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TAXI DELIVERS KNOCKOUT PUNCH - Strategy

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aoy honourable mention<br />

MICHELINA'S • JOHN ST. • STANFIELD'S<br />

STANFIELD'S<br />

50<br />

Toronto-based John St. returns to the AOY podium this year with an Honourable Mention.<br />

Judges singled out Auto Trader as a favourite: “Simple stuff, and laugh-out-loud funny,”<br />

said Frito Lay Canada VP marketing Tony Matta. “No consumer will have to guess at the key<br />

message, and the humour is right in your face.”<br />

www.strategymag.com<br />

A traditional Canadian brand with 150 years of history, Stanfi eld’s<br />

needed some credibility in a world of fashionable competitors like Joe<br />

Boxer, Calvin Klein, DEX and Tommy Hilfi ger.<br />

For more urban, fashionable, image-conscious males, this<br />

century-old image was a liability. But John St. found a signifi cant<br />

group of young men for whom that unfussy, no-nonsense image could<br />

be seen as a positive. So where most underwear brands feature models<br />

wearing nothing but their briefs, John St. presented a world of fully<br />

dressed men.<br />

The idea was simple: you don’t have to see them to know who’s<br />

wearing them. Two TV spots, “Guys Night Out” and “Exercise Ball,”<br />

ran during NFL football and sports highlight shows like Sportsnet,<br />

SportsCentre and The Score last fall. During the winter, another spot,<br />

“Meat Locker,” was added to the rotation to promote the garments’<br />

thermal qualities.<br />

Research done in December 2007 showed spikes in overall awareness,<br />

brand recall (both unaided and aided) and intent to purchase. The<br />

campaign garnered signifi cant attention domestically and was<br />

shortlisted at the One Show and Cannes.<br />

The challenge: revitalize a brand on a fi ve-year sales slide whose only<br />

real equity was a cheesy pop song, “The Macarena.”<br />

Michelina’s target, the post-university/college male, is not interested<br />

in ingredients or health. As one guy said in research, “I want to eat. I<br />

don’t want to cook.”<br />

So John St. gave him a cook: a thick-accented Italian mama. “Let<br />

Mama Feed You” was a multimedia campaign that introduced Mama in<br />

two TV spots: “The Wall” and “Takedown.”<br />

Concurrently, John St. launched a Facebook profi le page where the<br />

target could check out photo albums of Mama at a bachelorette party,<br />

an improv class and an impromptu foosball championship. Mama’s<br />

700+ friends were invited to play online games, respond to discussion<br />

topics and watch her vlog rants about recording Oprah on her PVR and<br />

why pop starlets refuse to wear underwear.<br />

Mama was parodied on Royal Canadian Air Farce and featured<br />

on Breakfast Television, and made Top Favourites on YouTube. The<br />

campaign has gone global, and Michelina’s has put “Let Mama Feed<br />

You” on its packaging in the U.S. Tracking indicates that Mama is<br />

well on her way to burying the “Macarena” legacy for good: in three<br />

months, “Mama” beats “Macarena” mentions among those who recall<br />

Michelina’s advertising.

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