27.03.2013 Views

APPENDIX C΄ ON DEPILATION: BODY COSMETICS IN CLASSICAL ...

APPENDIX C΄ ON DEPILATION: BODY COSMETICS IN CLASSICAL ...

APPENDIX C΄ ON DEPILATION: BODY COSMETICS IN CLASSICAL ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>ON</strong> DEPILATI<strong>ON</strong>: <strong>BODY</strong> <strong>COSMETICS</strong> <strong>IN</strong> <strong>CLASSICAL</strong> ANTIQUITY 545<br />

this comparison thus: âΛÓÔ˘˜ ÔsÓ âÁg ˙ËÏá ÙÔf˜ apple·Ï·ÈÔ‡˜, ηd<br />

âΛÓÔ˘˜ ÌÈÌÂÖÛı·È ‚Ô‡ÏÔÌ·È (it is the K˘ÓÈÎfi˜, of course, who speaks<br />

all the time), ÙÔf˜ ‰b ÓÜÓ Ôé ˙ËÏá Ùɘ ı·˘Ì·ÛÙɘ Ù·‡Ù˘ Â鉷ÈÌÔ-<br />

Ó›·˜ w˜ ö¯Ô˘ÛÈ appleÂÚd ÙÚ·apple¤˙·˜ ηd âÛıÉÙ·˜ ηd Ï·›ÓÔÓÙ˜ ηd „ÈÏÔ‡-<br />

ÌÂÓÔÈ appleÄÓ ÙÔÜ ÛÒÌ·ÙÔ˜ ̤ÚÔ˜ ηd Ìˉb ÙáÓ àappleÔÚÚ‹ÙˆÓ ÌˉbÓ Fw<br />

apple¤Ê˘ÎÂÓ ö¯ÂÈÓ âáÓÙ˜.<br />

That this depilation of the whole male body including the pubic<br />

area and the fundament was a far from uncommon practice in Greek<br />

and Roman antiquity usually associated with intense and<br />

unprohibited enjoyment of sexual pleasures, especially of those not<br />

geared to generation, is a certainty, evidence for which will be<br />

presented below. But the point here is that it was not late; it was early,<br />

at least classical. Thus, to give some more examples, Aristophanes,<br />

Ranae, 422 sqq., makes the priest, in the midst of his religiously<br />

significant banter, to say:<br />

ÙeÓ KÏÂÈÛı¤ÓÔ˘˜ ‰’ àÎÔ‡ˆ<br />

âÓ Ù·Ö˜ Ù·Ê·ÖÛÈ appleÚˆÎÙeÓ<br />

Ù›ÏÏÂÈÓ ë·˘ÙÔÜ Î·d Ûapple·Ú¿ÙÙÂÈÓ Ùa˜ ÁÓ¿ıÔ˘˜,<br />

ÎàÎfiappleÙÂÙ’ âÁÎÂ΢Êg˜<br />

ÎôÎÏ·Â ÎàÎÂÎÚ¿ÁÂÈ<br />

‚ÖÓÔÓ, ¬ÛÙȘ âÛÙ›Ó, àÓ·ÊχÛÙÈÔÓ (I put this, for the<br />

mss. àÓ·ÊχÛÙÈÔ˜).<br />

This is an excellent example of sustainedly multi-dimensioned<br />

meaning, of richly interspersed allusions, that one expects from a<br />

supreme comic writer like Aristophanes. Cleisthenes here is made to<br />

mourn for Sebinus’ death in a memorable way. This Cleisthenes was<br />

(in)famous as a ΛӷȉԘ and Á˘Ó·ÈÎÈ˙fiÌÂÓÔ˜ or Á˘Ó·ÈÎ҉˘, v. Sch.<br />

ad Nubes 355: ÔyÙÔ˜ ‰b âappled ÎÈӷȉ›÷· ‰È·‚¿ÏÏÂÙ·È. ÙÔÜÙÔÓ ‰b ó˜<br />

Á˘Ó·ÈÎÈ˙fiÌÂÓÔÓ ÔéÎ \AÚÈÛÙÔÊ¿Ó˘ ‰È·‚¿ÏÏÂÈ ÌfiÓÔÓ indeed in various<br />

places, àÏÏa ηd KÚ·ÙÖÓÔ˜... ÙÔÜÙÔÓ å‰ÔÜÛ·È, ÊËÛ›Ó, ·î NÂʤϷÈ, Âå˜<br />

Á˘Ó·Öη˜ ÌÂÙÂÌfiÚÊˆÛ·Ó ë·˘Ù¿˜. Cf. Suda s.v. KÏÂÈÛı¤ÓÔ˘˜ àÎÚ·Ù¤-<br />

ÛÙÂÚÔ˜, which seems to have become proverbial, and s.v. KÏÂÈÛı¤Ó˘.<br />

He is described as womanlike by Aristophanes in Aves 831 (the<br />

scholiast makes explicit Aristophanes’ meaning), where the point lies<br />

in the contrast to Athena’s manliness; and similarly the scholiast to<br />

Lysistrata 1092 says: ÔyÙÔ˜ È‚˘ÚÙ›Ô˘ apple·Ö˜ âappled ıËχÙËÙÈ ÎˆÌˇˆ‰Ô‡-<br />

ÌÂÓÔ˜. When in Thesmoph. Cleisthenes goes to the meeting of the<br />

women who celebrate the Thesmophoria to disclose that Mnesilochus

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!