Key Concepts of Museology - ICOM

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BIBLIOGRAPHY 82 SCHEINER T., 2007. “Musée et muséologie. Défi nitions en cours”, in MAIRESSE F. et DESVALLÉES A., Vers une redéfi nition du musée ?, Paris, L’Harmattan, p. 147-165. SCHREINER K., 1985. “Authentic objects and auxiliary materials in museums”, ICOFOM Study Series, n o 8, p. 63-68. SCHULZ E., 1990. “Notes on the history of collecting and of museums”, Journal of the History of Collections, vol. 2, n° 2, p. 205-218. SCHWEIBENZ W., 2004. “Le musée virtuel”, ICOM News, Vol. 57 [première défi nition en 1998], n o 3, p. 3. SHAPIRO R. 2004. “Qu’ est-ce que l’artifi cation ? ”, in L’individu social, XVII e Congrès de l’AISLF, Comité de recherche 18, Sociologie de l’art, Tours, juillet 2004. Available on the internet: http://halshs. archivesouvertes.fr/docs/00/06/71/36/ PDF/Artifi cHAL.pdf SCHOUTEN F., 1987. “L’Éducation dans les musées: un défi permanent”, Museum, n° 156, p. 241 sq. SMITH L. (dir.), 2006. Cultural Heritage. Critical Concepts in Media and Cultural Studies, London, Routledge, 4 vol. SPIELBAUER J., 1987. “Museums and Museology: a Means to Active Integrative Preservation”, ICOFOM Study Series, n o 12, p. 271-277. STRÁNSKÝ Z. Z., 1980. “Museology as a Science (a thesis)”, Museologia, 15, XI, p. 33-40. STRÁNSKÝ Z. Z., 1987. “La muséologie est-elle une conséquence de l’existence des musées ou les précèdet-elle et détermine [- t-elle] leur avenir ? ”, ICOFOM Study Series, n° 12, p. 295. STRÁNSKÝ Z. Z., 1995. Muséologie. Introduction aux études, Brno, Université Masaryk. TOBELEM J.-M. (dir.), 1996. Musées. Gérer autrement. Un regard international, Paris, Ministère de la Culture et La Documentation française. TOBELEM J.-M., 2005. Le nouvel âge des musées, Paris, Armand Colin. TORAILLE R., 1985. L’Animation pédagogique aujourd’hui, Paris, ESF. UNESCO, 1972. Convention concerning the Protection of the World Cultural and Natural Heritage, Paris, 16 November. Available on the internet: whc.unesco.org/archive/ convention-en.pdf UNESCO, 1993. Establishment of a system of “living cultural properties” (living human treasures) at UNESCO, adopted by the Executive Board of UNESCO at its 142 nd session (Paris, 10 décembre 1993). Available on the internet: http://unesdoc. unesco.org/images/0009/000958/ 095831eo.pdf UNESCO, 2003. Convention for the Safeguarding of the Intangible Cultural Heritage. Paris, 17 October 2003. Available on the internet: http://unesdoc.unesco. org/images/0013/001325/132540e. pdf
VAN LIER H., 1969. “Objet et esthétique”, Communications, n° 13, p. 92-95. VERGO P. (dir.), 1989. The New Museology, London, Reaktion books. VICQ d’AZYR, F., POIRIER, DOM G., 1794. Instruction sur la manière d’inventorier et de conserver, dans toute l’étendue de la République, tous les objets qui peuvent servir aux arts, aux sciences et à l’enseignement. Rééd. in DELOCHE B., LENIAUD J.-M., 1989, La Culture des sans-culotte, Paris/Montpellier, BIBLIOGRAPHY Éd. de Paris/Presses du Languedoc, p. 175-242, p. 177 et 236. WAIDACHER F., 1996. Handbuch der Allgemeinen Museologie, Wien, Böhlau Verlag, 2 e éd. WEIL S., 2002. Making Museums Matter, Washington, Smithsonian. WIENER N., 1948. Cybernetics: Or Control and Communication in the Animal and the Machine, Paris/ Cambridge, Librairie Hermann & Cie/MIT Press. ZUBIAUR CARREÑO F. J., 2004. Curso de museología, Gijón, Trea. 83
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Key Concepts of Museology
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With the assistance of the Musée R
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F OREWORD The development of profes
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FOREWORD for Museums, its publicati
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PREFACE 12 covered by each term, to
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I NTRODUCTION What is a museum? How
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I NTRODUCTION everyone shares a com
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I NTRODUCTION from reality. The rel
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I NTRODUCTION In the early 1980s th
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24 New functions that emerged in th
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26 COLLECTION n. - Equivalent in Fr
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28 its assumed materiality as a sta
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30 not mean that the visitor is not
Page 32 and 33: 32 is a theoretical and methodologi
Page 34 and 35: 34 American Association of Museums)
Page 36 and 37: 36 interactions specifi c to this p
Page 38 and 39: 38 tion (the exact meaning of which
Page 40 and 41: 40 ciples of history, history of ar
Page 42 and 43: 42 5. The institution of heritage a
Page 44 and 45: 44 objects. The museum institution,
Page 46 and 47: 46 time within profi t-making organ
Page 48 and 49: 48 which mobilises diverse technolo
Page 50 and 51: 50 be incapable of using the resour
Page 52 and 53: 52 sory perception, experiment, and
Page 54 and 55: 54 Etymologically speaking museolog
Page 56 and 57: 56 because it includes all the othe
Page 58 and 59: 58 many that attest to a “specifi
Page 60 and 61: 60 museum in its exterior theatre o
Page 62 and 63: 62 In this sense the object is abst
Page 64 and 65: 64 of a language of substitution. W
Page 66 and 67: 66 another museal institution, dest
Page 68 and 69: 68 Committee for the Training of Pe
Page 70 and 71: 70 guide-lecturer or lecturer, who
Page 72 and 73: 72 establishment. The notion of pub
Page 74 and 75: 74 manent ones, part of the fundame
Page 76 and 77: 76 heterogeneous groups of people (
Page 78 and 79: BIBLIOGRAPHY 78 BUCK R., GILMORE J.
Page 80 and 81: BIBLIOGRAPHY 80 KARP I. et al. (Ed.
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