Key Concepts of Museology - ICOM

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With the assistance of the Musée Royal de Mariemont www.musee-mariemont.be And the assistance of the ICOM International Committee for Museology Cover photos: © 2009 Musée du Louvre / Angèle Dequier © National Heritage Board, Singapore © Auckland Museum © Ningbo Museum © Armand Colin, 2010 ISBN: 978-2-200-25398-1
E DITORIAL COMMITTEE François Mairesse, André Desvallées, Bernard Deloche, Serge Chaumier, Martin Schärer, Raymond Montpetit, Yves Bergeron, Noémie Drouguet, Jean Davallon With the participation of: Philippe Dubé, Nicole Gesché-Koning, André Gob, Bruno Brulon Soares, Wan Chen Chang, Marilia Xavier Cury, Blondine Desbiolles, Jan Dolak, Jennifer Harris, Francisca Hernandez Hernandez, Diana Lima, Pedro Mendes, Lynn Maranda, Monica Risnicoff de Gorgas, Anita Shah, Graciela Weisinger, Anna Leshchenko, all of whom have contributed to the ICOFOM Symposium in 2009 on this subject or have read through this document. Translated from the French version by Suzanne Nash 5
Page 1: Key Concepts of Museology
Page 7 and 8: F OREWORD The development of profes
Page 9: FOREWORD for Museums, its publicati
Page 12 and 13: PREFACE 12 covered by each term, to
Page 15 and 16: I NTRODUCTION What is a museum? How
Page 17 and 18: I NTRODUCTION everyone shares a com
Page 19 and 20: I NTRODUCTION from reality. The rel
Page 21: I NTRODUCTION In the early 1980s th
Page 24 and 25: 24 New functions that emerged in th
Page 26 and 27: 26 COLLECTION n. - Equivalent in Fr
Page 28 and 29: 28 its assumed materiality as a sta
Page 30 and 31: 30 not mean that the visitor is not
Page 32 and 33: 32 is a theoretical and methodologi
Page 34 and 35: 34 American Association of Museums)
Page 36 and 37: 36 interactions specifi c to this p
Page 38 and 39: 38 tion (the exact meaning of which
Page 40 and 41: 40 ciples of history, history of ar
Page 42 and 43: 42 5. The institution of heritage a
Page 44 and 45: 44 objects. The museum institution,
Page 46 and 47: 46 time within profi t-making organ
Page 48 and 49: 48 which mobilises diverse technolo
Page 50 and 51: 50 be incapable of using the resour
Page 52 and 53: 52 sory perception, experiment, and
Page 54 and 55:
54 Etymologically speaking museolog
Page 56 and 57:
56 because it includes all the othe
Page 58 and 59:
58 many that attest to a “specifi
Page 60 and 61:
60 museum in its exterior theatre o
Page 62 and 63:
62 In this sense the object is abst
Page 64 and 65:
64 of a language of substitution. W
Page 66 and 67:
66 another museal institution, dest
Page 68 and 69:
68 Committee for the Training of Pe
Page 70 and 71:
70 guide-lecturer or lecturer, who
Page 72 and 73:
72 establishment. The notion of pub
Page 74 and 75:
74 manent ones, part of the fundame
Page 76 and 77:
76 heterogeneous groups of people (
Page 78 and 79:
BIBLIOGRAPHY 78 BUCK R., GILMORE J.
Page 80 and 81:
BIBLIOGRAPHY 80 KARP I. et al. (Ed.
Page 82 and 83:
BIBLIOGRAPHY 82 SCHEINER T., 2007.
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Key Concepts of Museology - ICOM

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