TAXI DELIVERS KNOCKOUT PUNCH - Strategy
TAXI DELIVERS KNOCKOUT PUNCH - Strategy
TAXI DELIVERS KNOCKOUT PUNCH - Strategy
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aoy honourable mention<br />
MICHELINA'S • JOHN ST. • STANFIELD'S<br />
STANFIELD'S<br />
50<br />
Toronto-based John St. returns to the AOY podium this year with an Honourable Mention.<br />
Judges singled out Auto Trader as a favourite: “Simple stuff, and laugh-out-loud funny,”<br />
said Frito Lay Canada VP marketing Tony Matta. “No consumer will have to guess at the key<br />
message, and the humour is right in your face.”<br />
www.strategymag.com<br />
A traditional Canadian brand with 150 years of history, Stanfi eld’s<br />
needed some credibility in a world of fashionable competitors like Joe<br />
Boxer, Calvin Klein, DEX and Tommy Hilfi ger.<br />
For more urban, fashionable, image-conscious males, this<br />
century-old image was a liability. But John St. found a signifi cant<br />
group of young men for whom that unfussy, no-nonsense image could<br />
be seen as a positive. So where most underwear brands feature models<br />
wearing nothing but their briefs, John St. presented a world of fully<br />
dressed men.<br />
The idea was simple: you don’t have to see them to know who’s<br />
wearing them. Two TV spots, “Guys Night Out” and “Exercise Ball,”<br />
ran during NFL football and sports highlight shows like Sportsnet,<br />
SportsCentre and The Score last fall. During the winter, another spot,<br />
“Meat Locker,” was added to the rotation to promote the garments’<br />
thermal qualities.<br />
Research done in December 2007 showed spikes in overall awareness,<br />
brand recall (both unaided and aided) and intent to purchase. The<br />
campaign garnered signifi cant attention domestically and was<br />
shortlisted at the One Show and Cannes.<br />
The challenge: revitalize a brand on a fi ve-year sales slide whose only<br />
real equity was a cheesy pop song, “The Macarena.”<br />
Michelina’s target, the post-university/college male, is not interested<br />
in ingredients or health. As one guy said in research, “I want to eat. I<br />
don’t want to cook.”<br />
So John St. gave him a cook: a thick-accented Italian mama. “Let<br />
Mama Feed You” was a multimedia campaign that introduced Mama in<br />
two TV spots: “The Wall” and “Takedown.”<br />
Concurrently, John St. launched a Facebook profi le page where the<br />
target could check out photo albums of Mama at a bachelorette party,<br />
an improv class and an impromptu foosball championship. Mama’s<br />
700+ friends were invited to play online games, respond to discussion<br />
topics and watch her vlog rants about recording Oprah on her PVR and<br />
why pop starlets refuse to wear underwear.<br />
Mama was parodied on Royal Canadian Air Farce and featured<br />
on Breakfast Television, and made Top Favourites on YouTube. The<br />
campaign has gone global, and Michelina’s has put “Let Mama Feed<br />
You” on its packaging in the U.S. Tracking indicates that Mama is<br />
well on her way to burying the “Macarena” legacy for good: in three<br />
months, “Mama” beats “Macarena” mentions among those who recall<br />
Michelina’s advertising.