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Key Concepts of Museology - ICOM

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54<br />

Etymologically speaking museology<br />

is the ‘study <strong>of</strong> the museum’ (or<br />

museum studies), and not its practice,<br />

which is museography. But the term<br />

museology and its derivative museological,<br />

accepted in its wider sense in<br />

the 1950s, now has fi ve clearly distinct<br />

meanings.<br />

1. The fi rst and most commonly<br />

accepted meaning applies the term<br />

museology to anything relating to<br />

museums and generally listed, in<br />

this dictionary, under the heading<br />

museal. Thus one might speak <strong>of</strong><br />

the museological departments <strong>of</strong> a<br />

library (the reserved section or the<br />

numismatic cabinet), museological<br />

questions (relating to museums) and<br />

so on. This is <strong>of</strong>ten the meaning used<br />

in Anglo-Saxon countries, which has<br />

even spread from North America<br />

to Latin-American countries. Thus,<br />

where there is no specifi c recognised<br />

pr<strong>of</strong>ession, such as in France where<br />

the general term curator (conservateur)<br />

would be used, the term museologist<br />

applies to the entire museum<br />

pr<strong>of</strong>ession (for example in Québec),<br />

in particular to consultants given the<br />

task <strong>of</strong> drawing up a museum project<br />

or creating and staging an exhibition.<br />

This use is not favoured here.<br />

2. The second meaning <strong>of</strong> the<br />

term is generally accepted in many<br />

western university networks and is<br />

close to the etymological sense <strong>of</strong><br />

the word: museum studies. The most<br />

commonly used defi nition is that<br />

proposed by Georges Henri Rivière:<br />

“<strong>Museology</strong>: an applied science, the<br />

science <strong>of</strong> the museum. <strong>Museology</strong><br />

studies its history, its role in society,<br />

the specifi c forms <strong>of</strong> research and<br />

physical conservation, activities<br />

and dissemination, organisation<br />

and functioning, new or musealised<br />

architecture, sites that have been<br />

received or chosen, its typology<br />

and its deontology” (Rivière, 1981).<br />

In some ways museology contrasts<br />

with museography, which refers to<br />

the practices attached to museology.<br />

Anglo-Americans are generally<br />

reluctant to accept the invention <strong>of</strong><br />

new ‘sciences’ and have favoured<br />

the expression museum studies, particularly<br />

in Great Britain where the<br />

term museology is still rarely used<br />

to date. Although the term has been<br />

increasingly frequently applied internationally<br />

since the 1950s, along with<br />

the increased interest in museums, it<br />

is still rarely used by people who live<br />

with museums on a daily basis, and<br />

the use <strong>of</strong> the term remains limited<br />

to people who observe the museum<br />

from the outside. This use <strong>of</strong> museology,<br />

widely accepted by pr<strong>of</strong>essionals,<br />

has gradually established itself<br />

in Romance countries from the 1960s,<br />

replacing the term museography.<br />

3. From the 1960s in Central and<br />

Eastern Europe, museology gradually<br />

came to be considered as a<br />

genuine fi eld <strong>of</strong> scientifi c research<br />

(albeit a developing science) and an<br />

independent discipline examining<br />

reality. This view, which greatly<br />

infl uenced ICOFOM in the years<br />

1980-1990, presents museology as<br />

the study <strong>of</strong> a specifi c relationship<br />

between man and reality, a study in

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