strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> 15<br />
Books<br />
Poor Cottages and<br />
Proud Palaces<br />
An account of the life and work<br />
of Reverend Thomas Sockett of<br />
Petworth (1777 -1859), who was<br />
born in East London, the son of an<br />
impoverished bookseller. The early<br />
part of this fascinating book deals<br />
with his transition from penury to<br />
rural clergyman under the patronage<br />
of Lord Egremont at Petworth<br />
House. In his journal recording his<br />
life from 1805 to 1807, reproduced<br />
in full, he describes playing tennis<br />
and practising French with refugee<br />
aristocrats, seeing Nelson embark<br />
from Portsmouth on his nal voyage,<br />
and time spent with the Egremont<br />
children reading the classics such<br />
as Horace and Demosthenes.<br />
We are given a picture of his<br />
domestic life, but the authors are<br />
primarily interested in his role as the<br />
thoughtful and concerned Rector of<br />
Petworth. Although he was a friend<br />
of aristocrats, he worked hard to improve<br />
the lives of the poorest of his<br />
parishioners, particularly through<br />
the teaching of literacy which he<br />
saw as a route to morality. Together<br />
with Lord Egremont, he organised<br />
the emigration to Canada of many<br />
of his parishioners, including his<br />
own oldest son, George. He was<br />
also in frequent disagreement with<br />
the guardians of the local workhouse<br />
about the treatment of its<br />
inhabitants.<br />
Sheila Haines and Leigh Lawson<br />
have presented an insight into life<br />
in West <strong>Sussex</strong> from aristocrat to<br />
peasant at a time of political, cultural<br />
and economic upheaval. The<br />
book is meticulously researched<br />
and evidenced and should prove a<br />
valuable resource for local history<br />
students, and anyone else who likes<br />
looking into other people’s lives.<br />
Maria Gardiner<br />
By Sheila Haines and Leigh Lawson.<br />
Published by Hastings Press,<br />
2007. ISBN 978-1-904109-16-7.<br />
Paperback. 294pp. Price £14.99.
16<br />
Snippets<br />
Lewes Priory<br />
CONGRATULATIONS to Lewes<br />
Priory Trust which recently announced<br />
the award of more than<br />
half a million pounds from the<br />
Heritage Lottery Fund. This is part<br />
of an £800,000 development package<br />
supported by English Heritage<br />
and Lewes Town Council, for repair<br />
and consolidation of the Priory remains,<br />
and to provide free access to<br />
visitors. The Priory was founded as<br />
a Cluniac Monastery in about 1081<br />
by William de Warenne, a Norman<br />
lord who fought at the Battle of<br />
Hastings, and also founded Lewes<br />
Castle. In 1845 railway workmen at<br />
the site discovered the burial cists<br />
and bones of William and his wife<br />
Gundrada. The cists are displayed<br />
in a chapel in Southover church.<br />
The Priory Trust plans to turn Priory<br />
Park, Southover, Lewes into an<br />
attractive historical and archaeological<br />
site. Work should begin this<br />
year and will take about two years<br />
to complete. Chairman of the Priory<br />
Trust, John Lawrence said “We are<br />
very pleased that the years of hard<br />
work to secure this grant have nally<br />
paid off, but work starts now! We<br />
need help in managing the project,<br />
in increasing the membership of<br />
the Trust and publicising progress<br />
and other activities.” Volunteers<br />
should contact the Trust by writing<br />
to John Lawrence c/o Lewes Town<br />
Hall, High St, Lewes BN7 or email<br />
lewespriory7@tiscali.co.uk.<br />
SAMMS Project<br />
THE <strong>Sussex</strong> Ancient Monument<br />
Monitoring Scheme (SAMMS) is a<br />
joint project between the <strong>Sussex</strong><br />
<strong>Archaeological</strong> <strong>Society</strong>, the South<br />
Downs Joint Committee, and<br />
English Heritage (EH). This involves<br />
individual volunteers monitoring the<br />
condition of designated monuments<br />
on behalf of EH. The monuments<br />
are either in public ownership or<br />
visible from public footpaths, and<br />
