27.03.2013 Views

APPENDIX C΄ ON DEPILATION: BODY COSMETICS IN CLASSICAL ...

APPENDIX C΄ ON DEPILATION: BODY COSMETICS IN CLASSICAL ...

APPENDIX C΄ ON DEPILATION: BODY COSMETICS IN CLASSICAL ...

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

<strong>ON</strong> DEPILATI<strong>ON</strong>: <strong>BODY</strong> <strong>COSMETICS</strong> <strong>IN</strong> <strong>CLASSICAL</strong> ANTIQUITY 563<br />

(d) àappleÚ·ÁÌÔÛ‡Ó˘ àÓÙd ÙÔÜ appleÔÏ˘appleÚ·ÁÌÔÛ‡Ó˘ (Ôé is<br />

evidently required and is preserved in R’s version: j «àappleÚ·ÁÌÔ<br />

Û‡ÓË» àÓÙd ÙÔÜ «Ôé appleÔÏ˘appleÚ¿ÁÌˆÓ qÓ»).<br />

(a) and (d) are clearly correct, clear as light. Aristophanes intermixed<br />

(apple·Ú¤ÌÈÍÂ) in his idyllic description àappleÚ·ÁÌÔÛ‡ÓË, in order to<br />

indicate that he considers it as a nice, pretty plant, a flower like the<br />

others growing in an old-fashioned Á˘ÌÓ¿ÛÈÔÓ, especially one in a<br />

sacred place (v. Scholia ad Nubes 1005). He means to extol the carefree,<br />

easy-going life of keeping to you and your own, to things<br />

beautiful and delicate away from the market-place and the assembly.<br />

Do not be a meddler in things which are, at bottom, insignificant this<br />

is his message. And from this fine stroke of Aristophanes the supreme<br />

comic poet, Aristophanes the grammarian makes, as it seems, a stupid<br />

mess, by inventing a plant specifically growing in the Academy! If<br />

there was such a plant, it was spiritual and this was the point of the<br />

poet missed by the grammarian. (Another such unexpected turn is<br />

given a few lines below, „‹ÊÈÛÌ· Ì·ÎÚfiÓ (1019) in the end of an<br />

enumeration of bodily features; with ÁÏáÙÙ· ‚·È¿ /ÁÏáÙÙ· ÌÂÁ¿ÏË<br />

there, Aristophanes bridges the gap between the physical<br />

characteristics and the final „‹ÊÈÛÌ· Ì·ÎÚfiÓ, by using expressions<br />

which, though they have a perfect physical application, are nonetheless<br />

obviously meant metaphorically). (c), at least, is pragmatic pedantry;<br />

the âÓ \Aη‰ËÌ›÷· Ê˘fiÌÂÓÔÓ of Aristophanes is the coup de grâce.<br />

After this introduction, there follows in Nubes (1009 sqq.) the<br />

inimitable description of the opposite bodily characteristics which will<br />

distinguish the young man corresponding to his choice of the type of<br />

education he wants. Speaks the ¢›Î·ÈÔ˜ §fiÁÔ˜ addressing the<br />

promising youth:<br />

jÓ Ù·ÜÙ· appleÔÈFɘ êÁg ÊÚ¿˙ˆ,<br />

ηd appleÚe˜ ÙÔ‡ÙÔȘ appleÚÔÛ¤¯F˘ ÙeÓ ÓÔÜÓ,<br />

≤ÍÂȘ àÂd ÛÙÉıÔ˜ ÏÈapple·ÚfiÓ,<br />

¯ÚÔÈaÓ Ï¢΋Ó, üÌÔ˘˜ ÌÂÁ¿ÏÔ˘˜,<br />

ÁÏáÙÙ·Ó ‚·È¿Ó, apple˘ÁcÓ ÌÂÁ¿ÏËÓ,<br />

applefiÛıËÓ ÌÈÎÚ¿Ó.<br />

jÓ ‰’ ±appleÂÚ Ôî ÓÜÓ âappleÈÙˉ‡F˘,<br />

appleÚáÙ· ÌbÓ ≤ÍÂȘ ¯ÚÔÈaÓ è¯ÚaÓ<br />

üÌÔ˘˜ ÌÈÎÚÔ‡˜, ÛÙÉıÔ˜ ÏÂappleÙeÓ

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!