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Key Concepts of Museology - ICOM

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44<br />

objects. The museum institution,<br />

created and maintained by society,<br />

rests on a collection <strong>of</strong> standards<br />

and rules (preventive conservation,<br />

forbidden to touch objects or display<br />

substitutes while presenting them<br />

as originals) which are founded on<br />

a value system: preservation <strong>of</strong> heritage,<br />

presentation <strong>of</strong> works <strong>of</strong> art<br />

and unique pieces, the dissemination<br />

<strong>of</strong> current scientifi c knowledge, etc.<br />

Emphasising the institutional nature<br />

<strong>of</strong> museum thus means strengthening<br />

its normative role and the authority it<br />

has in science and the fi ne arts, for<br />

example, or the idea that museums<br />

remain “in the service <strong>of</strong> society and<br />

its development.”<br />

3. In contrast to the English, which<br />

does not precisely differentiate<br />

between them (and in general to the<br />

way they are used in Belgium and in<br />

Canada too), the terms institution and<br />

establishment are not synonymous.<br />

Museum, as an institution, is different<br />

from museum as an establishment,<br />

a specifi c concrete place: “The<br />

museal establishment is a concrete<br />

form <strong>of</strong> the museal institution”<br />

(Maroević, 2007). One should note<br />

that questioning <strong>of</strong> the institution,<br />

even purely and simply denying it (as<br />

in the case <strong>of</strong> Malraux’s imaginary<br />

museum or the fi ctitious museum <strong>of</strong><br />

the artist Marcel Broodthaers) does<br />

not mean that it has left the museal<br />

fi eld, in so far as the museal fi eld can<br />

extend beyond the institutional framework.<br />

In its strict sense, the term<br />

virtual museum (existing in essence<br />

but not in fact) takes account <strong>of</strong> these<br />

museal experiences on the margin <strong>of</strong><br />

institutional reality.<br />

This is why in many countries, in<br />

particular in Canada and Belgium,<br />

people use the expression ‘museal<br />

institution’ (institution muséale) to<br />

identify an establishment which<br />

does not have all the characteristics<br />

<strong>of</strong> a traditional museum. “By museal<br />

institutions, we mean non-pr<strong>of</strong>i t establishments,<br />

museums, exhibition and<br />

interpretation centres which, besides<br />

the functions <strong>of</strong> acquisition, conservation,<br />

research and management <strong>of</strong><br />

collections that some may carry out,<br />

have in common that they are places<br />

<strong>of</strong> education and dissemination<br />

dedicated to the arts, history and the<br />

sciences.” (Société des musées québécois,<br />

Observatoire de la culture et des<br />

communautés du Québec, 2004).<br />

4. Finally, the term ‘museal institution’<br />

can be defi ned, like ‘fi nancial<br />

institution’ (the IMF or the<br />

World Bank) as all the national or<br />

international bodies which govern<br />

museum operations, such as <strong>ICOM</strong><br />

or the former Direction des musées<br />

de France.<br />

DERIVATIVES: INSTITUTIONAL, MUSEAL INSTITUTION.<br />

CORRELATED: ESTABLISHMENT, PUBLIC DOMAIN,<br />

PUBLIC OWNERSHIP, PUBLIC TRUST, VIRTUAL MUSEUM.

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