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Key Concepts of Museology - ICOM

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EDUCATION<br />

n. (Latin: educatio, educere, to guide, to lead<br />

out <strong>of</strong>) – Equivalent in French: éducation; Spanish:<br />

educación; German: Erziehung, Museumspädagogik;<br />

Italian: istruzione; Portuguese:<br />

educaçāo.<br />

Generally speaking, education means<br />

the training and development <strong>of</strong><br />

human beings and their capacities by<br />

implementing the appropriate means<br />

to do so. Museum education can be<br />

defi ned as a set <strong>of</strong> values, concepts,<br />

knowledge and practices aimed at<br />

ensuring the visitor’s development;<br />

it is a process <strong>of</strong> acculturation which<br />

relies on pedagogical methods, development,<br />

fulfi lment, and the acquisition<br />

<strong>of</strong> new knowledge.<br />

1. The concept education should be<br />

defi ned in relation to other terms, the<br />

fi rst <strong>of</strong> these being instruction, which<br />

“concerns the mind and is understood<br />

as knowledge acquired by which<br />

one becomes skilful and learned”<br />

(Toraille, 1985). Education relates<br />

to both the heart and the mind, and<br />

is understood as knowledge which<br />

one aims to update in a relationship<br />

which sets knowledge in motion to<br />

develop understanding and individual<br />

reinvestment. Education is the<br />

action <strong>of</strong> developing moral, physical,<br />

intellectual and scientifi c values, and<br />

E<br />

knowledge. Knowledge, know-how,<br />

being and knowing how to be are four<br />

major components in the educational<br />

fi eld. The term education comes<br />

from the Latin “educere”, to lead out<br />

<strong>of</strong> (i.e. out <strong>of</strong> childhood) which assumes<br />

a dimension <strong>of</strong> active accompaniment<br />

in the transmission process.<br />

It is connected with the notion <strong>of</strong><br />

awakening, which aims to arouse<br />

curiosity, to lead to questioning and<br />

develop the capacity to think. The<br />

purpose <strong>of</strong> informal education is thus<br />

to develop the senses and awareness;<br />

it is a development process which presupposes<br />

change and transformation<br />

rather than conditioning and inculcation,<br />

notions it tends to oppose.<br />

The shaping <strong>of</strong> it therefore happens<br />

via instruction which conveys useful<br />

knowledge, and education which<br />

makes this knowledge transformable<br />

and able to be reinvested by the individual<br />

to further the process <strong>of</strong> his<br />

becoming a human being.<br />

2. In a more specifi cally museum<br />

context, education is the mobilisation<br />

<strong>of</strong> knowledge stemming from<br />

the museum and aimed at the development<br />

and the fulfi lment <strong>of</strong> individuals,<br />

through the assimilation <strong>of</strong><br />

this knowledge, the development <strong>of</strong><br />

new sensitivities and the realisation <strong>of</strong><br />

new experiences. “Museum pedagogy<br />

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