APPENDIX C΄ ON DEPILATION: BODY COSMETICS IN CLASSICAL ...
APPENDIX C΄ ON DEPILATION: BODY COSMETICS IN CLASSICAL ...
APPENDIX C΄ ON DEPILATION: BODY COSMETICS IN CLASSICAL ...
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566 <strong>APPENDIX</strong> <strong>C΄</strong><br />
àappleÔappleχӷ˜ ÙcÓ ÎfiÓÈÓ Î·d ÙeÓ appleËÏfiÓ, âÚÔ›ÌËÓ ôÓ Û appleÔÙ¤Úˇˆ iÓ<br />
¬ÌÔÈÔ˜ ÂûÍ·ÈÔ ÁÂÓ¤Ûı·ÈØ... Û˘ÓÂÛÙËÎg˜ ηd Û˘ÁÎÂÎÚÔÙË̤ÓÔ˜ ÂrÓ·È<br />
ÌÄÏÏÔÓ j ıÚ‡appleÙÂÛı·È ηd ‰È·ÚÚÂÖÓ Î·d Ï¢Îe˜ ÂrÓ·È àappleÔÚ›÷· ηd Ê˘ÁFÉ<br />
Âå˜ Ùa ÂúÛˆ ÙÔÜ ·¥Ì·ÙÔ˜. Similarly Plutarch refers clearly in a<br />
depreciatory fashion to Julius Caesar’s Ï¢ÎfiÙ˘: Jul. Caesar 17: ì ‰b<br />
ÙáÓ applefiÓˆÓ ñappleÔÌÔÓc apple·Úa ÙcÓ ÙÔÜ ÛÒÌ·ÙÔ˜ ‰‡Ó·ÌÈÓ âÁηÚÙÂÚÂÖÓ<br />
‰ÔÎÔÜÓÙÔ˜ âͤappleÏËÙÙÂÓ, ¬ÙÈ Î·d ÙcÓ ≤ÍÈÓ JÓ åÛ¯Óe˜ ηd ÙcÓ Û¿Úη<br />
Ï¢Îe˜ ηd êapple·Ïe˜ ηd ÙcÓ ÎÂÊ·ÏcÓ ÓÔÛ҉˘ ηd etc. Ηere clearly<br />
the Ï¢ÎfiÙ˘ is âÍ àÁ˘ÌÓ·Û›·˜, since it is conjoined with softness.<br />
High appreciation of Ï¢ÎfiÙ˘ in a youth is shown by another of<br />
the great aristocratically minded spirits of democratic Athens: Plato in<br />
Republic 474 D-E comments on the soft-point of the àÓcÚ âÚˆÙÈÎfi˜,<br />
his being aroused and excited in the sight of all lovely boys in the<br />
bloom of their youth: j Ôé¯ Ô≈Ùˆ appleÔÈÂÖÙ appleÚe˜ ÙÔf˜ ηÏÔ‡˜;... ̤Ϸ-<br />
Ó·˜ ‰b àÓ‰ÚÈÎÔf˜ å‰ÂÖÓ, Ï¢ÎÔf˜ ‰b ıÂáÓ apple·Ö‰·˜ ÂrÓ·ÈØ ÌÂÏȯÏÒÚÔ˘˜<br />
‰b ηd ÙÔûÓÔÌ· ÔúÂÈ ÙÈÓe˜ ôÏÏÔ˘ appleÔ›ËÌ· ÂrÓ·È j âÚ·ÛÙÔÜ ñappleÔÎÔÚÈ˙Ô-<br />
̤ÓÔ˘ Ù ηd Âé¯ÂÚᘠʤÚÔÓÙÔ˜ ÙcÓ è¯ÚfiÙËÙ·, âaÓ âappled œÚ÷· Fq; (the<br />
passage is quoted by Plutarch, Quamodo adulator ab amico<br />
internoscatur, 56D). However we may allow for the exaggeration of<br />
one who àÙ¯ÓᘠÁaÚ Ï¢Îc ÛÙ¿ıÌË ÂåÌd appleÚe˜ ÙÔf˜ ηÏÔ‡˜Ø ۯ‰eÓ<br />
Á¿Ú Ù› ÌÔÈ apple¿ÓÙ˜ Ôî âÓ ÙFÉ ìÏÈΛ÷· ηÏÔd Ê·›ÓÔÓÙ·È (Charmides<br />
154B), the fact remains that it is Ï¢ÎfiÙ˘ which is especially<br />
associated with those charming sons of gods. The swarthy type is<br />
praised as manly in the sense of a robust rusticity felt to be active in<br />
him. Paleness, or, as it is likely to be endearingly called by the lover,<br />
honey-pallidness (ÌÂÏ›¯ÏˆÚÔ˜ being a word of exquisite musicality in<br />
Greek), is again distinguished from Ï¢ÎfiÙ˘. It should be noticed<br />
that the difference of skin tints here spoken of are chiefly<br />
constitutional rather than having to do with the particular ways of<br />
training or life. But the appreciation involved points, nonetheless, in<br />
the same direction, which is the significant thing for our present<br />
concern.<br />
Nor were things very different in Homeric times. Ajax the<br />
Telamonian, the Great, as Homer calls him, the mighty hero with the<br />
host of traditions about him relating his exploits and fortunes, and<br />
with hero worship instituted in his honour, the man to whom by right<br />
belonged Achilles’ armor (he finally got them after death; cf. Pausanias<br />
I, 35, 4) since he was second to none but to the greatest of them all