volunteers undertake regular visits,<br />
reporting yearly on their condition (or<br />
more frequently if potentially serious<br />
damage is noted). The scheme has<br />
now been running some ve years,<br />
co-ordinated by Wendy Muriel in<br />
liaison with EH, and in the next few<br />
months they hope to expand the<br />
number of monuments and may be<br />
seeking new volunteers. For information<br />
please contact Wendy on<br />
sammco@sussexpast.co.uk or at<br />
Bull House (Mon and Fri only).<br />
Pevsner Revisited<br />
FOLLOWING publication of the new<br />
Brighton and Hove guide (see p14,<br />
this <strong>issue</strong>), Nick Antram is currently<br />
revising the <strong>Sussex</strong> Pevsner, in<br />
The Buildings of England series.<br />
Over the next three years he will be<br />
working on East <strong>Sussex</strong>, which is<br />
to be published as a single volume<br />
ahead of West <strong>Sussex</strong>. Nick is keen<br />
to improve the coverage of later C19<br />
and C20 domestic architecture both<br />
by national and local architects,<br />
and also to mention the best of<br />
the vernacular buildings, but as<br />
always the revision will aim to be as<br />
comprehensive as possible.<br />
East <strong>Sussex</strong> is known as a very<br />
secret county with many good<br />
buildings tucked away from view.<br />
If any members have knowledge or<br />
interest in the county’s architecture<br />
Nick would be delighted to hear<br />
from them. Please email him at<br />
post@antram.co.uk.<br />
Ditchling Museum<br />
DITCHLING Museum has applied<br />
for Stage One funding from the<br />
Heritage Lottery for a project to<br />
incorporate a Grade II listed farm<br />
building as the new entrance, shop<br />
and café. The 18th century int<br />
and brick Cart Lodge and Granary<br />
stands close to the museum on the<br />
village green, owned by the Friends<br />
of Ditchling who have agreed a<br />
lease. The museum opened in<br />
1985 in the former Victorian village<br />
school and this development would<br />
create environmentally controlled<br />
new display and collection storage<br />
spaces, research and educational<br />
areas. The museum holds important<br />
collections of works by stone<br />
carver Eric Gill, artist David Jones,<br />
calligrapher Edward Johnston and<br />
weaver Ethel Mairet; two studio<br />
spaces would show commitment<br />
to contemporary practitioners and<br />
honour the legacy of 20th century<br />
artists and craftspeople who made<br />
Ditchling their home. The result<br />
of the application is expected by<br />
<strong>December</strong> <strong>2008</strong>/January 2009 and,<br />
if successful, a period of research<br />
and development will follow to<br />
enable submission of an application<br />
for Stage Two funding. Update on<br />
progress can be found at www.<br />
ditchlingmuseum.com.<br />
Next Issue<br />
THE next <strong>issue</strong> of <strong>Sussex</strong> Past &<br />
Present will be published in April<br />
<strong>2008</strong>. Copy deadline is January 29.<br />
Letters and ‘snippets’ are welcome;<br />
longer items should be kept to a<br />
maximum of 500 words unless prior<br />
arrangements have been made with<br />
the editor, Sarah Hanna, at spp@<br />
sussexpast.co.uk, or John Manley<br />
on 01273 486260. Please note<br />
that we require images with most<br />
contributions, preferably in high<br />
quality colour format. To submit<br />
digitally, please use MS Word for<br />
text and send images in JPEG or<br />
TIF formats, at minimum resolution<br />
of 600dpi. Correspondence and<br />
details of events should be sent to<br />
Sarah Hanna, Editor, <strong>Sussex</strong> Past &<br />
Present, Bull House, 92 High Street,<br />
Lewes BN7 1XH, or emailed to the<br />
above address.<br />
Rates for insertions into the<br />
newsletter, which goes out to over<br />
2500 members, start at £100 (plus<br />
minimum handling charge of £20).<br />
Contact Lorna Gartside on 01273<br />
405737 for details.<br />
<strong>Sussex</strong> Past & Present <strong>December</strong> <strong>2008</strong> www.sussexpast.co.uk